Hum is an extraordinary novel by the National Book Award–longlisted author Helen Phillips. It tells the story of a wife and mother named May, who, after losing her job to artificial intelligence, undergoes a radical procedure that makes her invisible to surveillance systems.

Set in a city ravaged by climate change and inhabited by intelligent robots known as 'hums,' May's decision to alter her face to escape detection is driven by desperation to clear her family's debt and secure their future. The narrative follows her as she invests in a brief escape to the Botanical Garden, a sanctuary of natural beauty, hoping it will heal her family's reliance on technology.

However, the supposed tranquility is short-lived as her family's safety is compromised, pushing May to rely on a hum with dubious intentions. Hum is a riveting work of speculative fiction, examining themes of marriage, motherhood, and identity against a backdrop of environmental decay and rapid technological progress. It presents a world filled with both dystopian and utopian elements, compelling readers to confront the unsettling realities of our times.

From the author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. Danielle Dutton's endlessly inventive books have been praised as "strikingly smart and daringly feminist" (Jenny Offill), "brilliantly odd" (The Irish Independent), and "beguiling" (The Wall Street Journal).

In Prairie, Dresses, Art, Other, four distinct sections operate like Joseph Cornell boxes, each offering its own vibrant proposal for what contemporary writing might be. "Prairie" is a cycle of stories set in the Midwest, a surreal landscape of wildflowers, ominous rivers, violence, virtual reality, art, fear, and loss. The conceptual work in "Dresses" reconsiders the canon through the lens of its garb, like a wild literary closet. "Art" turns to essay, examining how works of visual art and fiction relate to one another, a theme central to the whole book. The final section, "Other," collects pieces in irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking for reasons as inexplicable as the abiding beauty and strangeness of all of Dutton's work.

HOW THE DISENCHANTMENT OF EMPIRE LED TO CLIMATE CHANGE.

While industrial states competed to colonize Asia and Africa in the nineteenth century, conversion to Christianity was replaced by a civilizing mission. This new secular impetus strode hand in hand with racial capitalism in the age of empires: a terrestrial paradise was to be achieved through accumulation and the ravaging of nature.

Far from a defence of religion, The States of the Earth argues that phenomena such as evangelism and political Islam are best understood as products of empire and secularization. In a world where material technology was considered divine, religious and secular forces both tried to achieve Heaven on Earth by destroying Earth itself.

An urgent examination of how disruptive politics, technology, and art are capsizing old assumptions in a great wave of change breaking over today’s world, creating both opportunity and peril—from the Pulitzer Prize–winning critic and author of the New York Times bestseller The Death of Truth.

The twenty-first century is experiencing a watershed moment defined by chaos and uncertainty, as one emergency cascades into another, underscoring the larger dynamics of change that are fueling instability across the world.

Since the global financial crisis of 2008, people have increasingly lost trust in institutions and elites, while seizing upon new digital tools to sidestep traditional gatekeepers. As a result, powerful new voices—once regarded as radical, unorthodox, or marginal—are disrupting the status quo in politics, business, and culture. Meanwhile, social and economic inequalities are stoking populist rage across the world, toxic partisanship is undermining democratic ideals, and the internet and AI have become high-speed vectors for the spread of misinformation.

Writing with a critic’s understanding of cultural trends and a journalist’s eye for historical detail, Michiko Kakutani looks at the consequences of these new asymmetries of power. She maps the migration of ideas from the margins to the mainstream and explores the growing influence of outsiders—those who have sown chaos and fear (like Donald Trump), and those who have provided inspirational leadership (like Ukraine’s president Volodymyr Zelensky).

Kakutani argues that today’s crises are not only signs of an interconnected globe’s profound vulnerabilities, but also stress tests pointing to the essential changes needed to survive this tumultuous era and build a more sustainable future.

In Read Write Own, tech visionary Chris Dixon presents a potent exploration of the power of blockchains to reshape the future of the internet—and how that affects us all. This book is a critical examination of the internet's evolution and a vision for a better future powered by blockchain networks.

Dixon provides a compelling narrative of the internet's history, describing its early promise of a decentralized and democratic network, and how it shifted towards centralization by corporations such as Apple, Google, and Facebook. Read Write Own marks the emergence of the 'read-write-own' era, also known as web3, where blockchain technology empowers communities rather than solely corporations.

With his twenty-five-year career in the software industry, Dixon separates the blockchain movement from cryptocurrency speculation, emphasizing the former's potential for fostering creativity, entrepreneurship, and comprehensive digital ecosystems. This book is a must-read for internet users, business leaders, creators, and entrepreneurs looking to understand the past and navigate the future of the internet.

From New Yorker staff writer and author Kyle Chayka comes a timely history and investigation of a world ruled by algorithms, which determine the shape of culture itself. From trendy restaurants to city grids, to TikTok and Netflix feeds the world round, algorithmic recommendations dictate our experiences and choices.

The algorithm is present in the familiar neon signs and exposed brick of Internet cafes, be it in Nairobi or Portland, and the skeletal, modern furniture of Airbnbs in cities big and small. Over the last decade, this network of mathematically determined decisions has taken over, almost unnoticed—informing the songs we listen to, the friends with whom we stay in touch—as we've grown increasingly accustomed to our insipid new normal.

This ever-tightening web woven by algorithms is called “Filterworld.” Kyle Chayka shows us how online and offline spaces alike have been engineered for seamless consumption, becoming a source of pervasive anxiety in the process. Users of technology have been forced to contend with data-driven equations that try to anticipate their desires—and often get them wrong. What results is a state of docility that allows tech companies to curtail human experiences—human lives—for profit.

But to have our tastes, behaviors, and emotions governed by computers, while convenient, does nothing short of call the very notion of free will into question. In Filterworld, Chayka traces this creeping, machine-guided curation as it infiltrates the furthest reaches of our digital, physical, and psychological spaces. With algorithms increasingly influencing not just what culture we consume, but what culture is produced, urgent questions arise: What happens when shareability supersedes messiness, innovation, and creativity—the qualities that make us human? What does it mean to make a choice when the options have been so carefully arranged for us? Is personal freedom possible on the Internet?

To the last question, Filterworld argues yes—but to escape Filterworld, and even transcend it, we must first understand it.