Dead Souls, a seminal work in Russian literature, offers a vivid portrayal of provincial Russian life. It is celebrated for its realistic depiction as well as for its exaggerated narrative, serving both as a tribute to the Russian spirit and a scathing satire of the imperial Russian flaws of venality, vulgarity, and pomp. At the heart of the story is Gogol's cunning antihero, Chichikov, who traverses the countryside engaging in transactions for "dead souls" - deceased serfs who still represent value to those astute enough to trade in them. This journey introduces us to a cast reminiscent of Dickens, filled with peasants, landowners, and scheming officials, all drawn into Chichikov's elaborate scheme. Through this narrative, Gogol masterfully explores themes of human oddity and error, making Dead Souls a masterpiece of both humor and insight.

Information Wars, by former Time editor and Under Secretary for Public Diplomacy and Public Affairs Richard Stengel, provides a first-hand account of the challenges faced by the U.S. in combating the rise of global disinformation, which played a significant role in the 2016 election.

Disinformation is not a new phenomenon, but social media has amplified its reach and effects. Stengel's narrative, both dramatic and enlightening, takes readers through the front lines of the global information war during the last three years of the Obama administration. As the single person in the U.S. government responsible for addressing ISIS's messaging and Russian disinformation, Stengel's insights are crucial for understanding the current landscape.

The book delves into regions such as Russia, Ukraine, Saudi Arabia, and Iraq, featuring key figures including Putin, Hillary Clinton, John Kerry, and Mohamed bin Salman. It examines how ISIS utilized social media to instill terror and how Russia's disinformation campaign during the annexation of Crimea became a template for future operations, including interference in the 2016 U.S. presidential election.

Information Wars is an urgent call to action, emphasizing the need for democratic societies to develop effective strategies to counteract the growing threat of disinformation and protect the integrity of their institutions.

A Hero of Our Time is a novel by Mikhail Lermontov, written in 1839, published in 1840, and revised in 1841. It is an example of the superfluous man novel, noted for its compelling Byronic hero (or antihero) Pechorin and for the beautiful descriptions of the Caucasus.

Pechorin treats women as an incentive for endless conquests and does not consider them worthy of any particular respect. He considers women such as Princess Mary to be little more than pawns in his games of romantic conquest, which in effect hold no meaning in his listless pursuit of pleasure. This is shown in his comment on Princess Mary: "I often wonder why I'm trying so hard to win the love of a girl I have no desire to seduce and whom I'd never marry." The only contradiction in Pechorin's attitude to women are his genuine feelings for Vera, who loves him despite, and perhaps due to, all his faults.

At the end of "Princess Mary" one is presented with a moment of hope as Pechorin gallops after Vera. The reader almost assumes that a meaning to his existence may be attained and that Pechorin can finally realize that true feelings are possible. Yet a lifetime of superficiality and cynicism cannot be so easily eradicated and when fate intervenes and Pechorin's horse collapses, he undertakes no further effort to reach his one hope of redemption: "I saw how futile and senseless it was to pursue lost happiness. What more did I want? To see her again? For what?"

Pechorin's chronologically last adventure, was first described in the book, showing the events that explain his upcoming fall into depression and retreat from society, resulting in his self-predicted death. The narrator is Maxim Maximytch telling the story of a beautiful Circassian princess 'Bela', whom Azamat abducts for Pechorin in exchange for Kazbich's horse. Maxim describes Pechorin's exemplary persistence to convince Bela to give herself sexually to him, in which she with time reciprocates. After living with Bela for some time, Pechorin starts explicating his need for freedom, which Bela starts noticing, fearing he might leave her. Though Bela is completely devoted to Pechorin, she says she's not his slave, rather a daughter of a Circassian tribal Chieftain, also showing the intention of leaving if he 'doesn't love her'. Maxim's sympathy for Bela makes him question Pechorin's intentions. Pechorin admits he loves her and is ready to die for her, but 'he has a restless fancy and insatiable heart, and that his life is emptier day by day'. He thinks his only remedy is to travel, to keep his spirit alive.

