Appalachian Reckoning is a retort, at turns rigorous, critical, angry, and hopeful, to the long shadow cast over the region by J. D. Vance’s Hillbilly Elegy. This collection of essays allows Appalachians to tell their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography.

The book moves beyond Hillbilly Elegy to provide a deeply personal portrait of Appalachia—a place that is culturally rich and economically distressed, unique and typically American. It complicates simplistic visions that associate the region almost exclusively with death and decay, making clear Appalachia’s intellectual vitality, spiritual richness, and progressive possibilities.

"The Loved One" is a delightful and dark satire that swirls together the cultural nuances of America and Britain. The story follows Dennis Barlow, a British expatriate and aspiring poet, who finds himself in the peculiar world of Hollywood.

After a failed stint as a screenwriter, Dennis takes up a job at a pet cemetery, much to the surprise of his fellow British expats. However, the community is soon distracted by the suicide of one of their own, and Dennis is tasked with arranging the funeral.

As the plot unfolds, Dennis enters the artificial paradise of the Whispering Glades Memorial Park, where he meets the beautiful Aimée Thanatogenos, a junior cosmetician, and the master embalmer, Mr. Joyboy. Can Dennis navigate the bizarre world of American-style death rituals and maintain his reputation among his countrymen?

This novel is a savage critique of the Anglo-American cultural divide, depicting a world where love, reputation, and death come at a very high cost. Join Dennis on this hilarious journey through the surreal landscape of Hollywood's funeral industry.

In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.

She ends on a serious note—because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!”

This book features that now-classic essay with six perfect complements, including an examination of the writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

In the last thirty years, the big pharmaceutical companies have transformed themselves into marketing machines selling dangerous medicines as if they were Coca-Cola or Cadillacs. They pitch drugs with video games and soft cuddly toys for children; promote them in churches and subways, at NASCAR races and state fairs. They've become experts at promoting fear of disease, just so they can sell us hope.

No question: drugs can save lives. But the relentless marketing that has enriched corporate executives and sent stock prices soaring has come with a dark side. Prescription pills taken as directed by physicians are estimated to kill one American every five minutes. And that figure doesn't reflect the damage done as the overmedicated take to the roads.

Our Daily Meds connects the dots for the first time to show how corporate salesmanship has triumphed over science inside the biggest pharmaceutical companies and, in turn, how this promotion-driven industry has taken over the practice of medicine and is changing American life. It is an ageless story of the battle between good and evil, with potentially life-changing consequences for everyone, not just the 65 percent of Americans who unscrew a prescription cap every day.

An industry with the promise to help so many is now leaving a legacy of needless harm.

A bitingly funny grand tour of our culture of excess from an award-winning humorist. Whether David Rakoff is contrasting the elegance of one of the last flights of the supersonic Concorde with the good-times-and-chicken-wings populism of Hooters Air; working as a cabana boy at a South Beach hotel; or traveling to a private island off the coast of Belize to watch a soft-core video shoot—where he is provided with his very own personal manservant—rarely have greed, vanity, selfishness, and vapidity been so mercilessly skewered.

Somewhere along the line, our healthy self-regard has exploded into obliterating narcissism; our manic getting and spending have now become celebrated as moral virtues. Simultaneously a Wildean satire and a plea for a little human decency, Don’t Get Too Comfortable shows that far from being bobos in paradise, we’re in a special circle of gilded-age hell.

Meet the Female Chauvinist Pig – the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women – and of themselves.

Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

In this passionate report from the front lines, Ariel Levy examines the enormous cultural impact of the newest wave of post-feminism. She interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. Levy examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls.

Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity.