With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam. There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse...
Set in Los Angeles in the early 1980's, this coolly mesmerizing novel is a raw, powerful portrait of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a world shaped by casual nihilism, passivity, and too much money—a place devoid of feeling or hope.
Clay comes home for Christmas vacation from his Eastern college and re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark.
On a snowy Saturday night in 1979, after making love for the first time, high school senior Karen Ann McNeil confides the dark visions she's been suffering to her boyfriend, Richard. Only a few hours later she descends into a coma. Nine months after that, she gives birth to a daughter, Megan, her child by Richard. Karen remains comatose for the next 18 years. Richard and her circle of friends reside in an emotional purgatory throughout the next two decades, passing through careers as models, film special-effects technicians, doctors, and demolition experts before finally being reunited while working on a conspiracy-driven supernatural series. Upon Karen's reawakening, life grows as surreal as the television show. Strange, apocalyptic events begin to occur. Later, amid the world's rubble, Karen, Richard, and their friends attempt to restore their own humanity.
This masterpiece of modern comics storytelling brings to vivid life a dark world and an even darker man. Together with inker Klaus Janson and colorist Lynn Varley, writer/artist Frank Miller completely reinvents the legend of Batman in his saga of a near-future Gotham City gone to rot, ten years after the Dark Knight's retirement. Crime runs rampant in the streets, and the man who was Batman is still tortured by the memories of his parents' murders. As civil society crumbles around him, Bruce Wayne's long-suppressed vigilante side finally breaks free of its self-imposed shackles. The Dark Knight returns in a blaze of fury, taking on a whole new generation of criminals and matching their level of violence. He is soon joined by this generation's Robin—a girl named Carrie Kelley, who proves to be just as invaluable as her predecessors.
But can Batman and Robin deal with the threat posed by their deadliest enemies, after years of incarceration have made them into perfect psychopaths? And more important, can anyone survive the coming fallout of an undeclared war between the superpowers—or a clash of what were once the world's greatest superheroes?
Over fifteen years after its debut, Batman: The Dark Knight Returns remains an undisputed classic and one of the most influential stories ever told in the comics medium.
Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.
In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A famous actress (and her unborn child), an heiress to a coffee fortune, a supermarket owner and his wife were among the seven victims. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was his hold over them? And what was the motivation behind such savagery?
In the public imagination, over time, the case assumed the proportions of myth. The murders marked the end of the sixties and became an immediate symbol of the dark underside of that era. Vincent Bugliosi was the prosecuting attorney in the Manson trial, and this book is his enthralling account of how he built his case from what a defense attorney dismissed as only "two fingerprints and Vince Bugliosi." The meticulous detective work with which the story begins, the prosecutor's view of a complex murder trial, the reconstruction of the philosophy Manson inculcated in his fervent followers…these elements make for a true crime classic. Helter Skelter is not merely a spellbinding murder case and courtroom drama but also, in the words of The New Republic, a "social document of rare importance."
The Fan Man is a comic novel published in 1974 by the American writer William Kotzwinkle. It is told in the first-person by the narrator, Horse Badorties, a down-at-the-heels hippie living a life of drug-fueled befuddlement in New York City c. 1970. The book is written in a colorful, vernacular "hippie-speak" and tells the story of the main character's hapless attempts to put together a benefit concert featuring his own hand-picked choir of 15-year-old girls.
Horse is a somewhat tragic, though historically humorous, character with echoes of other famous characters in popular culture such as Reverend Jim Ignatowski of Taxi fame. In his inability to follow anything through to completion he displays symptoms of attention-deficit disorder though this could equally be drug-induced. His defining characteristic is his joy in renting or commandeering apartments which he fills with street-scavenged junk articles until full to bursting he moves on to his next "pad". The name "fan man" is a reference to another of his traits; the collecting of fans of all shapes and sizes.
Jesus' Son, the first collection of stories by Denis Johnson, presents a unique, hallucinatory vision of contemporary American life unmatched in power and immediacy and marks a new level of achievement for this acclaimed writer. In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.
