Set in the days of the Empire, with the British ruling in Burma, Orwell's book describes corruption and imperial bigotry. Flory, a white timber merchant, befriends Dr. Veraswami, a black enthusiast for the Empire, whose downfall can only be prevented by membership at an all-white club.
Orwell draws on his years of experience in India to tell this story of the waning days of British imperialism. A handful of Englishmen living in a settlement in Burma congregate in the European Club, drink whiskey, and argue over an impending order to admit a token Asian.
George Orwell’s triumphant first novel. Informed by his experiences as a police officer in Burma, the novel paints a vivid portrait of the waning days of British imperial rule, and the racism and corruption that ran rampant. It centres on John Flory, a European businessman in colonial Burma, disenfranchised by the bigotry he sees around him and his persistent feeling of being out of place.
The Wretched of the Earth is a seminal work by the distinguished psychiatrist from Martinique, Frantz Fanon, who actively participated in the Algerian Nationalist Movement. This masterpiece is a brilliant analysis of the psychology of the colonized and their path to liberation.
Fanon provides singular insight into the rage and frustration experienced by colonized peoples, and examines the role of violence in effecting historical change. The book incisively critiques the twin perils of post-independence colonial politics: the disenfranchisement of the masses by the elites, and intertribal and interfaith animosities.
This work, a veritable handbook of social reorganization for leaders of emerging nations, reflects the corruption and violence plaguing present-day Africa. The Wretched of the Earth has significantly influenced civil rights, anticolonialism, and black consciousness movements worldwide, reaffirming its status as a landmark in revolutionary literature.
Know My Name is an empowering memoir by Chanel Miller, previously known to the world as Emily Doe. Her victim impact statement, posted on BuzzFeed, went viral, viewed by eleven million people within four days. It was a catalyst for legal changes in California and the recall of the judge in her case. Thousands wrote to her, expressing how her words gave them the courage to share their own experiences of assault.
In this memoir, Chanel reclaims her identity and tells her story of trauma, transcendence, and the power of words. Despite the presence of eyewitnesses and secured physical evidence, her struggles with isolation and shame during the aftermath and trial reveal the oppression victims face even in so-called 'perfect' cases.
Her story illuminates a culture biased to protect perpetrators and a criminal justice system designed to fail the most vulnerable. Ultimately, it shines with the courage required to move through suffering and live a full and beautiful life.
Know My Name challenges societal beliefs about what is acceptable, speaking truth to the tumultuous reality of healing. It introduces readers to an extraordinary writer, one whose words have already changed the world. Entwining pain, resilience, and humor, this memoir stands as a modern classic.
From the best-selling author of Americanah and We Should All Be Feminists comes a powerful new statement about feminism today—written as a letter to a friend. A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie's letter of response.
Here are fifteen invaluable suggestions—compelling, direct, wryly funny, and perceptive—for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can "allow" women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century.
It will start a new and urgently needed conversation about what it really means to be a woman today.
A Cidade e as Serras é um romance de Eça de Queirós, publicado em 1901, pertencente à última fase do escritor, onde se afasta do realismo e abandona a crítica pesada que fazia à sociedade portuguesa da época. O próprio título já indica sobre o enredo.
A narrativa se passa no século XIX, quando Paris era considerada a capital da Europa e o centro do mundo. Portugal, no entanto, mantinha-se como um país agrário e decadente.
José Maria de Eça de Queirós nasceu a Novembro de 1845, numa casa na Praça do Almada, em Póvoa de Varzim. O seu pai, José Maria de Almeida de Teixeira de Queirós, provinha de uma família de magistrados perseguidos pelos seus ideais liberais que defendiam uma doutrina constitucional.
Eça foi internado no Colégio da Lapa, no Porto, e mais tarde estudou Direito na Universidade de Coimbra, onde conheceu futuros escritores e poetas como Antero de Quental. Influenciado pelas novas ideologias europeias como o Positivismo e o Realismo-Naturalismo, Eça tornou-se notável pela originalidade e riqueza do seu estilo e linguagem.
The Overcoat is generally acknowledged as the finest of Gogol's memorable Saint Petersburg stories. It is a tale of the absurd and misplaced obsessions, centered around the life and death of Akaky Akakievich Bashmachkin, an impoverished government clerk and copyist in the Russian capital of St. Petersburg.
Akaky is dedicated to his job as a titular councillor, taking special relish in the hand-copying of documents, though little recognized in his department for his hard work. Instead, the younger clerks tease him and attempt to distract him whenever they can. His threadbare overcoat is often the butt of their jokes.
