The Guernsey Literary and Potato Peel Pie Society is a charming and moving novel set in the aftermath of World War II. In January 1946, London is in the process of reconstruction, and writer Juliet Ashton is on a quest for her next literary project. Unexpectedly, she receives a letter from a man she has never met, Dawsey Adams from Guernsey, who found her name in a book by Charles Lamb.

Through their exchange of letters, Juliet becomes captivated by the idiosyncratic world of Dawsey and his friends. They are members of The Guernsey Literary and Potato Peel Pie Society, a book club that was inadvertently formed as a clever ruse during the German occupation of the island. The society comprises a delightful mix of characters, including pig farmers and phrenologists, all united by their love of literature.

As Juliet learns more about the islanders and the impact that the occupation has had on their lives, she is irresistibly drawn to visit Guernsey. What she discovers on the island will forever alter the course of her life. Told with genuine affection and humor, this epistolary novel celebrates the power of books and the profound connections that can emerge from the most unexpected circumstances.

The Guernsey Literary and Potato Peel Pie Society is a charming and moving novel set in the aftermath of World War II. In January 1946, London is in the process of reconstruction, and writer Juliet Ashton is on a quest for her next literary project. Unexpectedly, she receives a letter from a man she has never met, Dawsey Adams from Guernsey, who found her name in a book by Charles Lamb.

Through their exchange of letters, Juliet becomes captivated by the idiosyncratic world of Dawsey and his friends. They are members of The Guernsey Literary and Potato Peel Pie Society, a book club that was inadvertently formed as a clever ruse during the German occupation of the island. The society comprises a delightful mix of characters, including pig farmers and phrenologists, all united by their love of literature.

As Juliet learns more about the islanders and the impact that the occupation has had on their lives, she is irresistibly drawn to visit Guernsey. What she discovers on the island will forever alter the course of her life. Told with genuine affection and humor, this epistolary novel celebrates the power of books and the profound connections that can emerge from the most unexpected circumstances.

Con un ritmo y un lenguaje magistrales, Fernanda Melchor, autora de Falsa liebre explora en esta obra las sinrazones que subyacen a los actos más desesperados de barbarie pasional. Una novela cruda y desgarradora en la que el lector quedará envuelto, atrapado por las palabras y la atmósfera de terrible, aunque gozosa, fatalidad.

Un grupo de niños encuentra un cadáver flotando en las aguas turbias de un canal de riego cercano a la ranchería de La Matosa. El cuerpo resulta ser de la Bruja, una mujer que heredó dicho oficio de su madre fallecida, y a quienes los pobladores de esa zona rural respetaban y temían. Tras el macabro hallazgo, las sospechas y habladurías recaerán sobre un grupo de muchachos del pueblo, a quienes días antes una vecina vio mientras huían de casa de la hechicera, cargando lo que parecía ser un cuerpo inerte.

A partir de ahí, los personajes involucrados en el crimen nos contarán su historia mientras los lectores nos sumergimos en la vida de este lugar acosado por la miseria y el abandono, y donde convergen la violencia del erotismo más oscuro y las sórdidas relaciones de poder. 

Eleven-year-old Owen Meany, playing in a Little League baseball game in Gravesend, New Hampshire, hits a foul ball and kills his best friend's mother. Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul is both extraordinary and terrifying. At moments a comic, self-deluded victim, but in the end the principal, tragic actor in a divine plan, Owen Meany is the most heartbreaking hero John Irving has yet created.

En 1963, cuatro años antes de la publicación de Cien años de soledad, apareció en México una novela singular, historia de amor sombría, misteriosa, que cambió el tono de la narrativa mexicana de tan profunda y sorprendente manera como Pedro Páramo de Juan Rulfo: Los recuerdos del porvenir.

La asombrosa novela de Elena Garro es gótica y barroca. Más que una crónica -que sí lo es, de la Revolución Mexicana y de la guerra de los Cristeros- es una nostalgia y una soledad, es la voz de un pueblo iluminado, hallado y perdido, que habla en una primera persona desesperanzada y triste.

Una familia y otra familia, más las amantes solitarias, el loco del pueblo, las cuscas, los soldados, las beatas, un cura y un sacristán, más un campanario y una joven endemoniada de amor por el general Francisco Rosas, constituyen los solistas, las parejas y las comparsas de esta bella, ebria y condenada Danza de la Muerte.