When a police officer is found murdered at the scene of an old unsolved murder case that he was involved in investigating, it can hardly be a coincidence. When the same thing happens to two other officers in a matter of months, the pattern is as clear as it is terrifying. None of the old cases were ever solved. The killings are extremely brutal and the police have no leads. What’s more, they’re missing their best investigator.

At the same time, a severely wounded man is in a coma and kept alive at a hospital in Oslo. The police guard the room, and the identity of the patient is kept secret.

With the tenth installment of the Harry Hole series, Jo Nesbø once again delivers a devilishly clever story about the scope of human evil; a cat-and-mouse game that involves not only the victims and the police, but also the reader.

From the author of the international and New York Times bestseller Let the Right One In (Let Me In) comes this stunning and terrifying book which begins when a man's six-year-old daughter vanishes.

One ordinary winter afternoon on a snowy island, Anders and Cecilia take their six-year-old daughter Maja across the ice to visit the lighthouse in the middle of the frozen channel. While the couple explore the lighthouse, Maja disappears—either into thin air or under thin ice—leaving not even a footprint in the snow.

Two years later, alone and more or less permanently drunk, Anders returns to the island to regroup. He slowly realises that people are not telling him all they know; even his own mother, it seems, is keeping secrets. What is happening in Domaro, and what power does the sea have over the town's inhabitants?

تدور أحداث الرواية في إيسلندا اليوم وبالتحديد في العاصمة ريكيافيك بكل تفاصيلها الخفية، إذ تُظهر الرواية الوجه الآخر للنموذج الاسكندنافي وروائح الجريمة والمافيات المستترة في مغامرة بوليسية. أجاد الروائي رسم تحركات أبطالها داخل النص في حبكة جنائية معقدة، مستخدماً شخصيات جذابة تبين قدرة أندريداسون على الغوص أكثر في عالم الجريمة والتحقيق الجنائي.

وعندما يبدأ "إلندور" مفتش شرطة ريكيافيك، التحقيق في ملابسات الجريمة التي راح ضحيتها رجل عجوز يدعى "هولبرغ" يعيش في عزلة بشقته بقبو أحد الأبنية التي تخرج منها رائحة غريبة، يساعده في ذلك زميلاه سيغوردور أولي وإيلنبورغ. يكتشفون ملاحظة غامضة على جثته وصورة بالأبيض والأسود لشاهدة قبر. يبدأ إلندور الكشف بدقة شديدة عن أدلة يستطيع من خلالها رسم صورة لهوية الضحية.

حيث يتبين أن هولبرغ، هو سائق شاحنة ذو تاريخ أسود، سبق وتم توجيه اتهام له بجريمة اغتصاب قبل سنوات طويلة لكنه لم يدن. وعندما يكتشف إلندور مزيداً من الحقائق عن ماضي هولبرغ يدرك أن هناك صلات مع أفعال إجرامية أخرى بقيت طي الكتمان أو لم تتمكن الشرطة من إماطة اللثام عنها.

عبر متابعة خيوط تلك الأدلة يتمكن عبر تقنيات وراثية حديثة في علم الإجرام أن يمضي قدماً نحو حل هذه القضية الغامضة والمعقدة. عبر أحداث هذه الرواية يرسم الروائي صوراً واقعية عن نمط الحياة في المجتمعات التي نخرها الفساد وعاث فيها العنف وتفشت فيها ظواهر خطيرة على المجتمع.

Returning to her hometown of Fjällbacka after the funeral of her parents, writer Erica Falck finds a community on the brink of tragedy. The death of her childhood friend, Alex, is just the beginning. Her wrists slashed, her body frozen in an ice-cold bath, it seems that she has taken her own life.

Erica conceives a book about the beautiful but remote Alex, one that will answer questions about their own shared past. While her interest grows into an obsession, local detective Patrik Hedström is following his own suspicions about the case. But it is only when they start working together that the truth begins to emerge about a small town with a deeply disturbing past.

Having left his first wife, Karl Ove Knausgaard moves to Stockholm, Sweden, where he leads a solitary existence. He strikes up a deep friendship with another exiled Norwegian, a Nietzschean intellectual and boxing fanatic named Geir. He also tracks down Linda, whom he met at a writers' workshop a few years earlier and who fascinated him deeply.

Book Two is at heart a love story—the story of Karl Ove falling in love with his wife. But the novel also tells other stories: of becoming a father, of the turbulence of family life, of outrageously unsuccessful attempts at a family vacation, of the emotional strain of birthday parties for children, and of the daily frustrations, rhythms, and distractions of Stockholm keeping him from (and filling) his novel.

Knausgaard is intense and utterly honest, unafraid to voice universal anxieties. The need for totality brings superb, lingering, celestial passages. He wants us to inhabit the ordinariness of life, which is sometimes vivid, sometimes banal, and sometimes momentous, but all of it perforce ordinary because it happens in the course of a life, and happens, in different forms, to everyone.