The mystery of Ryhope Wood, Britain's last fragment of primeval forest, consumed George Huxley's entire, and long, life. Now, after his death, his sons have taken up his work. But what they discover is beyond what they could have expected. For the Wood is a realm where myths gain flesh and blood, tapping primal fears and desires subdued through the millennia. A realm where love and beauty haunt your dreams -- and may drive you insane.

Stephen Huxley has already lost his father to the mysteries of Ryhope Wood. On his return from the Second World War, he finds his brother, Christopher, is also in thrall to the mysterious wood, wherein lies a realm where mythic archetypes grow flesh and blood, where love and beauty haunt your dreams, and in promises of freedom lies the sanctuary of insanity.

Nico had warned them. Going through the House of Hades would stir the demigods' worst memories. Their ghosts would become restless. Nico may actually become a ghost if he has to shadow-travel with Reyna and Coach Hedge one more time. But that might be better than the alternative: allowing someone else to die, as Hades foretold.

Jason's ghost is his mother, who abandoned him when he was little. He may not know how he is going to prove himself as a leader, but he does know that he will not break promises like she did. He will complete his line of the prophecy: To storm or fire the world must fall.

Reyna fears the ghosts of her ancestors, who radiate anger. But she can't allow them to distract her from getting the Athena Parthenos to Camp Half-Blood before war breaks out between the Romans and Greeks. Will she have enough strength to succeed, especially with a deadly hunter on her trail?

Leo fears that his plan won't work, that his friends might interfere. But there is no other way. All of them know that one of the Seven has to die in order to defeat Gaea, the Earth Mother.

Piper must learn to give herself over to fear. Only then will she be able to do her part at the end: utter a single word.

Heroes, gods, and monsters all have a role to play in the climactic fulfillment of the prophecy in The Blood of Olympus, the electrifying finale of the best-selling Heroes of Olympus series.

Born the bastard son of a Welsh princess, Myridden Emrys -- or as he would later be known, Merlin -- leads a perilous childhood, haunted by portents and visions. But destiny has great plans for this no-man's-son, taking him from prophesying before the High King Vortigern to the crowning of Uther Pendragon . . . and the conception of Arthur -- king for once and always.

Blending archaeological fact and legend, the myths of the gods and the feats of heroes, Marion Zimmer Bradley breathes new life into the classic tale of the Trojan War.

Reinventing larger-than-life figures as living people engaged in a desperate struggle, this story dooms both the victors and the vanquished. Their fate is seen through the eyes of Kassandra—priestess, princess, and passionate woman with the spirit of a warrior.

Zarek’s Point of View:

Dark-Hunter: A soulless guardian who stands between mankind and those who would see mankind destroyed. Yeah, right. The only part of that Code of Honor I got was eternity and solitude.

Insanity: A condition many say I suffer from after being alone for so long. But I don’t suffer from my insanity-I enjoy every minute of it.

Trust: I can’t trust anyone…not even myself. The only thing I trust in is my ability to do the wrong thing in any situation and to put a hurt on anyone who gets in my way.

Truth: I endured a lifetime as a Roman slave, and 900 years as an exiled Dark-Hunter. Now I’m tired of enduring. I want the truth about what happened the night I was exiled-I have nothing to lose and everything to gain.

Astrid (Greek, meaning star): An exceptional woman who can see straight to the truth. Brave and strong, she is a point of light in the darkness. She touches me and I tremble. She smiles and my cold heart shatters.

Zarek: They say even the most damned man can be forgiven. I never believed that until the night Astrid opened her door to me and made this feral beast want to be human again. Made me want to love and be loved. But how can an ex-slave whose soul is owned by a Greek goddess ever dream of touching, let alone holding, a fiery star?

English versions of Sophocles’ three great tragedies based on the myth of Oedipus, translated for a modern audience by two gifted poets. Index.

Long-awaited final volume in the Avalon series by bestselling fantasy author, Marion Zimmer Bradley. As the Merlin of Britannia keeps his vigil atop the Tor of Avalon, Rian, the High Priestess of Avalon, dies giving birth to her fifth child. The girl, named Eilan with her mother's dying breath, takes life. From the stars, the Merlin draws forth her prophecy: 'The child that was born at the Turning of Autumn, just as the night gave way to dawn, shall stand at the turning of the Age, the gateway between two worlds.' A prophecy of greatness, but it seems that she is destined to walk a path unlike any trod by a Priestess of Avalon before!