Midnight in Chernobyl is the definitive account of the Chernobyl nuclear power plant disaster, a story that is more complex, more human, and more terrifying than the Soviet myth. Journalist Adam Higginbotham uses his extensive research, including hundreds of hours of interviews, letters, unpublished memoirs, and documents from recently-declassified archives to bring the disaster to life through the eyes of those who witnessed it firsthand.

The explosion of Reactor Number Four on April 26, 1986, triggered one of the twentieth century's greatest disasters. For thirty years, Chernobyl has been a symbol of the horrors of radiation poisoning and the risks of dangerous technology. The true story of the accident, obscured by secrecy, propaganda, and misinformation, has long remained in dispute.

This masterful nonfiction thriller is an indelible portrait of human resilience and ingenuity, and the lessons learned when mankind seeks to bend the natural world to his will—lessons that, in the face of climate change and other threats, remain not just vital but necessary. Midnight in Chernobyl brings us closer to the truth behind this colossal tragedy and is a powerful investigation into how much can go wrong when a dishonest and careless state endangers its citizens and the entire world.

Richard Pevear and Larissa Volokhonsky, the highly acclaimed translators of War and Peace, Doctor Zhivago, and Anna Karenina, which was an Oprah Book Club pick and million-copy bestseller, bring their unmatched talents to The Selected Stories of Anton Chekhov, a collection of thirty of Chekhov’s best tales from the major periods of his creative life.

Considered by many the greatest short story writer, Anton Chekhov changed the genre itself with his spare, impressionistic depictions of Russian life and the human condition. From characteristically brief, evocative early pieces such as “The Huntsman” and the tour de force “A Boring Story,” to his best-known stories such as “The Lady with the Little Dog” and his own personal favorite, “The Student,” Chekhov’s short fiction possesses the transcendent power of art to awe and change the reader. This monumental edition, expertly translated, is especially faithful to the meaning of Chekhov’s prose and the unique rhythms of his writing, giving modern readers an authentic sense of his style and a true understanding of his greatness.

Six romances, one revolution, the story of the century.

At the start of the twentieth century, on the edge of the Russian Empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified- this is a recipe for ecstasy that carries a very bitter aftertaste... 

Stasia learns it from her Georgian father and takes it north, following her new husband, Simon, to his posting at the centre of the Russian Revolution in St Petersburg. Stasia's is only the first in a symphony of grand but all too often doomed romances that swirl from sweet to sour in this epic tale of the red century. 

Tumbling down the years, and across vast expanses of longing and loss, generation after generation of this compelling family hears echoes and sees reflections. Great characters and greater relationships come and go and come again; the world shakes, and shakes some more, and the reader rejoices to have found at last one of those glorious old books in which you can live and learn, be lost and found, and make indelible new friends. 

Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation. Catherynne M. Valente presents a modernized and transformed take on the legend of Koschei the Deathless, a menacing figure from Russian folklore equivalent to the devils or wicked witches of European culture.

The story unfolds in a mysterious version of St. Petersburg during the first half of the 20th century, following the life of Marya Morevna. She evolves from a clever child of the revolution to becoming Koschei's beautiful bride and ultimately, his undoing. Valente's tale is filled with Stalinist house elves, magical quests, secrecy, bureaucracy, and games of lust and power. Deathless is a fierce story set against the backdrop of the history of Russia in the twentieth century and is, quite simply, unforgettable.

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend.

More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over. A few score thousand survivors live on, not knowing whether they are the only ones left on earth.

They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price.

VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin's novel in verse follows the fates of three men and three women. It was Pushkin's own favourite work, and this new translation conveys the literal sense and the poetic music of the original.

Engaging, full of suspense, and varied in tone, it contains a large cast of characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favourite work, and this new translation seeks to retain both the literal sense and the poetic music of the original, and capture the poem's spontaneity and wit.

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption, achieved through loving forgiveness and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived.

This edition, which updates a classic translation, has explanatory notes, and a substantial introduction based on the most recent scholarship in the field.