Akaky decides it is necessary to have the coat repaired, so he takes it to his tailor, Petrovich, who declares the coat irreparable, telling Akaky he must buy a new overcoat. The story follows Akaky's journey to attain an "overcoat" of untold value and power, representing the mighty bureaucracy.
The narrative takes an interesting turn when Akaky dies of a broken heart after his beloved smart coat is stolen, symbolizing the reprisal of the lower class against the dominance of the ruling class.
Sam Harris' first book, The End of Faith, ignited a worldwide debate about the validity of religion. In the aftermath, Harris discovered that most people - from religious fundamentalists to non-believing scientists - agree on one point: science has nothing to say on the subject of human values. Indeed, our failure to address questions of meaning and morality through science has now become the most common justification for religious faith. It is also the primary reason why so many secularists and religious moderates feel obligated to respect the hardened superstitions of their more devout neighbors.
In this explosive new book, Sam Harris tears down the wall between scientific facts and human values, arguing that most people are simply mistaken about the relationship between morality and the rest of human knowledge. Harris urges us to think about morality in terms of human and animal well-being, viewing the experiences of conscious creatures as peaks and valleys on a "moral landscape."
Because there are definite facts to be known about where we fall on this landscape, Harris foresees a time when science will no longer limit itself to merely describing what people do in the name of "morality"; in principle, science should be able to tell us what we ought to do to live the best lives possible.
Bringing a fresh perspective to age-old questions of right and wrong and good and evil, Harris demonstrates that we already know enough about the human brain and its relationship to events in the world to say that there are right and wrong answers to the most pressing questions of human life. Because such answers exist, moral relativism is simply false - and comes at increasing cost to humanity. And the intrusions of religion into the sphere of human values can be finally repelled: for just as there is no such thing as Christian physics or Muslim algebra, there can be no Christian or Muslim morality.
Using his expertise in philosophy and neuroscience, along with his experience on the front lines of our "culture wars," Harris delivers a game-changing book about the future of science and about the real basis of human cooperation.
In a breathtaking adventure story, the paranoid and brilliant inventor Allie Fox takes his family to live in the Honduran jungle, determined to build a civilization better than the one they've left.
Fleeing from an America he sees as mired in materialism and conformity, he hopes to rediscover a purer life. But his utopian experiment takes a dark turn when his obsessions lead the family toward unimaginable danger.
The teaching of G. I. Gurdjieff (1866-1949) has come to be recognized as one of the most original, enduring, and penetrating of our century. While Gurdjieff used many different means to transmit his vision of the human dilemma and human possibility, he gave special importance to his acknowledged masterwork, Beelzebub's Tales to His Grandson.
Beelzebub's Tales is an "ocean of story" and of ideas that one can explore for a lifetime. It is majestic in scale and content, challengingly inventive in prose style, and often approached with apprehension. This revised edition, prepared under the direction of Gurdjieff's closest pupil, Jeanne de Salzmann, offers a new experience of Gurdjieff's masterpiece for contemporary readers.
This edition provides a translation that clarifies the verbal surface while respecting the author's thought and style. It is presented in a sturdy cloth edition, echoing its original publication.
Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person?
David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Tom Wolfe, the master social novelist of our time, presents a sensational new novel about life, love, and learning amid today's American colleges.
Our story unfolds at the fictional Dupont University: those Olympian halls of scholarship housing the cream of America's youth. The roseate Gothic spires and manicured lawns are suffused with tradition... Or so it appears to the beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina.
Charlotte soon learns, to her mounting dismay, that for the upper-crust coeds of Dupont, sex, cool, and kegs trump academic achievement every time. As Charlotte encounters the paragons of Dupont's privileged elite, she is seduced by the glamour of acceptance, betraying both her values and upbringing before she grasps the power of being different—and the exotic allure of her own innocence.
With his trademark satirical wit and famously sharp eye for detail, Wolfe's I Am Charlotte Simmons immortalizes the early-21st-century college-going experience.
The Guermantes Way is the third volume in Marcel Proust's monumental series, In Search of Lost Time. After the relative intimacy of the first two volumes, this installment opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century.
The narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to, and a devastating satire of a time, place, and culture, this novel defines the great tradition of novels that follow the initiation of a young man into the ways of the world.
This elegantly packaged new translation introduces a new generation of readers to the literary richness of Marcel Proust.