This spellbinding historical romance is the concluding volume in the Avalon series from Marion Zimmer Bradley, the author of the worldwide bestseller, The Mists of Avalon, who died in 1999.

Cursed into an eternity of slavery by his own brother, Julian of Macedon has spent centuries in hell, where the only respite he knows is measured in a handful of weeks whenever he’s summoned through an arcane spell. With the modern age, those summonings are becoming fewer and fewer, and he lives in fear of the day when they’ll stop for good.

Grace Alexander doesn’t believe in much of anything. But when her “psychic” girlfriend talks her into performing the spell as a joke on her birthday, the last thing she ever imagines is it working. But work it does. Now, she finds an ancient Greek general in her living room and trapped in her life for the next month. Worse, they learn too late that part of the spell means Grace will lose her sanity should he return to his captivity.

Now it’s a race against time to free him. Something much easier said than done, since it was the ancient gods who cursed him to his fate. And the last thing they want is to see him go free of the punishment the gods believe he deserves. It’s man against the gods, and a race against time.

On the night of Guinevere’s birth, a wise woman declares a prophecy of doom for the child: She will be gwenhwyfar, the white shadow, destined to betray her king, and be herself betrayed.

Years pass, and Guinevere becomes a great beauty, riding free across Northern Wales on her beloved horse. She is entranced by the tales of the valorous Arthur, a courageous warrior who seems to Guinevere no mere man, but a legend. Then she finds herself betrothed to that same famous king, a hero who commands her willing devotion. Just as his knights and all his subjects, she falls under Arthur’s spell.

At the side of King Arthur, Guinevere reigns strong and true. Yet she soon learns how the dark prophecy will reveal itself. She is unable to conceive. Arthur’s only true heir is Mordred, offspring of a cursed encounter with the witch Morgause. Now Guinevere must make a fateful choice: She decides to raise Mordred, teaching him to be a ruler and to honor Camelot. She will love him like a mother. Mordred will be her greatest joy–and the key to her ultimate downfall.

Return to a time of legend—the days of Guinevere and Arthur and the glory that was to become Camelot.

ONLY A MOMENT BEFORE

Camilla Haven is on holiday alone and wishes for some excitement. She had been sitting quietly in a crowded Athens café writing to her friend Elizabeth in England, "Nothing ever happens to me..."

Then, without warning, a stranger approached, thrust a set of car keys at her, and pointed to a huge black touring car parked at the curb. "The car for Delphi, mademoiselle... A matter of life and death," he whispered and disappeared.

From that moment, Camilla's life suddenly begins to take off when she sets out on a mysterious car journey to Delphi in the company of a charming but quietly determined Englishman named Simon Lester. Simon told Camilla he had come to the ancient Greek ruins to "appease the shade” of his brother Michael, killed some fourteen years earlier on Parnassus. From a curious letter Michael had written, Simon believed his brother had stumbled upon something of great importance hidden in the craggy reaches of the mountainside. And then Simon and Camilla learned that they were not alone in their search...

The ride was Camilla's first mistake... or perhaps she had unintentionally invoked the gods. She finds herself in the midst of an exciting, intriguing, yet dangerous adventure. An extraordinary train of events turned on a nightmare of intrigue and terror beyond her wildest daydreams.

Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Here, Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology. According to Campbell, society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these metaphors as a means to enhance spiritual understanding and mystical revelation.

With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy’s classic interview with Campbell in The New York Times Magazine, which brought the scholar to the public’s attention for the first time.

Le Morte d'Arthur is an exciting, magical interpretation of the legend of King Arthur. Originally published in 1485 by William Caxton, Sir Thomas Malory's Le Morte d'Arthur remains the most exciting and magical interpretation of the legend of King Arthur and the Knights of the Round Table.

For Arthurian fans worldwide, this stunning gift edition has a cloth binding, ribbon marker, and is packaged neatly in an elegant slipcase. Featuring a new introduction and the elegant illustrations by Aubrey Beardsley (1872–1898), this volume of Le Morte d'Arthur is an indispensable classic for every home library.

In the second novel in Guy Gavriel Kay's critically acclaimed Fionavar Tapestry, five men and women from our world must play their parts in a colossal war, as the first of all worlds confronts an ancient evil.

