Shred Sisters is a wry and riveting debut novel about family, mental illness, and the hard-won path between two sisters.

It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight, but when her stunning confidence morphs into something erratic and unpredictable, she becomes a hurricane leaving people wrecked in her wake. Put simply, she has no brakes.

Younger sister Amy, cautious and studious to the core, dreams of winning a Nobel Prize and unlocking the mysteries of the mind. Amy believes in facts, proof, and the empirical world. Except none of that can explain what’s happening to Ollie, whose physical beauty and charisma mask the bipolar disorder that will shatter Amy’s carefully constructed world.

As Amy comes of age and seeks to find her place—first in academics, then New York publishing, and through a series of troubled relationships—every step brings collisions with Ollie, who slips in and out of the Shred family without warning. For all that upends and unsettles these sisters, an inextricable bond always draws them back.

Spanning two decades, Shred Sisters is an intimate and bittersweet story exploring the fierce complexities of sisterhood, mental health, loss, and love. If anything is true, it’s what Amy learns on her road to self-acceptance: No one will love you or hurt you more than a sister.

Better is a gutsy, riveting memoir that intimately explores suicide, its legacy in families, and the often cyclical, crooked path of recovery. Arianna Rebolini delves into the profound questions surrounding the choice of death by one's own hands and the struggle to understand the desire to die.

After a decade of therapy and overcoming suicidal depression, Arianna was "better." Her life was seemingly on track with the publication of her first book, a fulfilling job, and the joy of motherhood. Yet, the dark pull of suicide lingered. In a poignant moment, as her young son played, she found herself contemplating the end of her life.

The narrative weaves through Arianna's month-long crisis as a new mother with decades of family history. From her childhood cries for help to the fear of passing the shadow of suicide to her son, Arianna seeks to understand the mechanisms of suicidality. Her journey includes an exploration of the writings of famous individuals who took their own lives, as she searches for insights into the fateful moment of committing to the act of suicide—or the harrowing realization that it cannot be undone.

When her brother faces a similar battle, Arianna confronts the limits of her insights into depression's grip. Better is a harrowing intellectual and emotional odyssey marked by clarity and compassion, a tour through the seductive darkness of death, and a life-affirming testament to the quest for getting better for good.

The Wedding People is a propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan—which makes it that much more surprising when the two women can’t stop confiding in each other. In turns absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined—and the chance encounters it sometimes takes to reroute us.

The Garden, a novel by Clare Beams, presents a psychologically thrilling tale that explores the deep yearnings of women to become mothers and the intricate ways in which the female body has been subjected to control and manipulation throughout history.

In the year 1948, Irene Willard, having endured five miscarriages in her pursuit to fulfill her husband's desire for a child and currently pregnant again, arrives at a secluded house in the Berkshires that doubles as a hospital. This establishment is run by a duo of doctors dedicated to pioneering a treatment for her condition. With caution, Irene commits to the Halls' methods aimed at 'rectifying the maternal environment', addressing both the physical and psychological aspects.

Amidst this, she stumbles upon an enigmatic walled garden on the property, a space infused with its own mystical forces. As the medical endeavors of the Halls begin to falter, Irene and the other patients are driven to tap into the garden's potential for their own ends. They are forced to confront the immense dangers that come with the promise of extraordinary benefits.

Evoking the atmospheric tension of works by Shirley Jackson and the unsettling themes of Rosemary's Baby, The Garden delves into the realms of motherhood, childbirth, the enigmas of the female anatomy, and the historical efforts to dominate it.

Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to her battle with depression.

She traces this loneliness to an inability to feel truly safe with others and a historic hyper-awareness stemming from the effects of slavery. In this collection of essays as intimate as being in the room with Morgan and her therapist, Morgan examines America's cultural history and relationship to Black Americans through the ages, through such topics as the ubiquity of a beauty culture that excludes Black women, the implications of Bill Cosby's fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious.

With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman's psyche—and of the writer's search to both tell the truth and deconstruct it.

Interesting Facts About Space is a journey through the cosmos, guided by the witty and introspective Enid. An aficionado of all things astronomical, Enid can describe the terrifying wonders of black holes with ease, but her own fears are much closer to home—like her inexplicable phobia of bald men, a secret she guards closely.

Between her addiction to true crime podcasts and a carousel of dates with women from dating apps, Enid is trying to navigate the complexities of life, including reconnecting with her estranged half-sisters following their father's death. But life takes a peculiar turn when Enid finds herself in her first serious romantic relationship and starts to suspect that she's being stalked.

As Enid's paranoia escalates, she's forced to face the haunting realization that she can't escape the most persistent follower of all—herself. With a blend of quirky humor, charm, and a touch of heartache, Interesting Facts About Space explores the importance of confronting our hidden fears and the most intimately human aspects of our identity.