Life will never be the same for Ananka Fishbein after she ventures into an enormous sinkhole near her New York City apartment.

A million rats, delinquent Girl Scouts out for revenge, and a secret city below the streets of Manhattan combine in this remarkable novel about a darker side of New York City you have only just begun to know about...

Renowned hip-hop artist, political activist, and bestselling author Sister Souljah brings the streets of New York to life in a powerful and utterly unforgettable first novel.

I came busting into the world during one of New York's worst snowstorms, so my mother named me Winter. Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, and business-minded, she knows and loves the streets like the curves of her own body. But when a cold Winter wind blows her life in a direction she doesn't want to go, her street smarts and seductive skills are put to the test of a lifetime. Unwilling to lose, this ghetto girl will do anything to stay on top.

Featuring a Special Collector’s Edition Reader’s Guide—including an author Q&A, detailed character analyses, and the author’s own remarks about the meaning of her story.

A chance meeting on a train to Tokyo sends two girls named Nana on a collision course with destiny!

Nana "Hachi" Komatsu hopes that moving to Tokyo will help her make a clean start and leave her capricious love life behind her. She's looking for love and hoping to find it in the big city.

Nana Osaki, on the other hand, is cool, confident, and focused. She swaggers into town and proceeds to kick down the doors to Tokyo's underground punk scene. She's got a dream and won't give up until she becomes Japan's No. 1 rock'n'roll superstar.

This is the story of two 20-year-old women who share the same name. Even though they come from completely different backgrounds, they somehow meet and become best friends. The world of Nana is a world exploding with sex, music, fashion, gossip, and all-night parties!

Istanbul: Memories and the City is a shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer, Orhan Pamuk. Born in Istanbul, Pamuk still resides in the family apartment building where his mother first held him in her arms.

His portrait of his city is also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share: the sadness that comes from living amid the ruins of a lost empire.

With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters—both Turkish and foreign—who would shape his consciousness of his city.

Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

The Yacoubian Building is a controversial bestselling novel in the Arab world that reveals the political corruption, sexual repression, religious extremism, and modern hopes of Egypt today.

All manner of flawed and fragile humanity reside in the Yacoubian Building, a once-elegant temple of Art Deco splendor now slowly decaying in the smog and bustle of downtown Cairo: a fading aristocrat and self-proclaimed "scientist of women"; a sultry, voluptuous siren; a devout young student, feeling the irresistible pull toward fundamentalism; a newspaper editor helplessly in love with a policeman; a corrupt and corpulent politician, twisting the Koran to justify his desires.

These disparate lives careen toward an explosive conclusion in Alaa Al Aswany's remarkable international bestseller. Teeming with frank sexuality and heartfelt compassion, this book is an important window into the experience of loss and love in the Arab world.

From the prize-winning author of Motherless Brooklyn, comes a daring, riotous, sweeping novel that spins the tale of two friends and their adventures in late 20th-century America.

This is the story of two boys, Dylan Ebdus and Mingus Rude. They live in Brooklyn and are friends and neighbors; but since Dylan is white and Mingus is black, their friendship is not simple.

This is the story of 1970s America, a time when the simplest decisions — what music you listen to, whether to speak to the kid in the seat next to you, whether to give up your lunch money — are laden with potential political, social, and racial disaster. This is also the story of 1990s America, when nobody cared anymore.

This is the story of what would happen if two teenaged boys obsessed with comic book heroes actually had superpowers: they would screw up their lives.

I'm Stephanie Plum. My mother says that I'm famous and have to set a good example. She's right, but I'm from Jersey and truth is, I have a hard time getting a grip on the good example thing.

Swing off the Jersey Turnpike and you'll be in bounty hunter Stephanie Plum's neighborhood. You'll know it because all hell will be breaking loose. Not that she looks for trouble - it just seems to follow her.

In Ten Big Ones, it explodes at a deli, and when Stephanie pegs a robber as a member of a vicious Trenton gang, they peg her as dead. Vice cop Joe Morelli fears she's in way too deep - even with the help of crime-solving, cross-dressing, bus driver Sally Sweet, and Stephanie's friend Lula riding shotgun as backup.

With a notorious killer on her tail, Stephanie figures the best hideout is Ranger's secret lair...Original.

The world of the cab driver is uncertain and even dangerous, populated by oddballs, weirdoes, comedians, eccentrics, head cases, prima donnas, and hard cases. And they’re just the drivers.

Enter the ludicrous, humorous, and sometimes violent world of the London cab driver; you never know what to expect. During my years driving cabs, I got myself into some scrapes. Luckily, I’ve met and befriended many characters along the way, and their stories deserve to be told.

In the last third of the book, I recall my time spent driving a cab in the projects of Watts, Los Angeles, home of the infamous Bloods & Crips, during the early 80’s. I’ve intended to paint an ominous picture of a community destroyed by drugs, guns, and violence. You’ll almost smell the omnipresent whiff of cheap wine and feel the dirty lino under your feet.