After a thousand years of imprisonment, the Unraveller has broken free and frozen Fionavar in the ice of eternal winter. His terrible vengeance has begun to take its toll on mortals and demi-gods, mages and priestesses, dwarves and the Children of Light.

The five brought from Earth across the tapestry of worlds must act to wake the allies Fionavar desperately needs. But no one can know if these figures out of legend have power enough to shatter the icy grip of death upon the land—or if they even want to...

The forerunner to The Lord of the Rings, The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.

The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them, such as Elrond and Galadriel, took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.

The curse placed on Oedipus lingers and haunts a younger generation in this new and brilliant translation of Sophocles' classic drama. Antigone, the daughter of Oedipus and Jocasta, is an unconventional heroine who pits her beliefs against the King of Thebes in a bloody test of wills that leaves few unharmed. Emotions fly as she challenges the king for the right to bury her own brother. Determined but doomed, Antigone shows her inner strength throughout the play.

Antigone raises issues of law and morality that are just as relevant today as they were more than two thousand years ago. Whether this is your first reading or your twentieth, Antigone will move you as few pieces of literature can.

To make this quintessential Greek drama more accessible to the modern reader, this Prestwick House Literary Touchstone Edition includes a glossary of difficult terms, a list of vocabulary words, and convenient sidebar notes. By providing these, it is our intention that readers will more fully enjoy the beauty, wisdom, and intent of the play.

The first volume in Guy Gavriel Kay’s stunning fantasy masterwork. Five men and women find themselves flung into the magical land of Fionavar, the First of all Worlds. They have been called there by the mage Loren Silvercloak, and quickly find themselves drawn into the complex tapestry of events.

For Kim, Paul, Kevin, Jennifer, and Dave all have their own part to play in the coming battle against the forces of evil led by the fallen god Rakoth Maugrim and his dark hordes.

Guy Gavriel Kay’s classic epic fantasy plays out on a truly grand scale, and has already been delighting fans of imaginative fiction for twenty years.

Fierce and proud, the Rigante dwell deep in the green mountain lands, worshiping the gods of air and water, and the spirits of the earth. Among them lives a warrior who bears the mark of fate. Born of the storm that slew his father, he is Connavar, and tales of his courage spread like wildfire.

The Seidh—a magical race as old as time—take note of the young warrior and cast a malignant shadow across his life. For soon a merciless army will cross the water, destroying forever the timeless rhythms of life among the Rigante.

Swearing to protect his people, Connavar embarks on a quest that will take him into the heart of the enemy. Along the way, he receives a gift: a sword as powerful and deadly as the Seidh who forged it. Thus he receives a name that will strike fear into the hearts of friend and foe alike—a name proclaiming a glorious and bitter destiny... Demonblade.

The Iliad/The Odyssey, two masterpieces of Greek literature, have been captivating readers for millennia. The Iliad is the tale of the Trojan War, marked by the fierce wrath of Achilles. Translator Robert Fagles breathes new life into this age-old story with a contemporary linguistic flair.

Complementing the tale of war is The Odyssey, a testament to the human spirit's quest for home and identity. It chronicles Odysseus's perilous journey back to his homeland after the fall of Troy. Fagles' translation is celebrated for its narrative drive and poetic elegance, making it a joy to read or recite aloud.

Both epics are presented with insightful introductions and critical commentary by renowned classicist Bernard Knox, deepening the reader's understanding of these foundational works of Western literature. This edition is a treasure for both its scholarly value and its sheer narrative power.

Euripides' classic drama delves into the often mortifying consequences of the unbridled—and frequently hysterical—celebration of the feast of Dionysus, the God of wine.

This powerful narrative explores themes of divine retribution and the clash between order and chaos, as Dionysus exacts revenge on Pentheus, the King of Thebes, and his people.

Why have people from different cultures and eras formulated myths and stories with similar structures? What does this similarity tell us about the mind, morality, and the structure of the world itself?

Jordan Peterson offers a provocative new hypothesis that explores the connection between what modern neuropsychology tells us about the brain and what rituals, myths, and religious stories have long narrated.

A cutting-edge work that brings together neuropsychology, cognitive science, and Freudian and Jungian approaches to mythology and narrative, Maps of Meaning presents a rich theory that makes the wisdom and meaning of myth accessible to the critical modern mind.

