Somer's life is everything she imagined it would be — she's newly married and has started her career as a physician in San Francisco — until she makes the devastating discovery she never will be able to have children.

The same year in India, a poor mother makes the heartbreaking choice to save her newborn daughter's life by giving her away. It is a decision that will haunt Kavita for the rest of her life, and cause a ripple effect that travels across the world and back again.

Asha, adopted out of a Mumbai orphanage, is the child that binds the destinies of these two women. We follow both families, invisibly connected until Asha's journey of self-discovery leads her back to India.

Compulsively readable and deeply touching, Secret Daughter is a story of the unforeseen ways in which our choices and families affect our lives, and the indelible power of love in all its many forms.

For many years Sierra Leone and Liberia have been too dangerous to travel through, bedevilled by a uniquely brutal form of violence from which sprang many of Africa's cruellest contemporary icons. This travel book touches on one of the most fraught parts of the globe at a different moment in its history.

Chasing the Devil tells the story of Tim Butcher's audacious expedition from Freetown at the mouth of the Sierra Leone river overland through forest-covered mountains and malarial plains to the coast of Liberia. He ventures deep into areas not visited by outsiders for years. Both nations are on a developmental cusp and Tim explores whether national and international attempts to chase away the devil of war can succeed.

Sultana is a Saudi Arabian princess, a woman born to fabulous, uncountable wealth. She has four mansions on three continents, her own private jet, glittering jewels, designer dresses galore. But in reality she lives in a gilded cage. She has no freedom, no control over her own life, no value but as a bearer of sons. Hidden behind her black floor-length veil, she is a prisoner, jailed by her father, her husband, her sons, and her country.

Sultana is a member of the Saudi royal family, closely related to the king. For the sake of her daughters, she has decided to take the risk of speaking out about the life of women in her country, regardless of their rank. She must hide her identity for fear that the religious leaders in her country would call for her death to punish her honesty. Only a woman in her position could possibly hope to escape from being revealed and punished, despite her cloak and anonymity. Sultana tells of her own life, from her turbulent childhood to her arranged marriage--a happy one until her husband decided to displace her by taking a second wife--and of the lives of her sisters, her friends and her servants. Although they share affection, confidences and an easy camaraderie within the confines of the women's quarters, they also share a history of appalling oppression, everyday occurrences that in any other culture would be seen as shocking human rights violations; thirteen-year-old girls forced to marry men five times their age, young women killed by drowning, stoning, or isolation in the women's room, a padded, windowless cell where women are confined with neither light nor conversation until death claims them.

By speaking out, Sultana risks bringing the wrath of the Saudi establishment upon her head and the heads of her children. But by telling her story to Jean Sasson, Sultana has allowed us to see beyond the veils of this secret society, to the heart of a nation where sex, money, and power reign supreme.

At the end of her bestselling memoir Eat, Pray, Love, Elizabeth Gilbert fell in love with Felipe, a Brazilian-born man of Australian citizenship who'd been living in Indonesia when they met. Resettling in America, the couple swore eternal fidelity to each other, but also swore to never, ever, under any circumstances get legally married. (Both were survivors of previous bad divorces. Enough said.)

But providence intervened one day in the form of the United States government, which—after unexpectedly detaining Felipe at an American border crossing—gave the couple a choice: they could either get married, or Felipe would never be allowed to enter the country again.

Having been effectively sentenced to wed, Gilbert tackled her fears of marriage by delving into this topic completely, trying with all her might to discover through historical research, interviews, and much personal reflection what this stubbornly enduring old institution actually is.

Told with Gilbert's trademark wit, intelligence, and compassion, Committed attempts to "turn on all the lights" when it comes to matrimony, frankly examining questions of compatibility, infatuation, fidelity, family tradition, social expectations, divorce risks, and humbling responsibilities.

Gilbert's memoir is ultimately a clear-eyed celebration of love with all the complexity and consequence that real love, in the real world, actually entails.