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The first lesson Lister learned about space travel was you should never try it. But Lister didn't have a choice. All he remembered was going on a birthday celebration pub crawl through London. When he came to his senses again, with nothing in his pockets but a passport in the name of Emily Berkenstein.
So he did the only thing he could. Amazed to discover they would actually hire him, he joined the space corps—and found himself aboard Red Dwarf, a spaceship as big as a small city that, six or seven years from now, would get him back to Earth.
What Lister couldn't foresee was that he'd inadvertently signed up for a one-way jaunt three million years into the future—a future which would see him the last living member of the human race, with only a hologram crew mate and a highly evolved cat for company. Of course, that was before the ship broke the light barrier and things began to get really weird...
The first volume of the crime-comic megahit that introduced the now-infamous character Marv and spawned a blockbuster film returns in a newly redesigned edition, with a brand-new cover by Frank Miller - some of his first comics art in years!
It's a lousy room in a lousy part of a lousy town. But Marv doesn't care. There's an angel in the room. She says her name is Goldie. A few hours later, Goldie's dead without a mark on her perfect body, and the cops are coming before anyone but Marv could know she's been killed. Somebody paid good money for this frame...
With a new look generating more excitement than ever before, this third edition is the perfect way to attract a whole new generation of readers to Frank Miller's masterpiece!
If the Marquis de Sade were to crash one of P.G. Wodehouse's house parties, the chaos might resemble the nightmarishly funny goings-on in this novel by the author of London Fields.
The residents of Appleseed Rectory have primed themselves both for a visit from a triad of Americans and a weekend of copious drug taking and sexual gymnastics. There's even a heifer to be slugged and a pair of doddering tenants to be ingeniously harassed.
But none of these variously bright and dull young things has counted on the intrusion of "dead babies" — dreary spasms of reality. Or on the uninvited presence of a mysterious prankster named Johnny, whose sinister idea of fun makes theirs look like a game of backgammon.
What if the Second Coming didn’t quite come off as advertised? What if “the Corpse” on display in that funky roadside zoo is really who they say it is—what does that portend for the future of western civilization? And what if a young clairvoyant named Amanda reestablishes the flea circus as popular entertainment and fertility worship as the principal religious form of our high-tech age? Another Roadside Attraction answers those questions and a lot more.
It tells us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. In the process, this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind.
La beauté de George Miles et son étrange passivité en font l’objet des désirs de son entourage. L’un après l’autre, ces garçons vont le soumettre à leurs fantasmes. Dans une suite d’expériences de plus en plus extrêmes, ils vont essayer, chacun à leur manière, de découvrir ce qui se cache derrière son apparence, ce qui se dissimule à l’intérieur même de cette image, quitte à le chercher littéralement sous la peau...
Ce premier roman de Dennis Cooper est une descente terrifiante dans les obsessions de l’Amérique contemporaine, un train fantôme dévalant les pentes du désir et plongeant vers la mort sur fond de rock’n’roll. Tous repères effondrés, toute morale abolie, ses personnages semblent évoluer dans une dimension parallèle dont le sexe, la drogue et les films d’horreur de série Z seraient les dernières balises.
Parmi eux, la figure « angélique » de George apparaît comme le déclencheur qui leur permet de découvrir et de repousser leurs limites.
In The Queen of the Damned, Anne Rice continues her extraordinary Vampire Chronicles in a feat of mesmeric storytelling, a chillingly hypnotic entertainment in which the oldest and most powerful forces of the night are unleashed on an unsuspecting world.
Three brilliantly colored narrative threads intertwine as the story unfolds:
The rock star known as Vampire Lestat, worshipped by millions of spellbound fans, prepares for a concert in San Francisco. Among the audience--pilgrims in a blind swoon of adoration--are hundreds of vampires, creatures who see Lestat as a "greedy fiend risking the secret prosperity of all his kind just to be loved and seen by mortals," fiends themselves who hate Lestat's power and who are determined to destroy him.
