Schoolteacher Barbara Covett has led a solitary life until Sheba Hart, the new art teacher at St. George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student.

When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

A Kiss Before Dying not only debuted the talent of best-selling novelist Ira Levin to rave reviews, it also set a new standard in the art of mystery and suspense. Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing—not even murder—to get where he wants to go.

For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder.

Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

The Crucible is a searing portrayal of a community engulfed by hysteria. Written by Arthur Miller in 1953, this powerful drama unfolds in the rigid theocracy of Salem, Massachusetts, where rumors of women practicing witchcraft galvanize the town's most basic fears and suspicions.

When a young girl accuses Elizabeth Proctor of being a witch, the self-righteous church leaders and townspeople insist that she be brought to trial. The ensuing ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor illuminate the destructive power of socially sanctioned violence.

As a mirror to reflect the anti-communist hysteria of its time, The Crucible uses the historical events of the Salem witch trials to comment on the insidious nature of McCarthyism in the United States. Miller's drama is as much a commentary on the perils of political extremism and the fragility of social cohesion as it is an examination of the Salem witch trials.

Aristophanes' comic masterpiece of war and sex remains one of the greatest plays ever written. Led by the title character, the women of the warring city-states of Greece agree to withhold sexual favours with their husbands until they agree to cease fighting.

The war of the sexes that ensues makes Lysistrata a bawdy comedy without peer in the history of theatre.

Passing is a brilliantly plotted and elegantly written novel by Nella Larsen, first published to critical acclaim in 1929. It tells the electrifying story of two women who cross the color line in 1920s New York.

Irene Redfield, the novel's protagonist, is a woman with an enviable life. She and her husband, Brian, a prominent physician, share a comfortable Harlem townhouse with their sons. Her work arranging charity balls that gather Harlem's elite creates a sense of purpose and respectability for Irene. But her hold on this world begins to slip the day she encounters Clare Kendry, a childhood friend with whom she had lost touch.

Clare—light-skinned, beautiful, and charming—tells Irene how, after her father's death, she left behind the black neighborhood of her adolescence and began passing for white, hiding her true identity from everyone, including her racist husband. As Clare begins inserting herself into Irene's life, Irene is thrown into a panic, terrified of the consequences of Clare's dangerous behavior. And when Clare witnesses the vibrancy and energy of the community she left behind, her burning desire to come back threatens to shatter her careful deception.

This novel offers a gripping psychological portrait of emotional extremity and remains a powerful commentary on race, identity, and societal norms.

This is not the novel by Franz Kafka! For the novel see The Castle.

Richard Lafargue is an eminent plastic surgeon haunted by dirty secrets. He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visits a young woman in a mental asylum.

Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls 'Mygale', after a type of tropical spider. All of these characters are caught in a deceitful web, doomed to meet their fate.

John le Carré's classic novels deftly navigate readers through the intricate shadow worlds of international espionage with unsurpassed skill and knowledge. A Perfect Spy is one of his richest and most morally resonant novels.

Magnus Pym - son of Rick, father of Tom, and a successful career officer of British Intelligence - has vanished, to the dismay of his friends, enemies, and wife. Who is he? Who was he? Who owns him? Who trained him? Secrets of state are at risk. As the truth about Pym gradually emerges, the reader joins Pym's pursuers to explore the unsettling life and motives of a man who fought the wars he inherited with the only weapons he knew, and so became a perfect spy.

In the final years of his prominent life, Chekhov had reached the height of his powers as a dramatist, and also produced some of the stories that rank among his masterpieces.

The poignant 'The Lady with the Little Dog' and 'About Love' examine the nature of love outside of marriage - its romantic idealism and the fear of disillusionment.

And in stories such as 'Peasants', 'The House with the Mezzanine' and 'My Life', Chekhov paints a vivid picture of the conditions of the poor and of their powerlessness in the face of exploitation and hardship.

With the works collected here, Chekhov moved away from the realism of his earlier tales - developing a broader range of characters and subject matter, while forging the spare minimalist style that would inspire modern short-story writers such as Hemingway and Faulkner.