Nothing to Envy follows the lives of six North Koreans over fifteen years—a chaotic period that saw the death of Kim Il-sung, the unchallenged rise to power of his son Kim Jong-il, and the devastation of a far-ranging famine that killed one-fifth of the population. Taking us into a landscape most of us have never before seen, award-winning journalist Barbara Demick brings to life what it means to be living under the most repressive totalitarian regime today—an Orwellian world that is by choice not connected to the Internet, in which radio and television dials are welded to the one government station, and where displays of affection are punished; a police state where informants are rewarded and where an offhand remark can send a person to the gulag for life.

Demick takes us deep inside the country, beyond the reach of government censors. Through meticulous and sensitive reporting, we see her six subjects—average North Korean citizens—fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we experience the moments when they realize that their government has betrayed them.

Love marriages around the world are simple: Boy loves girl. Girl loves boy. They get married. In India, there are a few more steps:

Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's Family has to love Boy's Family. Boy's family has to love girl's family. Girl and Boy still love each other. They get married.

Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India, deeply in love and want to get married. Of course, their parents don't agree. To convert their love story into a love marriage, the couple have a tough battle in front of them. For it is easy to fight and rebel, but it is much harder to convince. Will they make it?

From the author of blockbusters Five Point Someone, One Night @ the Call Center and The 3 Mistakes of My Life, comes another witty tale about inter-community marriages in modern India.

Does absence really make the heart grow fonder? Can beggars be choosers? Is it always better late than never? Proverbs are short, well-known, pithy sayings that offer advice or words of encouragement and are used in everyday English without much thought ever being given to their meanings, or indeed, usefulness.

In An Apple A Day, Caroline Taggart explores the truth behind our favourite proverbs, their history, and whether they offer any genuine help to the recipient. Did you know that The Old Testament has an entire book devoted to proverbs? Or that 'a bird in the hand is worth two in the bush' is a proverb from falconry that dates back to the Middle Ages?

Many proverbs are still in use today, including the very famous 'slow and steady wins the race', which derives from one of the fables of Aesop, a slave in ancient Greece born in 620BC. Lighthearted but authoritative, An Apple A Day proves that proverbs are as useful today as they ever were.

The Wordy Shipmates is an exploration of the Puritans and their journey to America to become the people of John Winthrop's "city upon a hill"—a shining example, a "city that cannot be hid."

To this day, America views itself as a Puritan nation, but Vowell investigates what that means—and what it should mean. What was this great political enterprise all about? Who were these people who are considered the philosophical, spiritual, and moral ancestors of our nation? What Vowell discovers is something far different from what their uptight shoe-buckles-and-corn reputation might suggest. The people she finds are highly literate, deeply principled, and surprisingly feisty. Their story is filled with pamphlet feuds, witty courtroom dramas, and bloody vengeance.

Along the way she asks:

Was Massachusetts Bay Colony governor John Winthrop a communitarian, Christlike Christian, or conformity's tyrannical enforcer? Yes!

Was Rhode Island's architect Roger Williams America's founding freak or the father of the First Amendment? Same difference.

What does it take to get that jezebel Anne Hutchinson to shut up? A hatchet.

What was the Puritans' pet name for the Pope? The Great Whore of Babylon.

Sarah Vowell's special brand of armchair history makes the bizarre and esoteric fascinatingly relevant and fun. She takes us from the modern-day reenactment of an Indian massacre to the Mohegan Sun casino, from old-timey Puritan poetry, where "righteousness" is rhymed with "wilderness," to a Mayflower-themed waterslide. Throughout The Wordy Shipmates is rich in historical fact, humorous insight, and social commentary by one of America's most celebrated voices. Thou shalt enjoy it.

Seven Years in Tibet recounts the extraordinary journey of Heinrich Harrer, an Austrian, who escaped from an English internment camp in India in 1943. Over the next seven years, Harrer immersed himself in the rich tapestry of Tibetan life, observing its social practices, religion, politics, and people.

This vivid memoir offers an unparalleled glimpse into a world just before the Chinese Communist takeover, presenting a fascinating narrative of adventure, resilience, and cultural exchange. Harrer's account illuminates the complexities of Tibetan society and his unique relationship with the young Dalai Lama, offering insights into the spiritual and political upheavals that would soon transform Tibet.