Read the true life adventures of an English lad as he struggles to make a living amongst ‘gangstas’ who are arguably the most violent in the United States. For anyone who has puked in the back of a cab, then argued over the fare at 3am, this book is your driver’s revenge. I’ve done my best to create a ‘living poem’ that is by turns thoughtful and brutal, but very funny.

People have always told me I’m a natural storyteller, but like every good cab driver, I have an opinion on a range of hot issues, from the congestion charge to Malcolm X and the Nation of Islam. You’ll be able to hear my characters, see them and, in some instances, actually smell them. They’ll leave their stain on you. You may well be able to relate to guys who used their fists and their wits, you may laugh at their humour and get their jokes, but it’ll be the thugs with guns and no soul who will unsettle you. I want you to be scared of them.

The irresistible heroine of Confessions of a Shopaholic and Shopaholic Ties the Knot is back! And this time Becky Bloomwood and her credit cards are headed across the Atlantic.... With her shopping excesses (somewhat) in check and her career as a TV financial guru thriving, Becky's biggest problem seems to be tearing her entrepreneur boyfriend, Luke, away from work for a romantic country weekend. And worse, figuring out how to pack light. But packing takes on a whole new meaning when Luke announces he's moving to New York for business--and he asks Becky to go with him! Before you can say "Prada sample sale," Becky has landed in the Big Apple, home of Park Avenue penthouses and luxury boutiques. Surely it's only a matter of time until she becomes an American TV celebrity, and she and Luke are the toast of Gotham society. Nothing can stand in their way, especially with Becky's bills miles away in London. But then an unexpected disaster threatens her career prospects, her relationship with Luke, and her available credit line! Shopaholic Takes Manhattan--but will she have to return it?

Risky in conception, hip and yet soulful, this is a prose poem of a novel — intense, lyrical, and highly evocative — with a mystery at its center, which keeps the reader in suspense until the final page. In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day.

In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love.

The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry — so much vision — that he can make the world seem new.

En 1887, Onofre Bouvila, un joven campesino arruinado, llega a la gran ciudad que todavía no lo es, Barcelona, y encuentra su primer trabajo como repartidor de panfletos anarquistas entre los obreros que trabajan en la Exposición Universal del año siguiente.

El lector deberá seguir la espectacular historia del ascenso de Bouvila, que lo llevará a convertirse en uno de los hombres más ricos e influyentes del país con métodos no del todo ortodoxos.

Mendoza nos propone un nuevo y singularísimo avatar de la novela picaresca y un brillante carrusel imaginativo de los mitos y fastos locales. Una fantasía satírica y lúdica cuyo sólido soporte realista inicial no excluye la fabulación libérrima.

La ciudad de los prodigios es una de sus obras más conocidas a nivel internacional.

London tracks the history of the English capital from the days of the Celts until the present time. Edward Rutherfurd, a master of epic historical fiction, presents a sweeping novel that spans two thousand years. This vibrant city's long and noble history is brought alive through the saga of ever-shifting fortunes, fates, and intrigues of a half-dozen families, from the age of Julius Caesar to the twentieth century.

Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the Old World. Experience the invasion by Julius Caesar’s legions in 54 B.C., the rise of chivalry and the Crusades, the building of the Globe theatre, and the coming of the Industrial Revolution. Witness first-hand the lust of Henry VIII and overhear Geoffrey Chaucer deciding to write The Canterbury Tales.

Each episode is a punchy tale made up of bite-size chunks ending in tiny cliffhangers, offering a delightful way to get the feel of London and of English history.

Impish, foul-mouthed Zazie arrives in Paris from the country to stay with her uncle Gabriel. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement.

Soon, she is caught up in a comic adventure that becomes wilder and more manic by the minute. Packed full of word play and phonetic games, Zazie in the Metro remains as stylish and witty today as it did back then.

Flyy Girl is the bestselling urban classic novel about a young woman coming of age in the late 1980s. Tracy Ellison, a young knockout with tall hair and attitude, is living life as fast as she can. Motivated by the material world, she and her friends love and leave the young men who will do anything to get next to them.

It's only when the world of gratuitous sex threatens heartbreak that Tracy begins to examine her life, her goals, and her sexuality. This captivating tale, written with fluid narrative and contemporary dialect, captures the complete feel and sounds of the streets and is destined to become an urban classic.

Teresa Caldeira's pioneering study of fear, crime, and segregation in S�o Paulo poses essential questions about citizenship and urban change in contemporary democratic societies. Focusing on S�o Paulo, and using comparative data on Los Angeles, she identifies new patterns of segregation developing in these cities and suggests that these patterns are appearing in many metropolises.

The book provides a brilliant analysis of the dynamics of urban fear and its impact on the city's geography. Caldeira's work is recognized for its theoretical boldness, rich ethnography, and specific historical insights. It addresses the many challenges and obstacles that government and civil society face in new democracies, shedding light on authoritarian continuity under political reform.