The sleep of certain men and women--vampires and mortals scattered around the world--is haunted by a vivid, mysterious dream: of twins with fiery red hair and piercing green eyes who suffer an unspeakable tragedy. It is a dream that slowly, tauntingly reveals its meaning to the dreamers as they make their way toward each other--some to be destroyed on the journey, some to face an even more terrifying fate at journey's end.
Akasha--Queen of the Damned, mother of all vampires, rises after a 6,000 year sleep and puts into motion a heinous plan to "save" mankind from itself and make "all myths of the world real" by elevating herself and her chosen son/lover to the level of the gods: "I am the fulfillment and I shall from this moment be the cause".
These narrative threads wind sinuously across a vast, richly detailed tapestry of the violent, sensual world of vampirism, taking us back 6,000 years to its beginnings. As the stories of the "first brood" of blood drinkers are revealed, we are swept across the ages, from Egypt to South America to the Himalayas to all the shrouded corners of the globe where vampires have left their mark. Vampires are created--mortals succumbing to the sensation of "being emptied, of being devoured, of being nothing." Vampires are destroyed. Dark rituals are performed--the rituals of ancient creatures prowling the modern world. And, finally, we are brought to a moment in the twentieth century when, in an astonishing climax, the fate of the living dead--and perhaps of the living, all the living--will be decided.
Summing up 25 years of Nikolas Schreck's research into the Charles Manson phenomenon, this Book of Revelations illuminates unknown dimensions of Manson as philosopher, musician, Gnostic mystic, Mafia fall guy, revolutionary, and friend, lover and drug dealer to 1960s Hollywood's best-known rock stars and movie idols.
The first comprehensive study of Manson's life, times, crimes, and thought, this is the ultimate guide to the Manson mysteries, portraying the human being behind the media-created monster's many masks.
Drawing on police evidence suppressed during Manson's trial, Schreck exposes the "Helter Skelter" legend as one of the twentieth century's greatest cover-ups, unveils the hidden Mafia drug-dealing background of the "Manson murders" and traces the underworld connections linking the victims to their killers. The author's recent conversations with Manson and others directly involved in the psychedelic era's apocalypse allow the true story kept secret for decades to be told at last.
Jacket design artist/graphic designer and all chapter plates by Zeena Schreck. "Easter Monday Audience with the Underworld Pope: Charles Manson Interviewed and Decoded" is Zeena's full transcript with introduction and annotations of the raw footage of Nikolas Schreck's interview to his documentary, Charles Manson Superstar.
In Ballard's hallucinatory novel, the car provides the hellish tableau in which Vaughan, a "TV scientist" turned "nightmare angel of the highways," experiments with erotic atrocities among auto crash victims, each more sinister than the last. James Ballard, his friend and fellow obsessive, tells the story of this twisted visionary as he careens rapidly toward his own demise in an intentionally orchestrated car crash with Elizabeth Taylor. A classic work of cutting edge fiction, Crash explores the disturbing potentialities of contemporary society's increasing dependence on technology as intermediary in human relations.
When the children of his village were struck with a mysterious illness, Number Ten Ox sought a wiseman to save them. He found Master Li Kao, a scholar with a slight flaw in his character. Together, they set out to find the Great Root of Power, the only possible cure.
The quest led them to a host of truly memorable characters, multiple wonders, incredible adventures—and strange coincidences, which were really not coincidences at all. And it involved them in an ancient crime that still perturbed the serenity of Heaven.
Simply and charmingly told, this is a wry tale, a sly tale, and a story of wisdom delightfully askew. Once read, its marvels and beauty will not easily fade from the mind.
The author claims that this is a novel of an ancient China that never was. But, oh…it should have been!
Inspired by D.H. Lawrence, Chekhov and Hemingway, Bukowski's writing is passionate, extreme and has attracted a cult following. His life was as weird and wild as the tales he wrote.
