Casi siempre comienza en los hogares. Ya se registran miles de casos en Vancouver, Hong Kong, Tel Aviv, Barcelona, Oaxaca, y se está propagando rápidamente a todos los rincones del mundo. Los kentukis no son mascotas, ni fantasmas, ni robots. Son ciudadanos reales, y el problema —se dice en las noticias y se comparte en las redes— es que una persona que vive en Berlín no debería poder pasearse libremente por el living de alguien que vive en Sídney; ni alguien que vive en Bangkok desayunar junto a tus hijos en tu departamento de Buenos Aires. En especial, cuando esas personas que dejamos entrar a casa son completamente anónimas.

Los personajes de esta novela encarnan el costado más real —y a la vez imprevisible— de la compleja relación que tenemos con la tecnología, renovando la noción del vouyerismo y exponiendo al lector a los límites del prejuicio, el cuidado de los otros, la intimidad, el deseo y las buenas intenciones. Kentukis es una novela deslumbrante, que potencia su sentido mucho más allá de la atracción que genera desde sus páginas.

The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton is described as a unique murder mystery that combines elements of classic whodunnits with a twist of time travel. Aiden Bishop knows that Evelyn Hardcastle will die every day until he can identify her killer. Each day, he wakes up in the body of a different guest at Blackheath Manor, and he must navigate through the different perspectives to solve the mystery. This breathlessly addictive mystery delivers inventive twists, and readers will be left guessing until the very last page.

Centuries after the last humans left Earth, the Exodus Fleet is a living relic, a place many are from but few outsiders have seen. Humanity has finally been accepted into the galactic community, but while this has opened doors for many, those who have not yet left for alien cities fear that their carefully cultivated way of life is under threat.

Tessa chose to stay home when her brother Ashby left for the stars, but has to question that decision when her position in the Fleet is threatened. Kip, a reluctant young apprentice, itches for change but doesn't know where to find it. Sawyer, a lost and lonely newcomer, is just looking for a place to belong. When a disaster rocks this already fragile community, those Exodans who still call the Fleet their home can no longer avoid the inescapable question: What is the purpose of a ship that has reached its destination?

A dazzling new novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.

Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago crisis, she finds herself finally grappling with the devastating ways AIDS affected her life and her relationship with her daughter. The two intertwining stories take us through the heartbreak of the eighties and the chaos of the modern world, as both Yale and Fiona struggle to find goodness in the midst of disaster.

A moving portrait of what it means to be an American family today, a novel of love, identity and belonging that eloquently examines what it means to be both American and Muslim.

An Indian-Muslim family is preparing for their eldest daughter's wedding. But as Hadia's marriage - one chosen of love, not tradition - gathers the family back together, there is only one thing on their minds- can Amar, the estranged younger brother of the bride, be trusted to behave himself after three years away? A Place for Us tells the story of one family and all family life- of coming to terms with the choices we make, of reconcingly past and present and of how the smallest decisions can lead to the deepest betrayals.

Ayesha at Last is a modern-day retelling of Pride and Prejudice, set in a Muslim community, for a new generation of love. Ayesha Shamsi has her life filled with various challenges. Her aspiration to become a poet has been shelved for a teaching occupation to settle debts owed to her affluent uncle. She resides with her lively Muslim household and is frequently reminded of her flighty younger cousin, Hafsa, who is on the verge of declining her one hundredth marriage proposal.

Despite Ayesha's solitude, she is adamant against an arranged marriage. However, her world turns upside down when she encounters Khalid. He's as intelligent and handsome as he is traditional and critical. Ayesha finds herself inexplicably drawn to someone who disapproves of her life choices and appears to be from a different era entirely.

Amidst this, a surprise engagement between Khalid and Hafsa is declared, leaving Ayesha caught between her feelings for the forthright Khalid and troubling rumors about his family. Delving into these whispers, she must confront not only the revelations about Khalid but also the truths she uncovers about herself.

The Overstory, winner of the Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us.

This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.

Aednan marks the American debut of Sweden's esteemed literary figure Linnea Axelsson with an epic, multigenerational novel-in-verse that delves deep into the lives of two Sámi families. This groundbreaking work explores their enduring bond through a century marked by migration, violence, and the scars of colonial trauma.

This sweeping Scandinavian epic, reminiscent of classics such as Halldór Laxness’s Independent People and Sigrid Undset’s Kristin Lavransdatter, begins in the 1910s. We follow Ristin and her family as they migrate their reindeer herd to summer pastures. Amidst this journey, a tragedy strikes, etching a path of sorrow that echoes throughout the novel.

