The Alternatives is a tale about sisterhood, a novel of ideas, and a chronicle of our collective follies. It unfolds in prose full of gorgeous surprises and glows with intelligence, compassion, and beauty.

The Flattery sisters were plunged prematurely into adulthood when their parents died in tragic circumstances. Now in their thirties—all single, all with PhDs—they are each attempting to do meaningful work in a rapidly foundering world. The four lead disparate, distanced lives, from classrooms in Connecticut to ritzy catering gigs in London’s Notting Hill.

One day, their oldest sister, a geologist haunted by a terrible awareness of the earth’s future, abruptly vanishes from her work and home. Together for the first time in years, the Flatterys descend on the Irish countryside in search of a sister who doesn’t want to be found. Sheltered in a derelict bungalow, they reach into their common past, confronting both old wounds and a desperately uncertain future.

Warm, fiercely witty, and unexpectedly hopeful, The Alternatives is an unforgettable portrait of a family perched on our collective precipice, told by one of Ireland’s most gifted storytellers.

A sleepy little town discovers its memories have become part of the water cycle in Naomi Salman's debut novella, Nothing but the Rain.

The rain in Aloisville is never-ending, and no one can remember when it started. There’s not much they can remember. With every drop that hits their skin, a bit of memory is washed away. Stay too long in the wet, and you’ll lose everything you used to be.

By the time Laverne begins keeping a journal, the small town she calls home has been irreparably changed. Every drop of water is dangerous, from leaky faucets to the near-constant rainfall, and a careless trip outside can mean a life down the drain.

With mysterious forces preventing escape, calls for rebellion seem to be on every resident’s lips. But Laverne has no interest in fighting. She has no interest in rebellion. She just wants to survive.

The Guernsey Literary and Potato Peel Pie Society is a charming and moving novel set in the aftermath of World War II. In January 1946, London is in the process of reconstruction, and writer Juliet Ashton is on a quest for her next literary project. Unexpectedly, she receives a letter from a man she has never met, Dawsey Adams from Guernsey, who found her name in a book by Charles Lamb.

Through their exchange of letters, Juliet becomes captivated by the idiosyncratic world of Dawsey and his friends. They are members of The Guernsey Literary and Potato Peel Pie Society, a book club that was inadvertently formed as a clever ruse during the German occupation of the island. The society comprises a delightful mix of characters, including pig farmers and phrenologists, all united by their love of literature.

As Juliet learns more about the islanders and the impact that the occupation has had on their lives, she is irresistibly drawn to visit Guernsey. What she discovers on the island will forever alter the course of her life. Told with genuine affection and humor, this epistolary novel celebrates the power of books and the profound connections that can emerge from the most unexpected circumstances.

The Guernsey Literary and Potato Peel Pie Society is a charming and moving novel set in the aftermath of World War II. In January 1946, London is in the process of reconstruction, and writer Juliet Ashton is on a quest for her next literary project. Unexpectedly, she receives a letter from a man she has never met, Dawsey Adams from Guernsey, who found her name in a book by Charles Lamb.

Through their exchange of letters, Juliet becomes captivated by the idiosyncratic world of Dawsey and his friends. They are members of The Guernsey Literary and Potato Peel Pie Society, a book club that was inadvertently formed as a clever ruse during the German occupation of the island. The society comprises a delightful mix of characters, including pig farmers and phrenologists, all united by their love of literature.

As Juliet learns more about the islanders and the impact that the occupation has had on their lives, she is irresistibly drawn to visit Guernsey. What she discovers on the island will forever alter the course of her life. Told with genuine affection and humor, this epistolary novel celebrates the power of books and the profound connections that can emerge from the most unexpected circumstances.

Con un ritmo y un lenguaje magistrales, Fernanda Melchor, autora de Falsa liebre explora en esta obra las sinrazones que subyacen a los actos más desesperados de barbarie pasional. Una novela cruda y desgarradora en la que el lector quedará envuelto, atrapado por las palabras y la atmósfera de terrible, aunque gozosa, fatalidad.

Un grupo de niños encuentra un cadáver flotando en las aguas turbias de un canal de riego cercano a la ranchería de La Matosa. El cuerpo resulta ser de la Bruja, una mujer que heredó dicho oficio de su madre fallecida, y a quienes los pobladores de esa zona rural respetaban y temían. Tras el macabro hallazgo, las sospechas y habladurías recaerán sobre un grupo de muchachos del pueblo, a quienes días antes una vecina vio mientras huían de casa de la hechicera, cargando lo que parecía ser un cuerpo inerte.

A partir de ahí, los personajes involucrados en el crimen nos contarán su historia mientras los lectores nos sumergimos en la vida de este lugar acosado por la miseria y el abandono, y donde convergen la violencia del erotismo más oscuro y las sórdidas relaciones de poder. 

Once upon a time, salad was iceberg lettuce with a few shredded carrots and a cucumber slice, if you were lucky. A vegetable side was potatoes—would you like those baked, mashed, or au gratin? A nice anniversary dinner? Would you rather visit the Holiday Inn or the Regency Inn?

In Grand Forks, North Dakota, a small town where professors moonlight as farmers, farmers moonlight as football coaches, and everyone loves hockey, one woman has had the answers for more than twenty-five years: Marilyn Hagerty. In her weekly Eatbeat column in the local paper, Marilyn gives the denizens of Grand Forks the straight scoop on everything from the best blue plate specials—beef stroganoff at the Pantry—to the choicest truck stops—the Big Sioux (and its lutefisk lunch special)—to the ambience of the town's first Taco Bell. Her verdict? A cool pastel oasis on a hot day.

