Police lights illuminate a dark street on a dark night in a small Michigan town. A vehicle has been pulled over; the cop claims the occupants resemble robbery suspects. No traffic law has been violated. The man is the wrong age, the woman, the wrong sex and small children are seated in the back. Still, the officer persists. The driver declares he is legally carrying, confusion reigns, shots ring out, and an innocent black man now lies bleeding to death. The tragic events have been captured on video.

The shooting becomes national news. The officer is placed on paid leave. After watching celebrity lawyer, Zachary Blake, discuss the case on television, the victim’s wife turns to Blake for justice. Facing an embarrassed yet emboldened police force, attorney and client face off against the dark side of police power. Can they successfully fight city hall?

Suspenseful, powerful, and enlightening, Betrayal in Black explores an increasingly controversial clash between race and police power.

Nuria Varela nos ofrece la continuación a su best seller Feminismo para principiantes. En este libro, Varela realiza un análisis riguroso y esclarecedor de las últimas teorías, movilizaciones y propuestas del movimiento político y social que, con sus aciertos y contradicciones, está poniendo en jaque la desigualdad estructural de la sociedad.

Políticas de la identidad, posfeminismo, feminismos poscoloniales, teoría queer, transfeminismo, interseccionalidad, biopolítica y ciberfeminismo son solo algunos de los conceptos que se tratan en este nuevo libro, indispensable para entender el momento crucial en que nos encontramos.

Crier's War is a richly imagined epic fantasy duology about an impossible love between two girls—one human, one Made—whose romance could be the beginning of a revolution. The story is perfect for fans of Marie Rutkoski's The Winner's Curse, as well as Game of Thrones and Westworld.

After the War of Kinds ravaged the kingdom of Rabu, the Automae—designed to be the playthings of royals—usurped their owners' estates and bent the human race to their will. Now Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family's death by killing the sovereign's daughter, Lady Crier.

Crier was Made to be beautiful, flawless, and to carry on her father's legacy. But that was before her betrothal to the enigmatic Scyre Kinok, before she discovered her father isn't the benevolent king she once admired, and most importantly, before she met Ayla. With growing human unrest across the land, pressures from a foreign queen, and an evil new leader on the rise, Crier and Ayla find there may be only one path to love: war.

England, 1879. Annabelle Archer, the brilliant but destitute daughter of a country vicar, has earned herself a place among the first cohort of female students at the renowned University of Oxford. In return for her scholarship, she must support the rising women's suffrage movement. Her charge: recruit men of influence to champion their cause. Her target: Sebastian Devereux, the cold and calculating Duke of Montgomery who steers Britain's politics at the Queen's command. Her challenge: not to give in to the powerful attraction she can't deny for the man who opposes everything she stands for.

Sebastian is appalled to find a suffragist squad has infiltrated his ducal home, but the real threat is his impossible feelings for green-eyed beauty Annabelle. He is looking for a wife of equal standing to secure the legacy he has worked so hard to rebuild, not an outspoken commoner who could never be his duchess. But he wouldn't be the greatest strategist of the Kingdom if he couldn't claim this alluring bluestocking without the promise of a ring...or could he? Locked in a battle with rising passion and a will matching her own, Annabelle will learn just what it takes to topple a duke....

A stunning debut for author Evie Dunmore and her Oxford suffragists in which a fiercely independent vicar's daughter takes on a powerful duke in a fiery love story that threatens to upend the British social order.

'You look the type to break your father’s heart.'

'Yeah, but he broke mine first.'

When Rosie Gennaro first meets Jimmy Hailler, she has walked away from life in Sydney, leaving behind the place on Dalhousie that her father, Seb, painstakingly rebuilt for his family but never saw completed. Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities.

And so begins a stand-off between two women who refuse to move out of the home they both lay claim to. As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own.

An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore. Her brain cells, having run out of blood, were now completely deprived of oxygen. But they did not shut down. Not right away...'

For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life - friends who are now desperately trying to find her.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era.

Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

Biased by Dr. Jennifer Eberhardt is a compelling examination of unconscious racial bias and its profound impact on society and criminal justice. Eberhardt, a leading expert in the field, offers both a scientific and personal perspective on one of the most challenging issues of our time.

Despite our best intentions, racial bias can infiltrate our perception, attention, memory, and actions, leading to disparities in various aspects of life, including education, employment, and housing. These disparities, in turn, perpetuate the bias. Eberhardt's work extends beyond the laboratory, engaging with law enforcement, courtrooms, and the streets, offering a comprehensive view of how bias operates in real-world settings.

The book is informed by Eberhardt's research, including analysis of police body camera footage, and is enriched with interviews, personal anecdotes, and practical suggestions for reform. Biased confronts the uncomfortable reality that racial bias is a pervasive human problem, one that all individuals have the power to address and overcome.

Las heroínas de Perras de reserva son mujeres fuertes, decididas a resolver por sí mismas sus problemas porque saben que si con algo no pueden contar es con la ayuda de Dios. Como mucho, se encomiendan al Diablo, ya que ante la perspectiva de convertirse en víctimas –usadas, explotadas o muertas– prefieren optar por la sangre ajena. Como Yuliana, la macabramente entrañable heredera al trono de un capo del narcotráfico, que no va a aceptar que sus compañeras de escuela se burlen de su look. O la adolescente que antes de dejarse arrinconar por la pobreza y el hambre se vuelve una malandrina de calle con principios, que solo desvalija a gente bien. O la bruja que recurre al Señor de las Tinieblas para que le ayude con la vecina cuyos perros hacen sus necesidades en su patio.

Sean sicarias o universitarias, influencers o amas de casa, beatas o prostitutas, las memorables protagonistas de estos relatos comparten las dificultades y los peligros derivados de haber nacido mujer.

Con un talento desbordante para reflejar el habla de la calle y no pocas dosis de humor negro, la autora mexicana Dahlia de la Cerda nos recuerda en este genial libro que «la vida es una perra, por eso hay que patearle la jaula».