After the Russian revolution turns her world topsy-turvy, Anna, a young Russian Countess, has no choice but to flee to England. Penniless, Anna hides her aristocratic background and takes a job as servant in the household of the esteemed Westerholme family, armed only with an outdated housekeeping manual and sheer determination.

Desperate to keep her past a secret, Anna is nearly overwhelmed by her new duties—not to mention her instant attraction to Rupert, the handsome Earl of Westerholme. To make matters worse, Rupert appears to be falling for her as well. As their attraction grows stronger, Anna finds it more and more difficult to keep her most dearly held secrets from unraveling. And then there's the small matter of Rupert's beautiful and nasty fiancée...

Life and Fate is an epic tale of a country told through the fate of a single family, the Shaposhnikovs. As the battle of Stalingrad looms, Grossman's characters must work out their destinies in a world torn apart by ideological tyranny and war. Completed in 1960 and then confiscated by the KGB, this sweeping panorama of Soviet society remained unpublished until it was smuggled into the West in 1980, where it was hailed as a masterpiece.

The novel evolved and expanded from an 1849 short story or sketch entitled Oblomov's Dream. The novel focuses on the midlife crisis of the main character, Ilya Ilyich Oblomov, an upper middle class son of a member of Russia's nineteenth century landed gentry. Oblomov's distinguishing characteristic is his slothful attitude towards life. While a common negative characteristic, Oblomov raises this trait to an art form, conducting his little daily business apathetically from his bed.

While clearly comedic, the novel also seriously examines many critical issues that faced Russian society in the nineteenth century. Some of these problems included the uselessness of landowners and gentry in a feudal society that did not encourage innovation or reform, the complex relations between members of different classes of society such as Oblomov's relationship with his servant Zakhar, and courtship and matrimony by the elite.

One Day in the Life of Ivan Denisovich stands as a classic of contemporary literature. The story of labor-camp inmate Ivan Denisovich Shukhov, it graphically describes his struggle to maintain his dignity in the face of communist oppression. An unforgettable portrait of the entire world of Stalin's forced work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary documents to have emerged from the Soviet Union and confirms Solzhenitsyn's stature as a literary genius whose talent matches that of Dostoevsky, Turgenev, Tolstoy.

Drawing on his own incarceration and exile, as well as on evidence from more than 200 fellow prisoners and Soviet archives, Aleksandr I. Solzhenitsyn reveals the entire apparatus of Soviet repression—the state within the state that ruled all-powerfully. Through truly Shakespearean portraits of its victims—men, women, and children—we encounter secret police operations, labor camps and prisons; the uprooting or extermination of whole populations, the welcome that awaited Russian soldiers who had been German prisoners of war. Yet we also witness the astounding moral courage of the incorruptible, who, defenseless, endured great brutality and degradation.

The Gulag Archipelago 1918-1956—a grisly indictment of a regime, fashioned here into a veritable literary miracle—has now been updated with a new introduction that includes the fall of the Soviet Union and Solzhenitsyn's move back to Russia.

Doctor Zhivago is an epic tale that explores the effects of the Russian Revolution and its aftermath on a bourgeois family. The story is centered on Dr. Yury Zhivago, who is not only a physician but also a poet and philosopher. His life is deeply disrupted by the war and his love for Lara, the wife of a revolutionary.

Yury's artistic nature renders him particularly vulnerable to the brutality and harshness that follow in the wake of the Bolsheviks' rise to power. Within the novel, the poems written by Yury are a testament to some of the most beautiful writing the book has to offer. His experiences and the challenges he faces are a reflection of the turmoil that grips the society around him.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

Mikhail Bulgakov's absurdist parable of the Russian Revolution. A world-famous Moscow professor -- rich, successful, and violently envied by his neighbors -- befriends a stray dog and resolves to achieve a daring scientific first by transplanting into it the testicles and pituitary gland of a dead man. But the results are wholly unexpected: a distinctly and worryingly human animal is on the loose, and the professor's hitherto respectable life becomes a nightmare beyond endurance.

