Delilah Green Doesn't Care is a clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it's a different woman every night, but that's just fine with her.
When Delilah's estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid's stuck-up besties, and decides that maybe there's some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they've known each other for years, they don't really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they're forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn't sure she has the strength to resist Delilah's charms. Even worse, she's starting to think she doesn't want to.
Maybell Parish has always been a dreamer and a hopeless romantic. But living in her own world has long been preferable to dealing with the disappointments of real life. So when Maybell inherits a charming house in the Smokies from her Great-Aunt Violet, she seizes the opportunity to make a fresh start.
Yet when she arrives, it seems her troubles have only just begun. Not only is the house falling apart around her, but she isn't the only inheritor: she has to share everything with Wesley Koehler, the groundskeeper who's as grouchy as he is gorgeous--and it turns out he has a very different vision for the property's future.
Convincing the taciturn Wesley to stop avoiding her and compromise is a task more formidable than the other dying wishes Great-Aunt Violet left behind. But when Maybell uncovers something unexpectedly sweet beneath Wesley's scowls, and as the two slowly begin to let their guard down, they might learn that sometimes the smallest steps outside one's comfort zone can lead to the greatest rewards.
Fresh Water for Flowers is a delightful, atmospheric, absorbing fairy tale full of poetry, generosity, and warmth. Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Random visitors, regulars, and, most notably, her colleagues—three gravediggers, three groundskeepers, and a priest—visit her as often as possible to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee that she offers them. Her daily life is lived to the rhythms of their hilarious and touching confidences.
Violette’s routine is disrupted one day by the arrival of a man—Julien Sole, local police chief—who insists on depositing the ashes of his recently departed mother on the gravesite of a complete stranger. It soon becomes clear that the grave Julien is looking for belongs to his mother’s one-time lover, and that his mother’s story of clandestine love is intertwined with Violette’s own secret past.
With Fresh Water for Flowers, Valérie Perrin has given readers a funny, moving, intimately told story of a woman who believes obstinately in happiness. Perrin has the rare talent of illuminating what is exceptional and poetic in what seems ordinary.
Con un ritmo y un lenguaje magistrales, Fernanda Melchor, autora de Falsa liebre explora en esta obra las sinrazones que subyacen a los actos más desesperados de barbarie pasional. Una novela cruda y desgarradora en la que el lector quedará envuelto, atrapado por las palabras y la atmósfera de terrible, aunque gozosa, fatalidad.
Un grupo de niños encuentra un cadáver flotando en las aguas turbias de un canal de riego cercano a la rancherĂa de La Matosa. El cuerpo resulta ser de la Bruja, una mujer que heredĂł dicho oficio de su madre fallecida, y a quienes los pobladores de esa zona rural respetaban y temĂan. Tras el macabro hallazgo, las sospechas y habladurĂas recaerán sobre un grupo de muchachos del pueblo, a quienes dĂas antes una vecina vio mientras huĂan de casa de la hechicera, cargando lo que parecĂa ser un cuerpo inerte.
A partir de ahĂ, los personajes involucrados en el crimen nos contarán su historia mientras los lectores nos sumergimos en la vida de este lugar acosado por la miseria y el abandono, y donde convergen la violencia del erotismo más oscuro y las sĂłrdidas relaciones de poder.
Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.
Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.