Ten thousand years ago, Morpheus condemned a woman who loved him to Hell. Now the other members of his immortal family, The Endless, have convinced the Dream King that this was an injustice. To make it right, Morpheus must return to Hell to rescue his banished love — and Hell's ruler, the fallen angel Lucifer, has already sworn to destroy him.

This volume collects The Sandman issues #21-28, continuing the epic saga crafted by the imagination of Neil Gaiman.

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent.

By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is.

The Golden Ass is a unique, entertaining, and thoroughly readable Latin novel, the only work of fiction in Latin to have survived in its entirety. It tells the story of Lucius, whose curiosity and fascination for sex and magic result in his transformation into an ass.

After suffering a series of trials and humiliations, he is ultimately transformed back into human shape by the kindness of the Goddess Isis.

Blending romantic adventure, fable, and religious testament, The Golden Ass is one of the truly seminal books of European literature, of intrinsic interest as a novel in its own right, and one of the earliest examples of the picaresque.

This enchanting story has inspired generations of writers with its dazzling combination of allegory, satire, bawdiness, and sheer exuberance, remaining one of the most continuously and accessibly amusing books from Classical antiquity.

The Avatars are immortal and live like kings, even though the empire is dying. Their immortality is guaranteed by magic crystals whose influence is now waning, overwhelmed by the sheer power of a great flood and a sudden ice age.

But when two moons appear in the sky, and the ruthless armies of the Crystal Queen swarm across the land bringing devastation and terror, the Avatars unite with their subjects to protect their universe.

As the cities face imminent destruction, three heroes emerge:

• Talaban, a warrior haunted by tragedy;
• Touchstone, the mystic tribesman seeking his lost love;
• and Anu, the Holy One, the Builder of Time.

And when all seems lost, two others enter the fray:

• Sofarita, the peasant girl who will inspire a legend;
• and the madman, Viruk, who will become a god.

Iphigenia in Aulis is a play by the ancient Greek playwright Euripides. It tells the story of Agamemnon's sacrifice of his daughter, Iphigenia, in order to ensure the good fortune of his forces in the Trojan War. Despite its heroic background, it is, in many respects, a domestic tragedy.

This new translation by Mr. Rudall retains the poetic beauty of Euripides while fashioning a playable dialogue. It beautifully captures the emotional depth and complexity of the characters involved.

Miraculously preserved on clay tablets dating back as much as four thousand years, the poem of Gilgamesh, king of Uruk, is the world’s oldest epic, predating Homer by many centuries. The story tells of Gilgamesh’s adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, the Epic of Gilgamesh is, above all, about mankind’s eternal struggle with the fear of death.

The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian.

NEW YORK TIMES BESTSELLER • More than 2.7 million copies sold! • “A deeply spiritual book [that] honors what is tough, smart and untamed in women.”—The Washington Post Book World Book club pick for Emma Watson’s Our Shared Shelf Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society’s attempt to “civilize” us into rigid roles has muffled the deep, life-giving messages of our own souls. In Women Who Run with the Wolves, Dr. Clarissa Pinkola Estés unfolds rich intercultural myths, fairy tales, folk tales, and stories, many from her own traditions, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy.

So begins Robert Fagles' magnificent translation of the Odyssey, which Jasper Griffin in The New York Times Review of Books hails as "a distinguished achievement." If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey through life.

Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.

Renowned classicist Bernard Knox's superb introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.

This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.

When a Dream ends, there is only one thing left to do...THE WAKE

In which the repercussions of the Death of Lord Morpheus are felt, and, in an epilogue, William Shakespeare learns the price of getting what you want.

This is the tenth and final volume of Neil Gaiman's Sandman, a series acclaimed as nothing less than a popular culture masterpiece.

Reprints issues #70-75.

The Last World is acclaimed as a modern masterpiece and one of the most important novels of our time. It tells the story of a young man's quest for the exiled poet Ovid and the masterwork he has consigned to the flames.

Christoph Ransmayr has created a visionary landscape, a transformed place where the ancient world meets the twentieth century. It is a metaphysical thriller, both compelling and profound. The Last World draws the reader into a universe governed by the power of mythology, a world of decay on the brink of apocalypse.

This novel explores themes of exile, censorship, and the destruction of the planet. It serves as a cultural and political fable that is blazingly topical, yet timeless.