This collection of short stories gives an insight into the dark, dangerous lowlife of Los Angeles that Bukowski inhabited. From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his 'tales of ordinary madness'.
These are angry yet tender, humorous and haunting portrayals of life in the underbelly of Los Angeles.
It was a deadly mistake. Joseph Malik, editor of a radical magazine, had snooped into rumors about an ancient secret society that was still alive and kicking. Now his offices have been bombed, he's missing, and the case has landed in the lap of a tough, cynical, streetwise New York detective. Saul Goodman knows he's stumbled onto something big—but even he can't guess how far into the pinnacles of power this conspiracy of evil has penetrated.
Filled with sex and violence—in and out of time and space—the three books of The Illuminatus! Trilogy are only partly works of the imagination. They tackle all the cover-ups of our time—from who really shot the Kennedys to why there's a pyramid on a one-dollar bill—and suggest a mind-blowing truth.
The Curse of Lono is to Hawaii what Fear and Loathing was to Las Vegas: the crazy tales of a journalist's coverage of a news event that ends up being a wild ride to the dark side of Americana.
Originally published in 1983, Curse features all of the zany, hallucinogenic wordplay and feral artwork for which the Hunter S. Thompson/Ralph Steadman duo became known and loved.
This curious book, considered an oddity among Hunter's oeuvre, was long out of print, prompting collectors to search high and low for an original copy. TASCHEN's signed, limited edition sold out before the book even hit the stores, but this unlimited version, in a different, smaller format, makes The Curse of Lono accessible to everyone.
Fup is a delightful tale set in the coastal hills of Northern California, spanning the years from 1880 to the present day. This enchanting story weaves together the lives of three unforgettable characters: two humans and one unique duck.
Grandaddy Jake Santee, a 99-year-old unreformed gambler and a firm opponent of the work ethic, believes his home-distilled whiskey, Ol' Death Whisper, may just grant him immortality. Then there's Tiny, the gentle giant adopted by Jake at the age of four, whose kind nature contrasts with Jake's cantankerous ways.
And finally, there's Fup, the twenty-pound mallard duck with a fondness for whiskey and a personality that transforms the Santee household. This unlikely trio's adventures are both hilarious and heartwarming, capturing the essence of a modern fable that leaves readers with a giant heart.
Even Cowgirls Get the Blues, a novel by Tom Robbins, is a classic tale of eccentric adventure that explores the themes of freedom, its prizes, and its prices. It introduces us to the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all. The story unfolds with the whooping crane rustlers - girls, young girls, cowgirls, in fact, all "bursting with dimples and hormones" - and the FBI has never seen anything quite like them.
Yet, their rebellion at the Rubber Rose Ranch is almost overshadowed by Sissy's arrival. As Robbins's robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind. Thomas Pynchon himself has called it "one of those special novels—a piece of working magic, warm, funny, and sane."
In this final part of the trilogy, we follow Titus, now almost twenty, as he escapes from the Castle, fleeing its oppressive Ritual, and becomes lost in a sandstorm. Helped by the owner of a travelling zoo, Muzzlehatch, and his ex-lover Juno, Titus ends up stranded in a big, bustling city. No one there has heard of Gormenghast, and the general consensus is that the boy is deranged. With no papers, he's soon arrested for vagrancy.
But there are a few people who believe in his story, or at least are intrigued by it, and they try to help him. Now Titus, the deserter, the traitor, longs for his home and looks for it all the time to prove, if only to himself, that Gormenghast is truly real.
San Francisco, 1976. A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cutthroat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.
Substance D is not known as Death for nothing. It is the most toxic drug ever to find its way on to the streets of LA. It destroys the links between the brain's two hemispheres, causing, first, disorientation and then complete and irreversible brain damage.
The undercover narcotics agent who calls himself Bob Arctor is desperate to discover the ultimate source of supply. But to find any kind of lead he has to pose as a user and, inevitably, without realising what is happening, Arctor is soon as addicted as the junkies he works among...