There are things worse than death. There are games so seductively evil, so wondrously vile, no gambler can resist.

Amid the shadow-scarred rubble of World War II, Joseph Whitehead dared to challenge the dark champion of life’s ultimate game. Now a millionaire, locked in a terror-shrouded fortress of his own design, Joseph Whitehead has hell to pay.

And no soul is safe from this ravaging fear, the resurrected fury, the unspeakable desire of The Damnation Game.

English versions of Sophocles’ three great tragedies based on the myth of Oedipus, translated for a modern audience by two gifted poets. Index.

"Oscar et la dame rose" presents the letters sent to God by a ten-year-old child. These letters were discovered by Mamie Rose, the "dame rose" who visits him at the children's hospital. They describe twelve days in the life of Oscar, twelve days that are quirky and poetic, filled with funny and moving characters. These twelve days might be his last twelve. However, thanks to the strong bond of love formed with Mamie Rose, these twelve days will become legendary.

They are the Pipers of Cape Breton Island — a family steeped in lies and unspoken truths that reach out from the past, forever mindful of the tragic secret that could shatter the family to its foundations. Chronicling five generations of this eccentric clan, Fall on Your Knees follows four remarkable sisters whose lives are filled with driving ambition, inescapable family bonds, and forbidden love.

Their experiences will take them from their stormswept homeland, across the battlefields of World War I, to the freedom and independence of Jazz-era New York City.

Compellingly written, running the literary gamut from menacingly dark to hilariously funny, this is an epic saga of one family’s trials and triumphs in a world of sin, guilt, and redemption.

Guero Davila is a pilot engaged in drug-smuggling for the local cartels. Teresa Mendoza is his girlfriend, a typical narco's morra—quiet, doting, submissive. But then Guero's caught playing both sides, and in Sinaloa, that means death. Teresa finds herself alone, terrified, friendless, and running to save her life, carrying nothing but a gym bag containing a pistol and a notebook that she has been forbidden to read.

Forced to leave Mexico, she flees to the Spanish city of Melilla, where she meets Santiago Fisterra, a Galician involved in trafficking hashish across the Strait of Gibraltar. When Santiago's partner is captured, it is Teresa who steps in to take his place. Now Teresa has plunged into the dark and ugly world that once claimed Guero's life—and she's about to get in deeper...

In the last gasp of youth, Simon "Sick Boy" Williamson is back in Edinburgh. He taps into one last great scam: directing and producing a porn film. To make it work, he needs bedfellows: the lovely Nikki Fuller-Smith, a student with ambition, ego, and troubles to rival his own; old pal Mark Renton; and a motley crew that includes the neighborhood's favorite ex-beverage salesman, "Juice" Terry.

In the world of Porno, however, even the cons are conned. Sick Boy and Renton jockey for top dog. The out-of-jail and in-for-revenge Begbie is on the loose. But it's the hapless, drug-addled Spud who may be spreading the most trouble.

Porno is a novel about the Trainspotting crew ten years further down the line: still scheming, still scamming, still fighting for the first-class seats as the train careens at high velocity with derailment looming around the next corner.

The Lords of Discipline is a mesmerizing novel that sweeps us into the turbulent world of four young men—friends, cadets, and blood brothers. Their days are filled with hazing, heartbreak, pride, betrayal, and ultimately, humanity. We delve deep into the heart of the novel’s hero, Will McLean, a rebellious outsider with his own personal code of honor who is battling into manhood the hard way.

Immersed in a poignant love affair with a haunting beauty, Will must boldly confront the terrifying injustice of a corrupt institution as he struggles to expose a mysterious group known as “The Ten.”