Harry White is a man haunted by a satyr's lust and an obsessive need for sin and retribution. The more Harry succeeds -- a good marriage, a good corporate job -- the more desperate he becomes, as a life of petty crime leads to fraud and murder and, eventually, to apocalyptic violence.

Author of the controversial cult classic, Last Exit to Brooklyn, Hubert Selby began as a writer of short fiction. He plunges the reader head-first into the densely realized worlds of his protagonists, in which the details of daily life rub shoulders with obsession and madness. Although fundamentally concerned with morality, Selby's own sense of humility prevents him from preaching. He offers instead a passionate empathy with the ordinary dreams and aspirations of his characters, a brilliant ear for the urban vernacular and for the voices of conscience and self-deceit that torment his characters.

Jonathan Kozol's books have become touchstones of the American conscience. In his most personal and optimistic book to date, Jonathan returns to the South Bronx to spend another four years with the children who have come to be his friends at P.S. 30 and St. Ann's.

A fascinating narrative of daily urban life seen through the eyes of children, Ordinary Resurrections gives a human face to Northern segregation and provides a stirring testimony to the courage and resilience of the young. Sometimes playful, sometimes jubilantly funny, and sometimes profoundly sad, these are sensitive children—complex and morally insightful. Their ethical vitality denounces and subverts the racially charged labels that the world of grown-up expertise too frequently assigns to them.

Yet another classic of unblinking social observation from one of the finest writers ever to work in the genre, this book is a piercing discernment of right and wrong, of hope and despair—from our nation's corridors of power to its poorest city streets.

A Tree Grows in Brooklyn is the beloved American classic about a young girl's coming-of-age at the turn of the century. This poignant and moving tale is filled with compassion and cruelty, laughter and heartache. It's crowded with life, people, and vivid incidents.

The story follows the young, sensitive, and idealistic Francie Nolan and her bittersweet formative years in the slums of Williamsburg. The daily experiences of the unforgettable Nolans are portrayed with raw honesty and are tenderly threaded with family connectedness. Betty Smith's work is a brilliant literary piece that captures a unique time and place as well as incredibly rich moments of universal experience.

Originally published in 1997, Drown instantly garnered terrific acclaim.

Moving from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, these heartbreaking, completely original stories established Díaz as one of contemporary fiction's most exhilarating new voices.

With ten stories that crackle with an electric sense of discovery, Díaz evokes a world in which fathers are gone, mothers fight with grim determination for their families and themselves, and the next generation inherits the casual cruelty, devastating ambivalence, and knowing humor of lives circumscribed by poverty and uncertainty.

In Drown, Díaz has harnessed the rhythms of anger and release, frustration and joy, to indelible effect.

Amazing Grace is Jonathan Kozol’s classic book on life and death in the South Bronx—the poorest urban neighborhood of the United States. He brings us into overcrowded schools, dysfunctional hospitals, and rat-infested homes where families have been ravaged by depression and anxiety, drug-related violence, and the spread of AIDS.

But he also introduces us to devoted and unselfish teachers, dedicated ministers, and—at the heart and center of the book—courageous and delightful children. The children we come to meet through the friendships they have formed with Jonathan defy the stereotypes of urban youth too frequently presented by the media. Tender, generous, and often religiously devout, they speak with eloquence and honesty about the poverty and racial isolation that have wounded but not hardened them.

Amidst all of the despair, it is the very young whose luminous capacity for love and transcendent sense of faith in human decency give reason for hope.

Michael Cunningham’s celebrated novel is the story of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars.

Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family.

A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.

These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness, and death that centres on the lives of the women and children of a hillside favela. Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage.

It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing – and controversial – is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, a middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse.

This passionate, profound story of love and obsession brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of black urban life. In a dazzling act of jazz-like improvisation, moving seamlessly in and out of past, present, and future, a mysterious voice weaves this brilliant fiction, capturing the ineffable mood and complex humanity of black urban life at a moment in our century we assumed we understood.

On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament in Concrete Island soon turns into horror as Maitland - a wickedly modern Robinson Crusoe - realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory.

Slaves of New York introduces a coterie of artists, prostitutes, saints, and seers all aspiring towards fame and hoping for love and acceptance. Instead, they encounter high rents, faithless partners, and dead-end careers.

This offbeat, funny, and bitingly satirical novel sheds an incomparable light on the city's denizens and social mores. Dive into the quirky world of New York during the 1980s, where each character's journey is a unique blend of humor and social commentary.

The Catcher in the Rye is an all-time classic in coming-of-age literature—an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind. It's Christmas time, and Holden Caulfield has just been expelled from yet another school.

Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters—shooting the bull with strangers in dive hotels, wandering alone around Central Park, getting beaten up by pimps, and cut down by erstwhile girlfriends. The city is both beautiful and terrible, in all its neon loneliness and seedy glamour, with a mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning.

J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel has been frequently challenged in court for its liberal use of profanity and portrayal of sexuality and was the book that every teenage boy wanted to read in the 1950s and 60s.