Before his 1959 breakthrough, Naked Lunch, an unknown William S. Burroughs wrote Junky, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground. Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940s was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media.
For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many "lost" passages, as well as auxiliary texts by Allen Ginsberg and others.
Few novels have caused as much debate as Hubert Selby Jr.'s notorious masterpiece, Last Exit to Brooklyn, and this Penguin Modern Classics edition includes an introduction by Irvine Welsh, author of Trainspotting.
Described by various reviewers as hellish and obscene, Last Exit to Brooklyn tells the stories of New Yorkers who at every turn confront the worst excesses in human nature. Yet there are moments of exquisite tenderness in these troubled lives. Georgette, the transvestite who falls in love with a callous hoodlum; Tralala, the conniving prostitute who plumbs the depths of sexual degradation; and Harry, the strike leader who hides his true desires behind a boorish masculinity, are unforgettable creations.
Hubert Selby, Jr. (1928-2004) was born in Brooklyn, New York. At the age of 15, he dropped out of school and went to sea with the merchant marines. While at sea he was diagnosed with lung disease. With no other way to make a living, he decided to try writing: 'I knew the alphabet. Maybe I could be a writer.' In 1964 he completed his first book, Last Exit to Brooklyn, which has since become a cult classic. In 1966, it was the subject of an obscenity trial in the UK. His other books include The Room, The Demon, Requiem for a Dream, The Willow Tree and Waiting Period. In 2000, Requiem for a Dream was adapted into a film starring Jared Leto and Ellen Burstyn, and directed by Darren Aronofsky.
The cult classic that can still change your life... Let the dice decide! This is the philosophy that changes the life of bored psychiatrist Luke Rhinehart - and in some ways changes the world as well.
Because once you hand over your life to the dice, anything can happen. Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.
Second only to Slaughterhouse-Five of Vonnegut's canon in its prominence and influence, God Bless You, Mr. Rosewater (1965) presents Eliot Rosewater, an itinerant, semi-crazed millionaire wandering the country in search of heritage and philanthropic outcome, introducing the science fiction writer Kilgore Trout to the world and Vonnegut to the collegiate audience which would soon make him a cult writer.
Trout, modeled according to Vonnegut on the science fiction writer Theodore Sturgeon (with whom Vonnegut had an occasional relationship) is a desperate, impoverished but visionary hack writer who functions for Eliot Rosewater as both conscience and horrid example. Rosewater, seeking to put his inheritance to some meaningful use (his father was an entrepreneur), tries to do good within the context of almost illimitable cynicism and corruption.
It is in this novel that Rosewater wanders into a science fiction conference--an actual annual event in Milford, Pennsylvania--and at the motel delivers his famous monologue evoked by science fiction writers and critics for almost half a century: "None of you can write for sour apples... but you're the only people trying to come to terms with the really terrific things which are happening today." Money does not drive Mr. Rosewater (or the corrupt lawyer who tries to shape the Rosewater fortune) so much as outrage at the human condition.
The novel was adapted for a 1979 Alan Menken musical. The novel is told mostly through a collection of short stories dealing with Eliot's interactions with the citizens of Rosewater County, usually with the last sentence serving as a punch line. The antagonist's tale, Mushari's, is told in a similar short essay fashion. The stories reveal different hypocrisies of humankind in a darkly humorous fashion.
Naked Lunch is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone. The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).
Homestuck Book Three is a thrilling continuation of the epic series by Andrew Hussie. Dive into the exciting world of Homestuck as Act 3 unfolds with more adventure and humor than ever before.
Join the characters on their quest through a universe filled with mystery and fantasy, where every page promises a new twist and turn. This compilation is a must-read for fans who love graphic novels and webcomics.
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.
Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.
Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
Set adrift by his wife's sudden death and struggling to keep a grip on reality, Bunny Munro does the only thing he can think of - with his young son in tow, he hits the road. An epic chronicle of one man's judgement and death, The Death of Bunny Munro is an achingly tender portrait of the relationship between father and son.