As in The Master and Margarita, the masterpiece he completed shortly before his death, Mikhail Bulgakov's early novel, written in 1925, combines outrageously grotesque ideas with a narrative of deadpan naturalism. Heart of a Dog can be read as an absurd and wonderfully comic story; it can also be seen as a fierce parable of the Russian Revolution.

The Master and Margarita, recognized as one of the essential classics of modern Russian literature, is an audacious revision of the stories of Faust and Pontius Pilate. The novel's portrayal of Soviet life in the 1930s is so ferociously accurate that it could not be published during Bulgakov's lifetime, appearing only in a censored edition in the 1960s.

One hot spring, the devil arrives in Moscow, accompanied by a retinue including a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: the Master, a writer criticized for daring to write a novel about Christ and Pontius Pilate, and Margarita, who loves the Master so deeply that she is willing to go to hell for him.

A novel of inexhaustible energy, humor, and philosophical depth, Bulgakov's work emerges splendidly in this English translation, revealing its nuances for the first time.

And Quiet Flows the Don or Quietly Flows the Don (Тихий Дон, lit. "The Quiet Don") is a 4-volume epic novel by Russian writer Mikhail Aleksandrovich Sholokhov. The first three volumes were written from 1925 to '32 and published in the Soviet magazine October in 1928–32. The fourth volume was finished in 1940. The English translation of the first three volumes appeared under this title in 1934.

The novel is considered one of the most significant works of Russian literature in the 20th century. It depicts the lives and struggles of Don Cossacks during WWI, the Russian Revolution, and the Russian Civil War. The authorship of the novel is contested by some literary critics and historians, who believe it wasn't entirely written by Sholokhov.

The Brothers Karamazov is a profound and multifaceted novel that delves into the depths of human psychology and the complexities of ethical and moral dilemmas. Set in 19th century Russia, this literary masterpiece presents a captivating narrative that intertwines a murder mystery and a courtroom drama with an exploration of erotic rivalry within a family dynamic.

The story unfolds around the Karamazov family, particularly the patriarch Fyodor Pavlovich Karamazov and his three diverse sons: Dmitri, the impulsive and sensual eldest; Ivan, the intellectual and rational middle child; and Alyosha, the youngest son, who is a wholesome and red-cheeked novice. Through their personal struggles and relationships, the novel addresses profound questions about God, free will, and morality, against the backdrop of a Russia that is facing modernization and social change.

Renowned for its rich character development and philosophical depth, The Brothers Karamazov encapsulates the social and spiritual striving of Russian culture during a pivotal era. It remains a testament to Dostoyevsky's legacy as one of the greatest novelists in history.

Hailed by Nabokov as "the greatest artist that Russia has yet produced," Nikolai Gogol (1809-1852) left his mark as a playwright, novelist, and writer of short stories. Gogol's works remain popular with both writers and readers, who prize his originality, imaginative gifts, and sheer exuberance.

This collection offers an excellent introduction to the author's works. Opening a door to his bizarre world of broad comedy, fantasy, and social commentary, the title story portrays a petty official's mental disintegration as he struggles for the attention of the woman he loves. Set during the repressive rule of Nicholas I, it satirizes the bureaucratic excesses of the era. Additional tales include "The Nevski Prospect," a portrayal of the feverish pace of St. Petersburg street life, and "The Portrait," a gripping depiction of a soul's perdition.

Anna Karenina is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin, a reflection of Tolstoy himself, often expresses the author's own views and convictions.

Set against a vast and richly textured canvas of nineteenth-century Russia, the novel explores the complex interplay between love, family happiness, and the societal constraints that exist within the dynamics of city and country life. As the story unfolds, Anna's ill-fated affair with Vronsky leads to a life-altering crisis, while Levin's journey takes on a deeper philosophical significance.

The novel's seven major characters create a dynamic imbalance, exploring the variations on love and the search for happiness. Tolstoy's powerful narrative invites readers not to judge but to watch, presenting a panorama of humanity in all its flawed beauty.

Published to great acclaim and fierce controversy in 1866, Fyodor Dostoevsky’s Crime and Punishment has left an indelible mark on global literature and on our modern world.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.