Praise for The Lords of Discipline:

“If you are reading another book when you begin The Lords of Discipline, prepare to set it aside.”—The Denver Post

“A work of enormous power, passion, humor, and wisdom [that] sweeps the reader along on a great tide of honest, throbbing emotion.”—The Washington Star

“Few novelists write as well, and none as beautifully.”—Lexington Herald-Leader

Pat Conroy has created a huge, brash thunderstorm of a novel, stinging with honesty and resounding with drama. Spanning forty years, this is the story of turbulent Tom Wingo, his gifted and troubled twin sister Savannah, and their struggle to triumph over the dark and tragic legacy of the extraordinary family into which they were born.

Filled with the vanishing beauty of the South Carolina low country as well as the dusty glitter of New York City, The Prince of Tides is Pat Conroy at his very best.

Last Man Standing is a gripping thriller that delves into the intense world of the FBI Hostage Rescue Team. Web London, the sole survivor of a devastating ambush, finds himself in a fight not only to unravel the mystery behind the attack but also to reclaim his shattered reputation.

Trained to penetrate hostile grounds and come out alive, Web's world is turned upside down after a harrowing ten seconds in a dark alley that cost him everything: his friends, his fellow agents, and his standing among his elite peers. With suspicion hanging over him, Web embarks on a desperate search for answers.

In his quest to uncover the truth, Web teams up with psychiatrist Claire Daniels and a ten-year-old boy, the only other survivor of the ambush. As Web retraces his steps back to the bloodstained alley, he realizes that the assassin is still at large, and this time, one of them will truly become the Last Man Standing.

Jack St. Bride arrives by chance in the sleepy New England town of Salem Falls, determined to reinvent himself. Once a beloved teacher and soccer coach, Jack's life was turned upside down by a student's crush, leading to accusations that shattered his reputation.

Now working at the Do-Or-Diner, Jack attempts to bury his past. He becomes the mysterious stranger, trying to fit into the town's routine. Addie Peabody, haunted by her own ghosts, finds herself drawn to Jack, and a gentle, healing love begins to blossom between them.

However, a group of bored, privileged teenage girls form a coven, crossing the line between amusement and malice. They notice Jack and make a shattering allegation, causing history to repeat itself. Jack must again proclaim his innocence, turning Salem Falls from a safe haven into a dangerous place.

As Jack's hidden past catches up with him, the town's seams begin to tear, and the truth becomes a slippery concept. Addie must look into her heart and Jack's secrets to find evidence that will either condemn or redeem the man she has come to love.

Lake in the Clouds

In her extraordinary novels Into the Wilderness and Dawn on a Distant Shore, Sara Donati deftly captured the vast, untamed wilderness of late-eighteenth-century New York and the trials and triumphs of the Bonner family. Now, Donati takes on a new and often overlooked chapter in our nation’s past—and in the life of the spirited Bonners—as their oldest daughter, the brave and beautiful Hannah, comes of age with a challenge that will change her forever.

It is the spring of 1802, and the village of Paradise is still reeling from the typhoid epidemic of the previous summer. Elizabeth and Nathaniel Bonner have lost their two-year-old son, Hannah’s half-brother Robbie, but they struggle on as always: the men in the forests, the twins Lily and Daniel in Elizabeth’s school, and Hannah as a doctor in training, apprenticed to Richard Todd.

Hannah is descended from healers on both sides—one Scots grandmother and one Mohawk—and her reputation as a skilled healer in her own right is growing. After a long night spent attending to a birth, Elizabeth and Hannah encounter an escaped slave hiding on the mountain. She calls herself Selah Voyager, and she is looking for Curiosity Freeman—a former slave herself, one of the village’s wisest women and Elizabeth’s closest friend.

The Bonners take Selah, desperately ill, to Lake in the Clouds to care for her, and with that simple act, they are drawn into the secret life that Curiosity and Galileo Freeman and their grown children have been leading for almost ten years. The Bonners will do what they must to protect the Freemans, just as Hannah will protect her patient, who presents more than one kind of challenge. For a bounty hunter is afoot—Hannah’s childhood friend and first love, Liam Kirby.

