The Butler family has had their share of trials—as sisters Althea, Viola, and Lillian can attest—but nothing prepared them for the literal trial that will upend their lives.

Althea, the eldest sister and substitute matriarch, is a force to be reckoned with and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband, Proctor, are arrested, and in a heartbeat the family goes from one of the most respected in town to utter disgrace. The worst part is, not even her sisters are sure exactly what happened.

As Althea awaits her fate, Lillian and Viola must come together in the house they grew up in to care for their sister’s teenage daughters. What unfolds is a stunning portrait of the heart and core of an American family in a story that is as page-turning as it is important.

Appalachian Reckoning is a retort, at turns rigorous, critical, angry, and hopeful, to the long shadow cast over the region by J. D. Vance’s Hillbilly Elegy. This collection of essays allows Appalachians to tell their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography.

The book moves beyond Hillbilly Elegy to provide a deeply personal portrait of Appalachia—a place that is culturally rich and economically distressed, unique and typically American. It complicates simplistic visions that associate the region almost exclusively with death and decay, making clear Appalachia’s intellectual vitality, spiritual richness, and progressive possibilities.

Once upon a time, salad was iceberg lettuce with a few shredded carrots and a cucumber slice, if you were lucky. A vegetable side was potatoes—would you like those baked, mashed, or au gratin? A nice anniversary dinner? Would you rather visit the Holiday Inn or the Regency Inn?

In Grand Forks, North Dakota, a small town where professors moonlight as farmers, farmers moonlight as football coaches, and everyone loves hockey, one woman has had the answers for more than twenty-five years: Marilyn Hagerty. In her weekly Eatbeat column in the local paper, Marilyn gives the denizens of Grand Forks the straight scoop on everything from the best blue plate specials—beef stroganoff at the Pantry—to the choicest truck stops—the Big Sioux (and its lutefisk lunch special)—to the ambience of the town's first Taco Bell. Her verdict? A cool pastel oasis on a hot day.

No-nonsense but wry, earnest but self-aware, Eatbeat also encourages the best in its readers—reminding them to tip well and why—and serves as its own kind of down-home social register, peopled with stories of ex–postal workers turned café owners and prom queen waitresses.

Filled with reviews of the mom-and-pop diners that eventually gave way to fast-food joints and the Norwegian specialties that finally faded away in the face of the Olive Garden's endless breadsticks, Grand Forks is more than just a loving look at the shifts in American dining in the last years of the twentieth century—it is also a surprisingly moving and hilarious portrait of the quintessential American town, one we all recognize in our hearts regardless of where we're from.

Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads. William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about those little towns that get on the map — if they get on at all — only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi.

His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation of the true American experience.

Devil Sent the Rain is a dynamic collection of essays and journalism by acclaimed author Tom Piazza. Following his prize-winning novel City of Refuge and the post-Katrina classic Why New Orleans Matters, Piazza explores American music and character in this engaging work.

Piazza’s writing is filled with energy and tender, insightful words for the brilliant and irascible, from Jimmy Martin to Norman Mailer. Time and time again, Piazza identifies the unlikely, precious connections between recent events, art, letters, and music. Through his words, these byways of popular culture provide an unexpected measure of the times.

State by State is a panoramic portrait of America, edited by Matt Weiland and Sean Wilsey. This collection celebrates and appreciates all fifty states (and Washington, D.C.) through the eyes of fifty-one acclaimed writers.

Inspired by the Depression-era WPA guides, this anthology features delightful essays on the American character. Contributors include renowned and bestselling authors such as Louise Erdrich, Jonathan Franzen, Ann Patchett, Anthony Bourdain, William T. Vollmann, S.E. Hinton, Dave Eggers, Myla Goldberg, Rick Moody, and Alexander Payne.

Experience the full plumage of American life, in all its riotous glory, as these essays take you on a journey through the states, each with its own unique flavor and story.

The vast majority of Americans have, at one point or another, gotten drunk, smoked, dabbled with drugs, gambled, sworn, or engaged in adultery. During the 1800s, "respectable" people struggled to control these behaviors, labeling them "bad" and the people who indulged in them unrespectable. In the twentieth century, these minor vices were transformed into a societal complex of enormous and pervasive influence. Yet the general belief persists that these activities remain merely harmless "bad habits," individual transgressions more than social problems. Not so, argues distinguished historian John C. Burnham in this pioneering study.

In Bad Habits, Burnham traces the growth of a veritable minor vice-industrial complex. As it grew, activities that might have been harmless, natural, and sociable fun resulted in fundamental social change. When Burnham set out to explore the influence of these bad habits on American society, he sought to discover why so many "good" people engaged in activities that many, including themselves, considered "bad." What he found, however, was a coalition of economic and social interests in which the single-minded quest for profit allied with the values of the Victorian saloon underworld and bohemian rebelliousness. This combination radically inverted common American standards of personal conduct.

Bad Habits, then, describes, in words and pictures, how more and more Americans learned to value hedonism and self-gratification—to smoke and swear during World War I, to admire cabaret night life, and to reject schoolmarmish standards in the age of Prohibition. Tracing the evolution of each of the bad habits, Burnham tells how liquor control boards encouraged the consumption of alcohol; how alcoholic beverage producers got their workers deferred from the draft during World War II; how convenience stores and accounting firms pursued profits by pushing legalized gambling; how "swinging" Playboy bankrolled a drug advocacy group; how advertising and television made the Marlboro Man a national hero; how drug paraphernalia was promoted by national advertisers; how a practical joker/drug addict caused a shortage of kitty litter on Long Island; and how the evolution of an entire sex therapy industry helped turn sexual experience into a new kind of commodity. Altogether, a lot of people made a lot of money. But what, the author asks, did these changes cost American society?

This illustrated tour de force by one of the most distinctive and important voices in social history reveals John C. Burnham at his provocative and controversial best.