In spring 2002, following the fall of the Taliban, Åsne Seierstad spent four months living with a bookseller and his family in Kabul. For more than twenty years, Sultan Khan defied the authorities—be they communist or Taliban—to supply books to the people of Kabul. He was arrested, interrogated, and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.

But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.

It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.

Go Tell It on the Mountain, originally published in 1953, is James Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. This novel chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem. This "truly extraordinary" novel (Chicago Sun-Times) opened new possibilities in the American language and in the way Americans understand themselves.