While Elizabeth and Nathaniel undertake a treacherous journey through the endless forests to bring Selah to safety in the north, Hannah embarks on a very different journey to New York City, with two goals: to learn the secrets of vaccination against smallpox, a disease that threatens Paradise, and to find out what she can about Liam’s immediate past and what caused him to change so drastically from the boy she once loved.

The obstacles she faces as a woman and a Mohawk make her confront questions long avoided about her place in the world. Those questions follow her back to Paradise, where she finds that the medical miracle she brings with her will not cure prejudice or superstition, nor can it solve the problem of slavery. No sooner have the Bonners begun to rebound from their losses—old and new—than they find themselves confronted by more than one old enemy in a battle that will test the strength of their love for one another.

Hannah faces the decision she has always dreaded: will she make a life for herself in a white world, or among her mother’s people?

Life at the court of Louis XVI and Marie Antoinette has long captivated readers, drawn by accounts of the intrigues and pageantry that came to such a sudden and unexpected end.

Stefan Zweig's Marie Antoinette: The Portrait of an Average Woman is a dramatic account of the guillotine's most famous victim, from the time when as a fourteen-year-old she took Versailles by storm, to her frustrations with her aloof husband, her passionate love affair with the Swedish Count von Fersen, and ultimately to the chaos of the French Revolution and the savagery of the Terror.

An impassioned narrative, Zweig's biography focuses on the human emotions of the participants and victims of the French Revolution, making it both an engrossingly compelling read and a sweeping and informative history.

The Piano Teacher, the most famous novel of Elfriede Jelinek, is a shocking, searing, aching portrait of a woman bound between a repressive society and her darkest desires.

Erika Kohut is a piano teacher at the prestigious and formal Vienna Conservatory, who still lives with her domineering and possessive mother. Her life appears to be a seamless tissue of boredom, but Erika, a quiet thirty-eight-year-old, secretly visits Turkish peep shows at night to watch live sex shows and sadomasochistic films.

Meanwhile, a handsome, self-absorbed, seventeen-year-old student has become enamored with Erika and sets out to seduce her. She resists him at first, but then the dark passions roiling under the piano teacher's subdued exterior explode in a release of sexual perversity, suppressed violence, and human degradation.

Malena tiene doce años cuando recibe, sin razón, y sin derecho alguno, de manos de su abuelo el último tesoro que conserva la familia: una esmeralda antigua, sin tallar, de la que ella nunca podrá hablar porque algún día le salvará la vida.

A partir de entonces, esa niña desorientada y perpleja, que reza en silencio para volverse niño porque presiente que jamás conseguirá parecerse a su hermana melliza, Reina, la mujer perfecta, empieza a sospechar que no es la primera Fernández de Alcántara incapaz de encontrar el lugar adecuado en el mundo.

Se propone entonces desenmarañar el laberinto de secretos que late bajo la apacible piel de su familia, una ejemplar familia burguesa madrileña. A la sombra de una vieja maldición, Malena aprende a mirarse, como en un espejo, en la memoria de quienes se creyeron malditos antes que ella y descubre, mientras alcanza la madurez, un reflejo de sus miedos y de su amor en la sucesión de mujeres imperfectas que la han precedido.

Javier Marías's A Heart So White chronicles with unnerving insistence the relentless power of the past. Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know.

Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence: Marías elegantly sends shafts of inquisitory light into the shadows and on to the costs of ambivalence.

"My hands are of your colour; but I shame/To wear a heart so white"—Shakespeare's Macbeth.

When an infected bolt of cloth carries plague from London to an isolated village, a housemaid named Anna Frith emerges as an unlikely heroine and healer. Through Anna's eyes we follow the story of the fateful year of 1666, as she and her fellow villagers confront the spread of disease and superstition. As death reaches into every household and villagers turn from prayers to murderous witch-hunting, Anna must find the strength to confront the disintegration of her community and the lure of illicit love. As she struggles to survive and grow, a year of catastrophe becomes instead annus mirabilis, a "year of wonders."

Inspired by the true story of Eyam, a village in the rugged hill country of England, Year of Wonders is a richly detailed evocation of a singular moment in history.

Eugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it has since sold more than one million copies. This edition includes a new foreword by Harold Bloom.

The action covers a fateful, heart-rending day from around 8:30 am to midnight, in August 1912 at the seaside Connecticut home of the Tyrones - the semi-autobiographical representations of O'Neill himself, his older brother, and their parents at their home, Monte Cristo Cottage.

One theme of the play is addiction and the resulting dysfunction of the family. All three males are alcoholics and Mary is addicted to morphine. They all constantly conceal, blame, resent, regret, accuse and deny in an escalating cycle of conflict with occasional desperate and half-sincere attempts at affection, encouragement and consolation.

The Last Time They Met unfolds the story of Linda Fallon and Thomas Janes in a captivating manner, traveling back into their past to reveal the layers of their intertwined lives. This hypnotically compelling novel explores themes of intense passion, drama, and suspense.

Linda and Thomas, both poets, meet at a literary festival, a chance encounter that reignites memories of their past. Their relationship, filled with love, forgiveness, and paths not followed, is a tale bound by the irresistible pull of true passion. Written with reverse chronology, the novel takes readers from their final meeting to the moment, thirty-five years earlier, when a chance encounter on a rocky beach bound them fatefully together.

Anita Shreve, with her masterful control of phrase, observation, and emotion, crafts a story that is not just about life, but a life not lived. The novel's most stunning revelation is left until the very last sentence, making it a brilliantly ambitious and powerfully written tale.

On the night of Guinevere’s birth, a wise woman declares a prophecy of doom for the child: She will be gwenhwyfar, the white shadow, destined to betray her king, and be herself betrayed.

Years pass, and Guinevere becomes a great beauty, riding free across Northern Wales on her beloved horse. She is entranced by the tales of the valorous Arthur, a courageous warrior who seems to Guinevere no mere man, but a legend. Then she finds herself betrothed to that same famous king, a hero who commands her willing devotion. Just as his knights and all his subjects, she falls under Arthur’s spell.

At the side of King Arthur, Guinevere reigns strong and true. Yet she soon learns how the dark prophecy will reveal itself. She is unable to conceive. Arthur’s only true heir is Mordred, offspring of a cursed encounter with the witch Morgause. Now Guinevere must make a fateful choice: She decides to raise Mordred, teaching him to be a ruler and to honor Camelot. She will love him like a mother. Mordred will be her greatest joy–and the key to her ultimate downfall.

Return to a time of legend—the days of Guinevere and Arthur and the glory that was to become Camelot.

No one ever suspects, begins Tomorrow in the Battle Think on Me, that they might one day find themselves with a dead woman in their arms...

Marta has just met Victor when she invites him to dinner at her Madrid apartment while her husband is away on business. When her two-year-old son finally falls asleep, Marta and Victor retreat to the bedroom. Undressing, she suddenly feels ill; and in his arms, inexplicably, she dies.

What should Victor do? Remove the compromising tape from the phone machine? Leave food for the child, for breakfast? These are just his first steps, but he soon takes matters further; unable to bear the shadows and the unknowing, Victor plunges into dark waters.

Javier Marías, Europe's master of secrets, of what lies reveal and truth may conceal, is on sure ground in this profound, quirky, and marvelous novel. It is a novel one reads with enormous pleasure.

Miles Ryan's life seemed to end the day his wife was killed in a hit-and-run accident two years ago. As deputy sheriff of New Bern, North Carolina, he not only grieves for her and worries about their young son Jonah but longs to bring the unknown driver to justice. Then Miles meets Sarah Andrews, Jonah's second-grade teacher. A young woman recovering from a difficult divorce, Sarah moved to New Bern hoping to start over. Tentatively, Miles and Sarah reach out to each other...soon they are falling in love. But what neither realizes is that they are also bound together by a shocking secret, one that will force them to reexamine everything they believe in—including their love.

Jonathan Franzen's third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.

Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.

Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.

Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.