In the 1970s, we meet Lise, a member of a new Sámi generation confronting her identity and legacy. Her reflections on a childhood marred by forced separation from her family and the loss of her ancestral language at a Nomad School paint a vivid picture of the struggles faced by her people.

The narrative then carries us to the 2010s, introducing Sandra, Lise’s daughter. Sandra stands as a symbol of Indigenous resilience, an activist demanding justice in a landmark land rights trial during a time when the Sámi language teeters on the brink of extinction.

Through the interwoven voices of characters spanning generations, Axelsson crafts a poignant family saga centered around the fallout of colonial settlement. Ædnan serves as a testament to the tenacity of language, even when adopted, to encapsulate memories of what has been lost. The verse of one character to another resonates beyond mortality: "I was the weight / in the stone you brought / back from the coast // to place on / my grave," and the haunting call, "There will be rain / there will be rain."

The Republic of False Truths offers an intense and gripping narrative that takes us into the heart of the Egyptian revolution. This globally-acclaimed novel provides an intimate look at the struggle for freedom in a country under the grip of a repressive regime.

In the bustling streets of Cairo in 2011, tensions mount as a revolution brews. Characters from all walks of life are drawn into the chaos: General Alwany, a high-ranking government official entrenched in the security apparatus, balances his piety and love for his family with his role in torturing state enemies; Asma, a young teacher, fights against the rampant corruption at her school; Ashraf, an unemployed actor, is swept into the heart of Tahrir Square through a fortuitous encounter; and Nourhan, a television personality, staunchly defends those in power.

Their lives intertwine as a new generation raises its voice, love crosses social divides, and the revolution gains momentum. Even as the old regime clings to power, individuals like General Alwany face pivotal moments when their own kin join the protests. Alaa Al Aswany crafts a deeply human portrait of the Egyptian Revolution, offering a compelling and passionate recount of his country's recent history.

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined.

Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center.

This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

A deeply moving testament to the power of story, the nature of belief, and the unrelenting pull of familial bonds.

It's 1969 in New York City's Lower East Side, and word has spread of the arrival of a mystical woman, a traveling psychic who claims to be able to tell anyone the day they will die. The Gold children -- four adolescents on the cusp of self-awareness -- sneak out to hear their fortunes. Their prophecies inform their next five decades. Golden-boy Simon escapes to the West Coast, searching for love in '80s San Francisco. Dreamy Klara becomes a Las Vegas magician, obsessed with blurring reality and fantasy. Eldest son Daniel seeks security as an army doctor post-9/11, hoping to control fate. Bookish Varya throws herself into longevity research, where she tests the boundary between science and immortality. The Immortalists probes the line between destiny and choice, reality and illusion, this world and the next. 

Kim is Rudyard Kipling's story of an orphan born in colonial India, torn between love for his native India and the demands of Imperial loyalty to his Irish-English heritage, and to the British Secret Service. The novel unfolds against the backdrop of The Great Game, the political conflict between Russia and Britain in Central Asia. Set after the Second Afghan War which ended in 1881, but before the Third, the story is probably set in the period 1893 to 1898.

At the novel's heart are two men - a boy who grows into early manhood and an old ascetic priest, the lama. They embark on a quest that faces them both; Kim, born in India, is nevertheless white, a sahib. While he aspires to play the Great Game of Imperialism, he is also spiritually bound to the lama, and his aim is to reconcile these opposing strands of his identity. As Kim moves chameleon-like through the two cultures, the lama searches for redemption from the Wheel of Life.

Kim captures the opulence of India's exotic landscape, overlaid by the uneasy presence of the British Raj, presenting a vivid picture of India, its teeming populations, religions, superstitions, and the life of the bazaars and the road. Long recognized as Kipling's finest work, Kim was a key factor in his winning the Nobel Prize for Literature in 1907.

Casas vacías habla del dolor de las mujeres ante la desaparición de un hijo y de su propia vida. Es una novela que también cuestiona la maternidad y abre la posibilidad de un diálogo sobre cómo se enfrentan las maternidades no solicitadas y que son impuestas socialmente. La maternidad, que casi siempre asociamos con la felicidad, también puede ser una pesadilla: la de una mujer cuyo hijo desaparece en el parque donde estaba jugando, y la de aquella otra mujer que se lo lleva para criarlo como propio

Brenda Navarro ha conseguido un prodigio: caminar siempre, sin caerse nunca, sobre la delgada línea que separa –pero también une– el olvido y la memoria, la esperanza y la depresión, la vida privada y la vida pública, la pérdida y el encuentro, los cuerpos de las mujeres y el acto político. Casas vacías estremece de forma tan devastadora como ilumina: brillante y extrañamente esperanzadora.