The Manchurian Candidate meets South Park—Chuck Palahniuk’s finest novel since the generation-defining Fight Club.

"Begins here first account of operative me, agent number 67 on arrival Midwestern American airport greater _____ area. Flight _____. Date _____. Priority mission top success to complete. Code name: Operation Havoc."

Thus speaks Pygmy, one of a handful of young adults from a totalitarian state sent to the United States, disguised as exchange students, to live with typical American families and blend in, all the while planning an unspecified act of massive terrorism.

Palahniuk depicts Midwestern life through the eyes of this thoroughly indoctrinated little killer, who hates Americans with a passion, in this cunning double-edged satire of an American xenophobia that might, in fact, be completely justified. For Pygmy and his fellow operatives are cooking up something big, something truly awful, that will bring this big dumb country and its fat dumb inhabitants to their knees.

It’s a comedy. And a romance.

La suma de los días es una obra al tiempo emotiva y escrita en el tono irónico y apasionado que caracteriza a la autora, Isabel Allende. Nos entrega la suma de sus días como mujer y como escritora.

En las páginas de este libro, Isabel Allende narra con franqueza la historia reciente de su vida y la de su peculiar familia en California. Viven en una casa abierta, llena de gente y de personajes literarios, y protegida por un espíritu. El libro abarca hijas perdidas, nietos y libros que nacen, éxitos y dolores, un viaje al mundo de las adicciones y otros a lugares remotos del mundo en busca de inspiración. Además, trata de divorcios, encuentros, amores, separaciones, crisis de pareja y reconciliaciones.

También es una historia de amor entre un hombre y una mujer maduros, que han salvado juntos muchos escollos sin perder ni la pasión ni el humor. Es una mirada a una familia moderna, desgarrada por conflictos y unida, a pesar de todo, por el cariño y la decisión de salir adelante.

Prisoner of Tehran is an extraordinary tale of faith and survival. Marina Nemat, brought up as a Christian, experienced a peaceful childhood in Tehran until the Iranian Revolution of 1979 changed everything. After expressing her discontent about her math lessons being replaced by Koran study, Marina was arrested one fateful evening.

She was taken to the notorious Evin prison, where interrogation and torture were part of the daily routine. At just sixteen, she was sentenced to death. Her prison guard, however, saved her from the execution but at a shocking price: marriage to him and conversion to Islam.

Marina lived out her prison days as his secret bride, grappling with complex emotions of hatred and gratitude. When her husband was murdered by his enemies at Evin, Marina's life took another dramatic turn.

Eventually, she returned to her family, but under the constant watch of the regime. Her story is a profound reflection on the cost of freedom and the resilience of the human spirit.

Prisoner of Tehran offers an intimate glimpse into revolutionary Iran and stands as a testament to the power of love in the face of evil and injustice.

Please Look After Mom is a stunning, deeply moving story of a family's search for their missing mother - and their discovery of the desires, heartaches, and secrets they never realized she harbored within.

When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, and vanishes, their children are consumed with loud recriminations, and are awash in sorrow and guilt. As they argue over the "Missing" flyers they are posting throughout the city - how large of a reward to offer, the best way to phrase the text - they realize that none of them have a recent photograph of Mom. Soon a larger question emerges: do they really know the woman they called Mom?

Told by the alternating voices of Mom's daughter, son, her husband and, in the shattering conclusion, by Mom herself, the novel pieces together, Rashomon-style, a life that appears ordinary but is anything but. This is a mystery of one mother that reveals itself to be the mystery of all our mothers: about her triumphs and disappointments and about who she is on her own terms, separate from who she is to her family. If you have ever been a daughter, a son, a husband or a mother, Please Look After Mom is a revelation - one that will bring tears to your eyes.

The Geography of Bliss: One Grump's Search for the Happiest Places in the World is a captivating journey by Eric Weiner, who spent a decade as a foreign correspondent. Weiner reported from discontented locales such as Iraq, Afghanistan, and Indonesia, where the unhappy people living in profoundly unstable states inspired pathos and made for good stories, but not good karma.