In a searing novel of love and loyalty, guilt and honor, the acclaimed author of the #1 New York Times bestseller The Horse Whisperer gives his millions of readers another hero...

His name is Connor Ford and he falls like an angel of mercy from the sky, braving the flames to save the woman he loves but knows he cannot have. For Julia Bishop is the partner of his best friend and fellow “smoke jumper,” Ed Tully. Julia loves them both–until a fiery tragedy on Montana’s Snake Mountain forces her to choose between them, and burns a brand on all their hearts.

In the wake of the fire, Connor embarks on a harrowing journey to the edge of human experience, traveling the world’s worst wars and disasters to take photographs that find him fame but never happiness. Reckless of a life he no longer wants, again and again he dares death to take him, until another fateful day on another continent, he must walk through fire once more…

R.U.R.—written in 1920—garnered worldwide acclaim for its author and popularized the word "Robot."

Mass-produced, efficient, and servile labor, Čapek's Robots remember everything, but lack creative thought, and the Utopian life they provide ultimately lacks meaning. When the Robots revolt, killing all but one of their masters, they must attempt to learn the secret of self-duplication. But their attempts at replication leave them with nothing but bloody chunks of meat.

It's not until two robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.

The world of Patricia Highsmith has always been filled with ordinary people, all of whom are capable of very ordinary crimes. This theme was present from the beginning, when her debut novel, Strangers on a Train, galvanized the reading public.

Here we encounter Guy Haines and Charles Anthony Bruno, passengers on the same train. But while Guy is a successful architect in the midst of a divorce, Bruno turns out to be a sadistic psychopath who manipulates Guy into swapping murders with him. “Some people are better off dead,” Bruno remarks, “like your wife and my father, for instance.” As Bruno carries out his twisted plan, Guy is trapped in Highsmith’s perilous world, where, under the right circumstances, anybody is capable of murder.

The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith on a prolific career of noir fiction, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday contemporary life.

The Heart Is Deceitful Above All Things is a compelling collection of interconnected stories that explore the tumultuous life of a young boy named Jeremiah, who is on the run with his teenage mother, Sarah. When Sarah reclaims Jeremiah from his foster parents, he is thrust into a world of motels, truck stops, and the abusive, exploitative men Sarah encounters.

As Jeremiah navigates this harsh environment, he learns to survive and finds a way to love his mother, even as she spirals into drug-induced madness. The stories are told in spare, lyrical prose, rich with imagination and dark humor, transforming the savagery of Jeremiah's world into an unforgettable experience of compassion.

This special edition includes an additional seven stories, previously uncollected, by JT LeRoy, the literary persona of Laura Albert.

Alice Raikes takes a train from London to Scotland to visit her family, but when she gets there she witnesses something so shocking that she insists on returning to London immediately. A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt.

Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal.

Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You'd Gone is a novel of stunning psychological depth, marking the debut of a major literary talent.

Here in one volume are the full texts of the seven extant plays of the Greek playwright Sophocles, regarded by the Greeks of his time as a kind of tragic Homer. This collection includes the revised and updated translations by Paul Roche of the Oedipus cycle, Oedipus the King, Oedipus at Colonus, and Antigone, as well as all-new translations of Ajax, The Women of Trachis, Electra, and Philocetes.

This book is a must-read for anyone interested in ancient Greek drama and the philosophical themes that these plays explore.

Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor both professionally and personally, and to amuse himself with Lizzie, an actress he has strung along for many years.

None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors—some real, some spectral—that disrupt his world and shake his oversized ego to its very core.

In exposing the jumble of motivations that drive Arrowby and the other characters, Iris Murdoch lays bare the truth of untruth—the human vanity, jealousy, and lack of compassion behind the disguises they present to the world.

Played out against a vividly rendered landscape and filled with allusions to myth and magic, Charles's confrontation with the tidal rips of love and forgiveness is one of Murdoch's most moving and powerful novels.

One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life. As Alexander Theroux asserts in his Introduction, Hardy was committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man.