Fables & Reflections is the sixth collection of issues in the DC Comics series, The Sandman. This captivating volume was penned by the renowned author Neil Gaiman and brought to life by a talented team of illustrators including Bryan Talbot, Stan Woch, P. Craig Russell, and many others. The artistry is further enhanced by the vivid colors of Danny Vozzo and Lovern Kindzierski/Digital Chameleon, and the precise lettering of Todd Klein.

The collection features four tales under the banner of "Distant Mirrors", which includes Issue #29 "Thermidor", #30 "August", #31 "Three Septembers and a January", and #50 "Ramadan". These stories weave a rich tapestry of historical and fantastical narratives that are both thought-provoking and visually stunning.

Also included are single-issue short stories from the Convergence arc, such as Issue #38 "The Hunt", #39 "Soft Places", and #40 "The Parliament of Rooks". Additionally, the collection presents the Sandman Special "The Song of Orpheus", a retelling of the classic Greek myth.

Probably the most popular book in the history of the Far East, this classic sixteenth-century novel is a combination of picaresque novel and folk epic that mixes satire, allegory, and history into a rollicking adventure.

It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies.

This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original.

Mensagem é o único livro de poemas de Fernando Pessoa publicado em português durante a sua vida. É também realmente um só poema, como escreveu, dada a unidade perfeita conseguida pelo seu canto das grandezas passadas da nação - que se refletem no futuro, potenciadas pelo Quinto Império.

Sem a simetria de composição nem a vastidão narrativa da epopeia clássica, é a obra minimal de um Supra-Camões concentrado na construção de um mito, o de D. Sebastião, entendido como a síntese da ousadia dos heróis anteriores e como a promessa de um "dia claro" por vir.

The fables of Aesop have become one of the most enduring traditions of European culture, ever since they were first written down nearly two millennia ago. Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature.

First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

Over and again, the aged seeress Tamis scried all the possible tomorrows. In every one, dark forces threatened Greece; terrible evil was poised to reenter the world. The future held only one hope: a half-caste Spartan boy, Parmenion. So Tamis made it her mission to see that Parmenion would become the deadliest warrior in the world — no matter what the cost.

Raised to manhood in Sparta, bullied and forced to fight for his life every day, Parmenion had no notion of the unseen dimensions of magic and mystery that shaped his fate. He grew in strength and cunning. His military genius earned him the title Strategos in Sparta. His triumphs for the city of Thebes made him a hero. And finally, his fate led him to the service of Philip of Macedon.

As Tamis had foreseen, Parmenion's destiny was tied to the Dark God, to Philip, and to the yet-unborn Alexander. All too soon, the future was upon them. Parmenion stood poised to defeat evil — or to open the gate for the Dark God to reenter the world.

Here are the gods, goddesses, and legendary figures of ancient Greece--mighty Zeus, with his fistful of thunderbolts; gray-eyed Athena, goddess of wisdom; Helios, the sun; greedy King Midas--lavishly depicted by Caldecott winners Ingri and Edgar Parin d'Aulaire. In a relaxed and humorous tone, these splendid artists bring to life the myths that have inspired great European literature and art through the ages, creating a book readers of all ages will cherish.

"For any child fortunate enough to have this generous book...the kings and heroes of ancient legend will remain forever matter-of-fact; the pictures interpret the text literally and are full of detail and witty observation." --The Horn  Book

"The drawings, particularly the full-page ones in this oversized volume, are excellent  and excitingly evocative." --The New  York Times

"Parents, uncles, and aunts who have been searching for a big picture book that has good reading-aloud value for the younger ones and fine read-it-yourself value on up, have it in this volume...a children's classic." --Christian Science Monitor

The third volume of the Sandman collection is a series of four short comic book stories. In each of these otherwise unrelated stories, Morpheus serves only as a minor character. Here we meet the mother of Morpheus's son, find out what cats dream about, and discover the true origin behind Shakespeare's A Midsummer's Night Dream.

Stories included:

• Calliope
• A Dream of a Thousand Cats
• Facade
• A Midsummer Night's Dream

This volume collects The Sandman #17–20.

The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, The Hero With a Thousand Faces creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence.

Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.