Ignorance is bliss, or so hopes Antoine, the lead character in Martin Page's stinging satire, How I Became Stupid—a modern day Candide with a Darwin Award-like sensibility. A twenty-five-year-old Aramaic scholar, Antoine has had it with being brilliant and deeply self-aware in today's culture.
So tortured is he by the depth of his perception and understanding of himself and the world around him that he vows to denounce his intelligence by any means necessary in order to become "stupid" enough to be a happy, functioning member of society.
What follows is a dark and hilarious odyssey as Antoine tries everything from alcoholism to stock-trading in order to lighten the burden of his brain on his soul.
En ce temps-là, on mettait des photographies géantes de produits sur les murs, les arrêts d'autobus, les maisons, le sol, les taxis, les camions, la façade des immeubles en cours de ravalement, les meubles, les ascenseurs, les distributeurs de billets, dans toutes les rues et même à la campagne.
La vie était envahie par des soutiens-gorge, des surgelés, des shampoings antipelliculaires et des rasoirs triple-lame. L'œil humain n'avait jamais été autant sollicité de toute son histoire : on avait calculé qu'entre sa naissance et l'âge de 18 ans, toute personne était exposée en moyenne à 350 000 publicités.
Même à l'orée des forêts, au bout des petits villages, en bas des vallées isolées et au sommet des montagnes blanches, sur les cabines de téléphérique, on devait affronter des logos "Castorama", "Bricodécor", "Champion Midas" et "La Halle aux Vêtements". Il avait fallu deux mille ans pour en arriver là.
The greatest power of literature is to break any limits, and this book allows us to partake in this. Vargas Llosa discusses here some literary works such as Lolita, Death in Venice, The Stranger, Manhattan Transfer, Tropic of Cancer, and The Tin Drum.
This splendid work is an immersion in the views of the author, one of the most brilliant writers of our time, about the purpose of literature and the present and future of books.
Description in Spanish: Lolita, Muerte en Venecia, El extranjero, Manhattan Transfer, Trópico de Cáncer y El tambor de hojalata son sólo algunas de las obras del siglo XX de las que nos habla Mario Vargas Llosa en estas páginas. Revela con sus palabras la íntima relación de su lectura con las posibilidades de ampliar nuestra experiencia vital.
The most disastrous family reunion in the history of fiction. The Drummond family, reunited for the first time in years, gathers near Cape Canaveral to watch the launch into space of their beloved daughter and sister, Sarah.
Against the Technicolor unreality of Florida's finest tourist attractions, the Drummonds stumble into every illicit activity under the tropical sun—kidnapping, blackmail, gunplay, and black market negotiations, to name a few. But even as their lives spin out of control, Coupland reminds us of their humanity at every turn.
He crafts a hilarious masterpiece with the keen eye of a cultural critic and the heart and soul of a gifted storyteller. Coupland tells not only the characters' stories but also the story of our times—thalidomide, AIDS, born-again Christianity, drugs, divorce, the Internet—all bound together with the familiar glue of family love and madness.
The Satyricon is the most celebrated work of fiction to have survived from the ancient world. It is often described as the first realistic novel and the father of the picaresque genre.
The narrative follows a pair of literature scholars as they wander through the cities of the southern Mediterranean. Along their journey, they encounter a series of vivid characters: a teacher in higher education, a libidinous priest, a vulgar freedman turned millionaire, a manic poet, a superstitious sea-captain, and a femme fatale. Each character is wickedly satirized, offering a vibrant depiction of Roman society's underbelly.
Petronius masterfully blends humor and critique, crafting a story that is both entertaining and insightful. This new translation by P.G. Walsh captures the original's gaiety, accompanied by an introduction and notes that illuminate the text's rich literary in-jokes and allusions.
The Public Burning is a groundbreaking novel that emerged as a controversial best-seller in 1977. It has since become one of the most influential novels of our time. This work of contemporary fiction is unique as it uses living historical figures as characters.
The novel reimagines the three fateful days in 1953 that culminated with the execution of alleged atomic spies, Julius and Ethel Rosenberg. The story is dominantly narrated by Vice-President Richard Nixon — the voraciously ambitious bad boy of the Eisenhower regime.
The novel features an enormous cast including Betty Crocker, Joe McCarthy, the Marx Brothers, Walter Winchell, Uncle Sam, his adversary The Phantom, and Time magazine incarnated as the National Poet Laureate.
All these characters, along with thousands more, converge in Times Square for the carnivalesque auto-da-fe at which the Rosenbergs are put to death. Not a single person present escapes implication in Cold War America's ruthless public spectacle.