The 25th Hour is an absorbing novel of crime, its terrifying consequences, and a bond that redefines the friendship of three restless young men. Wall Street speculators, the Manhattan downtown club scene, Russian gangsters, immigrant neighborhoods - all the elements in the urban turf of this finely crafted contemporary crime novel wed danger with excitement and possibility.

They're the rewards that Monty Brogan, who stands at the center of the moral glare in this tale, has already lost, just as he's lost his Corvette, and the "sway" that opened the doors of exclusive night spots and guaranteed him courtside seats at Madison Square Garden.

Tomorrow Monty's traveling by bus, to the federal prison in Otisville, for seven years. He's afraid, and all he'd ever really wanted when he grew up was to be a fireman.

With the pulse of the city in its prose, this debut novel follows Monty through the twenty-four hours of his last day out. At the same time, it illuminates the worlds, and souls, of his two best friends: Frank Slattery, an edgy bond trader who gambles daily with financial ruin, and Jakob Elinsky, an English teacher who clings to illusions as he compromises his ideals.

Friends since their high school days, the three of them nostalgically share a past, but warily they confront a future that can no longer accommodate their adolescent dreams. They meet, drink, talk, go clubbing, dance, and remember. What neither Slattery nor Jakob know, however, is that Monty has a plan. It's a shocker.

The Oxford School Shakespeare has become the preferred introduction to the literary legacy of the greatest playwright in the English language. This exclusive collection of the Bard's best works has been designed specifically for readers new to Shakespeare's rich literary legacy. Each play is presented complete and unabridged, in large print. Every book is well illustrated, and starts with a commentary and character summary. Scene synopses and character summaries clarify confusing plots, while incisive essays explore the historical context and Shakespeare's sources. Each book ends with a complete list of Shakespeare's plays and a brief chronology of the Bard's life. The detailed explanatory notes are written clearly and positioned right next to the text--no more squinting at microscopic footnotes or flipping pages back and forth in search of endnotes! The new edition of the series features new covers and new illustrations, including both new drawings and photos from recent productions of Shakespeare's plays around the globe. In addition, the notes and the introductory material have been completely revised in line with new research and in order to make them clearer and more accessible. Finally, the entire text has been redesigned and reset to enhance readability. The new edition achieves the feat of unprecedented clarity of presentation without any cuts to the original text or the detailed explanations.

Mitch Rapp, CIA's top counterterrorism operative, is sent on his final mission. His target is a German Industrialist who has been selling sensitive equipment to the world's most notorious sponsors of terrorism.

Unbeknownst to Rapp, he is being set up by forces in Washington who will do anything to see him fail. The stakes are high, and the mission is fraught with danger and deception at every turn.

Will Mitch succeed, or will the conspirators achieve their dark goals? This gripping thriller will keep you on the edge of your seat with its breathtaking action and clever twists.

The Insulted & Injured, published soon after Dostoevsky's political imprisonment, clearly foreshadows his later preoccupation with unconscious psychological drives and their external effects on the lives of his characters. Where his later works carry these drives to inevitably dramatic conclusions, The Insulted & Injured confines them within the smaller boundaries of everyday event.

In this story, the impulse toward self-abnegation in love, which appears so markedly in both Vanya and Natasha, isn't itself enough to direct their lives; instead, it combines with their social world and the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha—the person least driven to mold life to his own terms—emerges untouched.

Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-and-blood people as we see them around every day. They are made up of both good and evil, of will and acceptance. Unfailingly, they command interest and illuminate understanding.

When confronted by raging fires or deadly accidents, volunteer fireman Taylor McAden feels compelled to take terrifying risks to save lives. But there is one leap of faith Taylor can't bring himself to make: He can't fall in love. For all his adult years, Taylor has sought out women who need to be rescued, women he leaves as soon as their crisis is over, as soon as the relationship starts to become truly intimate.

