A triumphant family story and sharply observed exploration of privilege, identity, and love in all its forms, following four estranged siblings whose lives collide in the lead-up to a family wedding, when new clues surface about their long-missing father.

April, May, June, and July Barber don’t have much in common anymore. An upcoming family wedding will place the four siblings in the same room for the first time in years. But shortly before, when April spots their father, who went missing while serving overseas a decade ago, their reunion becomes entirely more complicated.

While the siblings’ search for the truth about their father forces them back into each other’s lives, it also intensifies their private dramas. April loves her husband, but seeks excitement outside their marriage. May had big dreams for the future, but she’s still stuck living at home. June is eager to marry her girlfriend, so why does she need a drink at every wedding-related event? And then there’s baby brother July, whose unrequited love for his straight roommate has him more confused than ever.

Confronting the past together, April, May, June, and July will find not only answers about their father, but new romance, hope, and understanding as they learn to embrace the beauty of their shared history.

The new thrilling novel from Megan Miranda, the instant New York Times bestselling author of All the Missing Girls, The Last to Vanish, and The Only Survivors.

When Hazel Sharp, daughter of Mirror Lake's longtime local detective, unexpectedly inherits her childhood home, she's warily drawn back to the town—and people—she left behind almost a decade earlier. But Hazel's not the only relic of the past; a drought has descended on the region, and as the water level in the lake drops, long-hidden secrets begin to emerge...including evidence that may help finally explain the mystery of her mother's disappearance.

Parasol Against the Axe, a novel by the prize-winning, bestselling author Helen Oyeyemi, takes readers on an adventurous and kaleidoscopic journey into the heart of Prague, a city portrayed as a living entity capable of welcoming or rejecting its visitors.

Hero Tojosoa, upon accepting an invitation to a bachelorette weekend hosted by her estranged friend Sofie, finds herself in the intriguing and often deceptive embrace of Prague. A mysterious book she carries distorts her perception, its content shifting with each reader and each reading, unveiling a tapestry of fictional tales from Prague's history. Throughout the weekend, unexpected figures join the festivities, imparting their wisdom, humor, and hints of betrayal.

The sudden arrival of a third woman from Hero and Sofie's shared past intensifies the tension and challenges their differing recollections. As the lines between illusion and delusion, fact and interpretation become blurred, Hero must navigate the treacherous waters of friendship and storytelling.

Parasol Against the Axe probes the influence of the reader on a narrative and the narrative on the reader, posing the ultimate question: in a clash between friends, is it wiser to be the shield or the weapon?

Spectral Evidence is a profound exploration by Gregory Pardlo, the Pulitzer Prize-winning author of Digest and Air Traffic. In this major collection of poetry, Pardlo's words flow seamlessly through a variety of themes, from the life of pro-wrestler Owen Hart to Tituba, the only Black woman accused during the Salem witch trials, and the MOVE organization's confrontations with Philadelphia Police.

The collection invites readers to ponder on topics such as Blackness, beauty, faith, and the impact of law. It is both cerebral and intimate, urging us to reflect on our notions of devotion and art, the criminalization and mortality of Black bodies, and the quest for justice. These themes are intricately woven into our current societal fabric, our history, and the Western literary tradition. Pardlo's poetry acts as a bridge connecting the past and present, challenging us to consider the role of art in interpreting and understanding the world around us.

The author of What Lies in the Woods returns with a novel about three sisters, two murders, and too many secrets to count.

Emma hasn't told her husband much about her past. He knows her parents are dead and she hasn't spoken to her sisters in years. Then they lose their apartment, her husband gets laid off, and Emma discovers she's pregnant—right as the bank account slips into the red. That's when Emma confesses that she has one more asset: her parents' house, which she owns jointly with her estranged sisters. They can't sell it, but they can live in it. But returning home means that Emma is forced to reveal her secrets to her husband: that the house is not a run-down farmhouse but a stately mansion, and that her parents died there.

Were murdered.

And that some people say Emma did it.

Emma and her sisters have never spoken about what really happened that night. Now, her return to the house may lure her sisters back, but it will also crack open family and small-town secrets lots of people don’t want revealed. As Emma struggles to reconnect with her old family and hold together her new one, she begins to realize that the things they have left unspoken all these years have put them in danger again.

A dazzling magical realism western in the vein of Cormac McCarthy meets Gabriel García Márquez, The Bullet Swallower follows a Mexican bandido as he sets off for Texas to save his family, only to encounter a mysterious figure who has come, finally, to collect a cosmic debt generations in the making.