Ecce Homo is an extraordinary autobiography penned by the renowned philosopher Friedrich Nietzsche in late 1888, just weeks before his final descent into madness. This remarkable work stands as one of the most intriguing and bizarre examples of the genre ever written.
In this compelling narrative, Nietzsche provides a profound exploration of his life, philosophical journey, and intellectual development. He examines the heroes he has identified with, struggled against, and ultimately overcome, including Schopenhauer, Wagner, Socrates, and Christ. Through this examination, Nietzsche predicts the cataclysmic impact of his forthcoming revelation of all values.
Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo offers the final, definitive expression of Nietzsche's main beliefs and serves as his last testament.
This essential reading challenges traditional morality, encourages the establishment of autonomy, and promotes a commitment to creativity.
Jejak Langkah is not just a historical novel meant to fill an episode of a nation at a critical juncture, but also aims to address the lack of literature exploring this complex period. This novel offers an alternative reading for us to view the path and waves of history from different perspectives.
The tetralogy is divided into four books, representing different periods of movement. This third novel, Jejak Langkah, is the phase of organizing resistance. Minke mobilizes all efforts to fight against the long-standing power of the Indies. However, Minke chooses not armed resistance but the path of journalism, creating as much Indigenous reading material as possible. The most famous of these is Medan Prijaji.
Through this newspaper, Minke calls upon the Indigenous people to do three things: increase boycotts, organize, and abolish feudalistic culture. Simultaneously, through journalistic steps, Minke calls out: "Educate the people with organization and educate the rulers with resistance."
In Praise of Shadows is an essay on aesthetics by the renowned Japanese novelist, Jun'ichirō Tanizaki. This book explores various elements of Japanese culture, such as architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings.
The book includes perfect descriptions of lacquerware under candlelight and the mysterious allure of women in the darkness of the house of pleasure. Tanizaki contrasts the subtlety and nuance of traditional Japanese interiors with the dazzling light of the modern age, offering a classic description of the collision between these two worlds.
The Women's Room is the bestselling feminist novel that awakened both women and men. It follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, this book is a modern classic offering piercing insight into the social norms accepted so blindly and revered so completely.
Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.
To Have Or to Be? is a seminal work from the second half of the 20th century. It serves as a manifesto for a new social and psychological revolution aimed at saving our threatened planet. This book encapsulates the penetrating thought of Erich Fromm.
Fromm's thesis explores two modes of existence that battle for the spirit of humankind: the having mode, which focuses on material possessions, power, and aggression, forming the foundation of universal evils like greed, envy, and violence; and the being mode, which is rooted in love, the pleasure of sharing, and productive activity.
This book is a brilliant program for socioeconomic change, urging readers to reflect on their own lives and society.
Against Our Will is a groundbreaking feminist classic that revolutionizes the way we think about rape. As powerful and timely now as when it was first published, this book stands as a unique document of the history, politics, and sociology of rape and the inherent and ingrained inequality of men and women under the law.
In lucid, persuasive prose, Susan Brownmiller uses her experience as a journalist to create a definitive, devastating work of lasting social importance. Fact by fact, she pulls back the centuries of damaging lies and misrepresentations to reveal how rape has been accepted in all societies and how it continues to profoundly affect women’s lives today.
A keen and prescient analyst, Brownmiller discusses the consequences of rape in biblical times, as an accepted spoil of war, as well as child molestation, marital rape, and date rape (a term that she coined). This book is essential reading in the era of #MeToo.
زمن الخيول البيضاء هي رواية ملحمية استثنائية كتبها الشاعر والروائي إبراهيم نصرالله. تتزامن هذه الرواية مع الذكرى الستين لاحتلال فلسطين، وهي جزء من المشروع الروائي الكبير الذي يُعرف بـالملهاة الفلسطينية، والذي بدأ العمل عليه منذ عام 1985.
يتضمن المشروع ست روايات، لكل منها أجواؤها الخاصة وشخوصها وبناؤها الفني، وتستقل عن الروايات الأخرى. يستعرض نصرالله في هذا العمل 125 عامًا من تاريخ الشعب الفلسطيني بنظرة نقدية عميقة ومستويات فنية راقية.
ينطلق الكاتب من تلك الحقيقة الراسخة التي تؤكد أن إيماننا بالقضايا الكبيرة يتطلب منا إيجاد مستويات فنية عالية للتعبير عنها.