No-nonsense but wry, earnest but self-aware, Eatbeat also encourages the best in its readers—reminding them to tip well and why—and serves as its own kind of down-home social register, peopled with stories of ex–postal workers turned café owners and prom queen waitresses.

Filled with reviews of the mom-and-pop diners that eventually gave way to fast-food joints and the Norwegian specialties that finally faded away in the face of the Olive Garden's endless breadsticks, Grand Forks is more than just a loving look at the shifts in American dining in the last years of the twentieth century—it is also a surprisingly moving and hilarious portrait of the quintessential American town, one we all recognize in our hearts regardless of where we're from.

Eleven-year-old Owen Meany, playing in a Little League baseball game in Gravesend, New Hampshire, hits a foul ball and kills his best friend's mother. Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul is both extraordinary and terrifying. At moments a comic, self-deluded victim, but in the end the principal, tragic actor in a divine plan, Owen Meany is the most heartbreaking hero John Irving has yet created.

Olive Kitteridge: indomitable, compassionate, and often unpredictable. A retired schoolteacher in a small coastal town in Maine, as she grows older, she struggles to make sense of the changes in her life. She is a woman who sees into the hearts of those around her, their triumphs and tragedies.

We meet her stoic husband, bound to her in a marriage both broken and strong, and a young man who aches for the mother he lost - and whom Olive comforts by her mere presence, while her own son feels overwhelmed by her complex sensitivities.

A penetrating, vibrant exploration of the human soul, the story of Olive Kitteridge will make you laugh, nod in recognition, wince in pain, and shed a tear or two. At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge deplores the changes to her little town of Crosby, Maine, and in the world at large, but she doesn't always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive's own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life—sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition—its conflicts, its tragedies and joys, and the endurance it requires.

Louis Charles Lynch (also known as Lucy) is sixty years old and has lived in Thomaston, New York, his entire life. He and Sarah, his wife of forty years, are about to embark on a vacation to Italy. Lucy's oldest friend, once a rival for his wife's affection, leads a life in Venice far removed from Thomaston.

Perhaps for this reason Lucy is writing the story of his town, his family, and his own life that makes up this rich and mesmerizing novel, interspersed with that of the native son who left so long ago and has never looked back.

Bridge of Sighs, from the beloved Pulitzer Prize-winning author of Empire Falls, is a moving novel about small-town America that expands Russo's widely heralded achievement in ways both familiar and astonishing.

Abide with Me is a luminous and long-awaited novel by the bestselling author Elizabeth Strout. Returning readers to the archetypal, lovely landscape of northern New England, the story unfolds in the late 1950s in the small town of West Annett, Maine.

Here, Reverend Tyler Caskey struggles to regain his calling, his family, and his happiness in the wake of profound loss. The community he serves charismatically must come to terms with its own strengths and failings—faith and hypocrisy, loyalty and abandonment—when a dark secret is revealed.

Tyler has come to love West Annett, "just up the road" from where he was born. The short, brilliant summers and the sharp, piercing winters fill him with awe—as does his congregation, full of good people who seek his guidance and listen earnestly as he preaches. But after suffering a terrible loss, Tyler finds it hard to return to himself as he once was. He hasn't had The Feeling—that God is all around him, in the beauty of the world—for quite some time.

He struggles to find the right words in his sermons and in his conversations with those facing crises of their own, and to bring his five-year-old daughter, Katherine, out of the silence she has observed in the wake of the family's tragedy.

A congregation that had once been patient and kind during Tyler's grief now questions his leadership and propriety. In the kitchens, classrooms, offices, and stores of the village, anger and gossip have started to swirl. And in Tyler's darkest hour, a startling discovery will test his congregation's humanity—and his own will to endure the kinds of trials that sooner or later test us all.

In prose incandescent and artful, Elizabeth Strout draws readers into the details of ordinary life in a way that makes it extraordinary. All is considered—life, love, God, and community—within these pages, and all is made new by this writer's boundless compassion and graceful prose.

Winesburg, Ohio depicts the strange, secret lives of the inhabitants of a small town. In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

The Sweet Hereafter is a compelling novel by Russell Banks that begins with a tragic school bus accident. The story unfolds through the perspectives of four different narrators, each shedding light on the small-town dynamics and the profound impact of the tragedy.

The novel explores a small town's response to the inexplicable loss of its children. When the worst happens, whom do you blame, and how do you cope? This large-hearted novel brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief.

Rich in imagery and the details of small-town life, The Sweet Hereafter is haunting in its portrayal of ordinary men and women struggling to understand loss. Under Banks's restrained craftsmanship, what begins as a story of senseless tragedy is transformed into an aspiring testament to hope and human resilience.

En 1963, cuatro años antes de la publicación de Cien años de soledad, apareció en México una novela singular, historia de amor sombría, misteriosa, que cambió el tono de la narrativa mexicana de tan profunda y sorprendente manera como Pedro Páramo de Juan Rulfo: Los recuerdos del porvenir.

La asombrosa novela de Elena Garro es gótica y barroca. Más que una crónica -que sí lo es, de la Revolución Mexicana y de la guerra de los Cristeros- es una nostalgia y una soledad, es la voz de un pueblo iluminado, hallado y perdido, que habla en una primera persona desesperanzada y triste.

Una familia y otra familia, más las amantes solitarias, el loco del pueblo, las cuscas, los soldados, las beatas, un cura y un sacristán, más un campanario y una joven endemoniada de amor por el general Francisco Rosas, constituyen los solistas, las parejas y las comparsas de esta bella, ebria y condenada Danza de la Muerte.