Then, one day, a raging, record-breaking storm hits his small Southern town. Denise Holton, a young single mother, is driving through it when her car skids off the road. With her is her four-year-old son, Kyle, a boy with severe learning disabilities and for whom she has sacrificed everything. Unconscious and bleeding, she—but not Kyle—will be found by Taylor McAden. And when she wakes, the chilling truth becomes clear to both of them: Kyle is gone.

During the search for Kyle, the connection, the lifeline, between Taylor and Denise takes root. Taylor doesn't know that this rescue will be different from all the others, demanding far more than raw physical courage. That it will lead him to the possibility of his own rescue from a life lived without love. That it will require him to open doors to his past that were slammed shut by pain. That it will dare him to live life to the fullest by daring to love.

In The Rescue, Nicholas Sparks weaves his inimitable spell, immersing us in the passions and the surprising complexities of modern relationships—and in doing so, teaching us something about our own.

In Waiting, PEN/Hemingway Award-winning author Ha Jin draws on his intimate knowledge of contemporary China to create a novel of unexpected richness and feeling. This is the story of Lin Kong, a man living in two worlds, struggling with the conflicting claims of two utterly different women as he moves through the political minefields of a society designed to regulate his every move and stifle the promptings of his innermost heart.

For more than seventeen years, this devoted and ambitious doctor has been in love with an educated, clever, modern woman, Manna Wu. But back in the traditional world of his home village lives the wife his family chose for him when he was young—a humble and touchingly loyal woman, whom he visits in order to ask, again and again, for a divorce. In a culture in which the ancient ties of tradition and family still hold sway and where adultery discovered by the Party can ruin lives forever, Lin's passionate love is stretched ever more taut by the passing years. Every summer, his compliant wife agrees to a divorce but then backs out. This time, Lin promises, will be different.

Tracing these lives through their summer of decision and beyond, Ha Jin vividly conjures the texture of daily life in a place where the demands of human longing must contend with the weight of centuries of custom. Waiting charms and startles us with its depiction of a China that remains hidden to Western eyes even as it moves us with its piercing vision of the universal complications of love.

Hubert Selby Jr. is one of the most acclaimed novelists in the English language. Known for his controversial cult classic, Last Exit to Brooklyn, Selby began his literary career as a writer of short fiction. He excels in this form, plunging the reader into the densely realized worlds of his protagonists, where the details of daily life intermingle with obsession and madness.

Although fundamentally concerned with morality, Selby's humility prevents him from preaching. Instead, he offers a passionate empathy for the ordinary dreams and aspirations of his characters, showcasing a brilliant ear for the urban vernacular and the voices of conscience and self-deceit that torment them.

Song of the Silent Snow is a collection that reflects these themes, offering a profound insight into the human condition through Selby's masterful storytelling.

Ageless. Sexless. Deathless. Timeless. Pilgrim is a man who cannot die, an astounding character in a novel about the cataclysmic contest between creation and destruction. It is 1912, and Pilgrim has been admitted to the Burghölzli Psychiatric Clinic in Zürich, Switzerland, having failed—once again—to commit suicide.

Over the next two years, it is up to Carl Jung, a self-professed mystical scientist of the mind, to help Pilgrim unlock his unconsciousness, etched as it is with myriad sufferings and hopes of history. Is Pilgrim mad, or is he condemned to live forever, a witness to the terrible tragedy and beauty of the human condition?

Both intimate and expansive in its scope, with an absorbing parade of characters—mythic, fictional, and historical—Pilgrim is a fiercely original and powerful story from one of our most distinguished artists.

This edition of Richard III features seven scenes, opening with the Duke of Gloucester’s villainous “Winter of our discontent” speech and followed by his audacious wooing of Lady Anne. Queen Margaret’s chilling curses, Richard’s string of murders, and the haunting chants of his victims’ ghosts are stage drama at its best. The climax is a gripping battle in which the Earl of Richmond slays Richard and becomes King of England.

There is also an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library’s annual Student Shakespeare Festival.

The edition includes a preface by Nick Newlin, containing helpful advice on presenting Shakespeare in a high school setting with novice actors, as well as an appendix with play-specific suggestions and recommendations for further resources.