Information Wars, by former Time editor and Under Secretary for Public Diplomacy and Public Affairs Richard Stengel, provides a first-hand account of the challenges faced by the U.S. in combating the rise of global disinformation, which played a significant role in the 2016 election.

Disinformation is not a new phenomenon, but social media has amplified its reach and effects. Stengel's narrative, both dramatic and enlightening, takes readers through the front lines of the global information war during the last three years of the Obama administration. As the single person in the U.S. government responsible for addressing ISIS's messaging and Russian disinformation, Stengel's insights are crucial for understanding the current landscape.

The book delves into regions such as Russia, Ukraine, Saudi Arabia, and Iraq, featuring key figures including Putin, Hillary Clinton, John Kerry, and Mohamed bin Salman. It examines how ISIS utilized social media to instill terror and how Russia's disinformation campaign during the annexation of Crimea became a template for future operations, including interference in the 2016 U.S. presidential election.

Information Wars is an urgent call to action, emphasizing the need for democratic societies to develop effective strategies to counteract the growing threat of disinformation and protect the integrity of their institutions.

A Hero of Our Time is a novel by Mikhail Lermontov, written in 1839, published in 1840, and revised in 1841. It is an example of the superfluous man novel, noted for its compelling Byronic hero (or antihero) Pechorin and for the beautiful descriptions of the Caucasus.

Pechorin treats women as an incentive for endless conquests and does not consider them worthy of any particular respect. He considers women such as Princess Mary to be little more than pawns in his games of romantic conquest, which in effect hold no meaning in his listless pursuit of pleasure. This is shown in his comment on Princess Mary: "I often wonder why I'm trying so hard to win the love of a girl I have no desire to seduce and whom I'd never marry." The only contradiction in Pechorin's attitude to women are his genuine feelings for Vera, who loves him despite, and perhaps due to, all his faults.

At the end of "Princess Mary" one is presented with a moment of hope as Pechorin gallops after Vera. The reader almost assumes that a meaning to his existence may be attained and that Pechorin can finally realize that true feelings are possible. Yet a lifetime of superficiality and cynicism cannot be so easily eradicated and when fate intervenes and Pechorin's horse collapses, he undertakes no further effort to reach his one hope of redemption: "I saw how futile and senseless it was to pursue lost happiness. What more did I want? To see her again? For what?"

Pechorin's chronologically last adventure, was first described in the book, showing the events that explain his upcoming fall into depression and retreat from society, resulting in his self-predicted death. The narrator is Maxim Maximytch telling the story of a beautiful Circassian princess 'Bela', whom Azamat abducts for Pechorin in exchange for Kazbich's horse. Maxim describes Pechorin's exemplary persistence to convince Bela to give herself sexually to him, in which she with time reciprocates. After living with Bela for some time, Pechorin starts explicating his need for freedom, which Bela starts noticing, fearing he might leave her. Though Bela is completely devoted to Pechorin, she says she's not his slave, rather a daughter of a Circassian tribal Chieftain, also showing the intention of leaving if he 'doesn't love her'. Maxim's sympathy for Bela makes him question Pechorin's intentions. Pechorin admits he loves her and is ready to die for her, but 'he has a restless fancy and insatiable heart, and that his life is emptier day by day'. He thinks his only remedy is to travel, to keep his spirit alive.

Midnight in Chernobyl is the definitive account of the Chernobyl nuclear power plant disaster, a story that is more complex, more human, and more terrifying than the Soviet myth. Journalist Adam Higginbotham uses his extensive research, including hundreds of hours of interviews, letters, unpublished memoirs, and documents from recently-declassified archives to bring the disaster to life through the eyes of those who witnessed it firsthand.

The explosion of Reactor Number Four on April 26, 1986, triggered one of the twentieth century's greatest disasters. For thirty years, Chernobyl has been a symbol of the horrors of radiation poisoning and the risks of dangerous technology. The true story of the accident, obscured by secrecy, propaganda, and misinformation, has long remained in dispute.

This masterful nonfiction thriller is an indelible portrait of human resilience and ingenuity, and the lessons learned when mankind seeks to bend the natural world to his will—lessons that, in the face of climate change and other threats, remain not just vital but necessary. Midnight in Chernobyl brings us closer to the truth behind this colossal tragedy and is a powerful investigation into how much can go wrong when a dishonest and careless state endangers its citizens and the entire world.