From a striking new talent comes an unforgettable debut novel of young love and coming of age in an Iran headed toward revolution. This poignant, eye-opening, and emotionally vivid novel lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share.

In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice.

When Deng Xiaoping’s efforts to “open up” China took root in the late 1980s, Xinran recognized an invaluable opportunity. As an employee for the state radio system, she had long wanted to help improve the lives of Chinese women. But when she was given clearance to host a radio call-in show, she barely anticipated the enthusiasm it would quickly generate. Operating within the constraints imposed by government censors, “Words on the Night Breeze” sparked a tremendous outpouring, and the hours of tape on her answering machines were soon filled every night.

Whether angry or muted, posing questions or simply relating experiences, these anonymous women bore witness to decades of civil strife, and of halting attempts at self-understanding in a painfully restrictive society. In this collection, by turns heartrending and inspiring, Xinran brings us the stories that affected her most, and offers a graphically detailed, altogether unprecedented work of oral history.

In spring 2002, following the fall of the Taliban, Åsne Seierstad spent four months living with a bookseller and his family in Kabul. For more than twenty years, Sultan Khan defied the authorities—be they communist or Taliban—to supply books to the people of Kabul. He was arrested, interrogated, and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.

But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.

It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.

Go Tell It on the Mountain, originally published in 1953, is James Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. This novel chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem. This "truly extraordinary" novel (Chicago Sun-Times) opened new possibilities in the American language and in the way Americans understand themselves.

Born into one of Pakistan's most influential families, Tehmina Durrani was raised in the privileged milieu of Lahore high society. Like all women of her rank, she was expected to marry a prosperous Muslim from a respectable family, bear him many children, and lead a sheltered life of leisure.

Her marriage to Mustafa Khar, one of Pakistan's most eminent political figures, soon turned into a nightmare. Violently possessive and pathologically jealous, Mustafa Khar succeeded in cutting her off from the outside world. For fourteen years, Tehmina suffered alone, in silence.

When she decided to rebel, the price she paid was extremely high: as a Muslim woman seeking a divorce, she signed away all financial support, lost the custody of her four children, and found herself alienated from her friends and disowned by her parents.

When this book was first published, it shook Pakistani society to its foundations. Here at last was someone who had succeeded in reconciling her faith in Islam with her ardent belief in women's rights. Tehmina Durrani's story provides extraordinary insights into the vulnerable position of women caught in the complex web of Muslim society.