A being who has existed since the beginning of the universe, Dream of the Endless rules over the realm of dreams. In The Doll's House, after a decades-long imprisonment, the Sandman has returned to find that a few dreams and nightmares have escaped to reality. Looking to recapture his lost possessions, Morpheus ventures to the human plane only to learn that a woman named Rose Walker has inadvertently become a dream vortex and threatens to rip apart his world.

Now, as Morpheus takes on the last escaped nightmare at a serial killers convention, the Lord of Dreams must mercilessly murder Rose or risk the destruction of his entire kingdom.

Prometheus Bound is a timeless piece of ancient Greek tragedy attributed to Aeschylus. In this powerful narrative, the Titan Prometheus is punished by Zeus for his audacious act of giving fire to mankind. This play delves into the intense drama and themes of rebellion, power, and human progress.

The translation by James Scully and C. John Herington brings to life the true essence of the original, accentuating its relevance to modern times. Aeschylus originally crafted Prometheus Bound as part of a tragic trilogy, and this version is unique as it includes the extant fragments of the companion plays.

For those interested in mythology, Greek tragedy, or the exploration of timeless themes, Prometheus Bound offers a captivating journey into the heart of defiance and endurance. Discover the power of the human spirit through this masterpiece of ancient drama.

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people—including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

T.H White's masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published in one volume, as White himself always wished. Exquisite comedy offsets the tragedy of Arthur's personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

Some things have to be believed to be seen.

Sandy and Dennys have always been the normal, run-of-the-mill ones in the extraordinary Murry family. They garden, make an occasional A in school, and play baseball. Nothing especially interesting has happened to the twins until they accidentally interrupt their father's experiment.

Then the two boys are thrown across time and space. They find themselves alone in the desert, where, if they believe in unicorns, they can find unicorns, and whether they believe or not, mammoths and manticores will find them.

The twins are rescued by Japheth, a man from the nearby oasis, but before he can bring them to safety, Dennys gets lost. Each boy is quickly embroiled in the conflicts of this time and place, whose populations include winged seraphim, a few stray mythic beasts, perilous and beautiful nephilim, and small, long-lived humans who consider Sandy and Dennys giants.

The boys find they have more to do in the oasis than simply getting themselves home—they have to reunite an estranged father and son, but it won't be easy, especially when the son is named Noah and he's about to start building a boat in the desert.

Randamoozham is the masterpiece of the Jnanpith winning writer M. T. Vasudevan Nair. It was translated into English as Second Turn in 1997.

The novel is set as a retelling of the Indian epic Mahabharata, from the perspective of Bhima, the second Pandava.

In the Oresteia—the only trilogy in Greek drama which survives from antiquity—Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos.

Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.

Who killed Boy Staunton?

Around this central mystery is woven a glittering, fantastical, cunningly contrived trilogy of novels. Luring the reader down labyrinthine tunnels of myth, history, and magic, The Deptford Trilogy provides an exhilarating antidote to a world from where the fear and dread and splendour of wonder have been banished.

This beguiling trilogy traces the rich, varied, and fatefully linked lives of Dunstan Ramsay, David Staunton, and Magnus Eisengrim, wrapped in a tapestry of myth and history.

Originally titled Children's and Household Tales, The Complete Grimm's Fairy Tales contains the essential bedtime stories for children worldwide for the better part of two centuries. The Brothers Grimm, Jacob and Wilhelm, were German linguists and cultural researchers who gathered legendary folklore and aimed to collect the stories exactly as they heard them.

2012 marked the 200th anniversary of Grimm's Fairy Tales, and to celebrate, all 211 stories were included in this collection. Featuring all your favorite classics, including "Hansel and Gretel," "Cinderella," "The Frog Prince," "Rapunzel," "Snow White," and "Rumpelstiltskin," among dozens more, this book is a must-have for any personal library collection.

In addition to the beloved tales, this edition is also accompanied by 40 color plates and 60 black and white illustrations from award-winning English illustrator Arthur Rackham, whose books and prints are now highly sought-after collectibles. A selection of stunning color reproductions by the famous illustrator, Arthur Rackham, further enhances the reading experience.

The Poetic Edda comprises a treasure trove of mythic and spiritual verse holding an important place in Nordic culture, literature, and heritage. Its tales of strife and death form a repository, in poetic form, of Norse mythology and heroic lore, embodying both the ethical views and the cultural life of the North during the late heathen and early Christian times.

Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Edda was rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized.

This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision that Scandinavian Studies says may well grace anyone's bookshelf.