In 1895, Antonio Sonoro is the latest in a long line of ruthless men. He's good with his gun and is drawn to trouble but he's also out of money and out of options. A drought has ravaged the town of Dorado, Mexico, where he lives with his wife and children, and so when he hears about a train laden with gold and other treasures, he sets off for Houston to rob it—with his younger brother Hugo in tow. But when the heist goes awry and Hugo is killed by the Texas Rangers, Antonio finds himself launched into a quest for revenge that endangers not only his life and his family, but his eternal soul.

In 1964, Jaime Sonoro is Mexico's most renowned actor and singer. But his comfortable life is disrupted when he discovers a book that purports to tell the entire history of his family beginning with Cain and Abel. In its ancient pages, Jaime learns about the multitude of horrific crimes committed by his ancestors. And when the same mysterious figure from Antonio's timeline shows up in Mexico City, Jaime realizes that he may be the one who has to pay for his ancestors' crimes, unless he can discover the true story of his grandfather Antonio, the legendary bandido El Tragabalas, The Bullet Swallower.

A family saga that's epic in scope and magical in its blood, and based loosely on the author's own great-grandfather, The Bullet Swallower tackles border politics, intergenerational trauma, and the legacies of racism and colonialism in a lush setting and stunning prose that asks who pays for the sins of our ancestors, and whether it is possible to be better than our forebears.

From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time.

The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth.

A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

North Woods, a novel by Pulitzer Prize finalist Daniel Mason, is a sweeping tale that unfolds within the walls of a single house in the woods of New England. The narrative spans across centuries, weaving together the lives of its inhabitants—both human and nonhuman—in a genre-blurring display of storytelling magic.

The story begins with two young lovers who flee from a Puritan colony, unaware that their simple cabin in the woods is destined to become a nexus of remarkable lives. From an English soldier who forsakes the battlefields to cultivate apples, to spinster twins who navigate the trials of war and famine, the house witnesses an extraordinary array of characters. These include a crime reporter who stumbles upon an ancient mass grave, a lovelorn painter, a sinister con man, a mysterious stalking panther, and even a lusty beetle.

As these inhabitants encounter the wonder and mystery of their surroundings, they come to understand that the vibrant past is not as distant as it seems. North Woods is not only a mesmerizing novel about secrets and destinies but also presents a unique perspective on the world. It poses the eternal question: How do we continue to exist, even after we are gone? With its deep exploration of history, nature, and the connections between us, North Woods is a work that truly captures the magical ways in which we are intertwined with our environment and each other.

The Rachel Incident, brilliantly funny novel about friends, lovers, Ireland in chaos, and a young woman desperately trying to manage all three.

Rachel is a student working at a bookstore when she meets James, and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them.

When Rachel falls in love with her married professor, Dr. Fred Byrne, James helps her devise a reading at their local bookstore, with the goal that she might seduce him afterwards. But Fred has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred’s glamorous, well-connected, bourgeois wife. Aching with unrequited love, shot through with delicious, sparkling humor, The Rachel Incident is a triumph.

A successful film professor and podcaster, Bodie Kane, is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia's death and the conviction of the school's athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn't as much of an outsider at Granby as she'd thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case.

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman's reckoning with her past, with a transfixing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

Fresh Water for Flowers is a delightful, atmospheric, absorbing fairy tale full of poetry, generosity, and warmth. Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Random visitors, regulars, and, most notably, her colleagues—three gravediggers, three groundskeepers, and a priest—visit her as often as possible to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee that she offers them. Her daily life is lived to the rhythms of their hilarious and touching confidences.

Violette’s routine is disrupted one day by the arrival of a man—Julien Sole, local police chief—who insists on depositing the ashes of his recently departed mother on the gravesite of a complete stranger. It soon becomes clear that the grave Julien is looking for belongs to his mother’s one-time lover, and that his mother’s story of clandestine love is intertwined with Violette’s own secret past.

With Fresh Water for Flowers, Valérie Perrin has given readers a funny, moving, intimately told story of a woman who believes obstinately in happiness. Perrin has the rare talent of illuminating what is exceptional and poetic in what seems ordinary.

Fried Green Tomatoes at the Whistle Stop Cafe is the story of two women in the 1980s: gray-headed Mrs. Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women—of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama.

This Southern kind of Cafe Wobegon offered good barbecue and good coffee and all kinds of love and laughter, even an occasional murder. As the story unfolds, readers are transported to a time and place where the past's warmth colors the present.