Admitted grump and self-help book aficionado, Weiner undertook a year's research to travel the globe, looking for the "unheralded happy places." The result is a book that is equal parts laugh-out-loud funny and philosophical, a journey into both the definition of and the destination for true contentment.

Apparently, the happiest places on earth include, somewhat unexpectedly, Iceland, Bhutan, and India. Weiner also visits the country deemed most malcontent, Moldova, and finds real merit in the claim. But the question remains: What makes people happy? Is it the freedom of the West or the myriad restrictions of Singapore? The simple ashrams of India or the glittering shopping malls of Qatar?

From the youthful drunkenness of Iceland to the despondency of Slough, a sad but resilient town in Heathrow's flight path, Weiner offers wry yet profound observations about the way people relate to circumstance and fate.

Both revealing and inspirational, perhaps the best thing about this hilarious trip across four continents is that for the reader, the "geography of bliss" is wherever they happen to find themselves while reading it.

Joe Sacco's breakthrough novel of graphic journalism has been widely hailed as one of the great graphic novels of all time. This special edition is the definitive hardcover collection of Sacco's landmark of comic journalism.

In addition to the original 288-page graphic novel, introduced by the late Edward Said, this edition includes a host of unique supplemental never-before-published material, including many of Sacco's original background notes, sketches, photographic reference, and a new interview with the author.

At a café table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful encounter…Changez is living an immigrant's dream of America. At the top of his class at Princeton, he is snapped up by an elite valuation firm. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore.

But in the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica shifting. And Changez's own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love.

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"

In seventeenth-century China, three women find themselves emotionally entangled with The Peony Pavilion, a famed opera rumored to cause lovesickness and even death. Among them is Peony, the cloistered daughter of a wealthy scholar who falls under the opera's spell.

As a young girl betrothed to a suitor she has never met, Peony's longings resonate with the lyrics of the opera. In the garden of the Chen Family Villa, amidst the scent of ginger, green tea, and jasmine, a small theatrical troupe performs scenes from this epic opera—a live spectacle few females have ever seen.

Like the heroine in the drama, Peony is trapped like a good-luck cricket in a bamboo-and-lacquer cage. Raised to be obedient, she harbors dreams of her own. Her mother opposes her attendance at the production, believing "Unmarried girls should not be seen in public." However, her father ensures proprieties are maintained, allowing the women to watch from behind a screen.

Through the screen's cracks, Peony glimpses an elegant, handsome man with hair as black as a cave, and her heart is immediately stirred. Thus begins Peony's unforgettable journey of love and destiny, desire and sorrow.

Lisa See's haunting novel, based on historical events, transports readers back to a time when the Manchus seized power and the Ming dynasty fell. Steeped in traditions and rituals, the story brings to life the intricate realm of the afterworld—a vividly imagined place where one's soul is divided into three, ancestors offer guidance, misdeeds are punished, and hungry ghosts wander the earth.

Peony in Love beautifully explores the many manifestations of love and addresses universal themes: the bonds of friendship, the power of words, and the age-old desire of women to be heard.

From the master of literary reportage, whose acclaimed books include Shah of Shahs, The Emperor, and The Shadow of the Sun, comes an intimate account of his first youthful forays beyond the Iron Curtain.

Just out of university in 1955, Kapuscinski told his editor that he’d like to go abroad. Dreaming no farther than Czechoslovakia, the young reporter found himself sent to India. Wide-eyed and captivated, he would discover in those days his life’s work—to understand and describe the world in its remotest reaches, in all its multiplicity.

From the rituals of sunrise at Persepolis to the incongruity of Louis Armstrong performing before a stone-faced crowd in Khartoum, Kapuscinski gives us the non-Western world as he first saw it, through still-virginal Western eyes.

The companion on his travels: a volume of Herodotus, a gift from his first boss. Whether in China, Poland, Iran, or the Congo, it was the “father of history”—and, as Kapuscinski would realize, of globalism—who helped the young correspondent to make sense of events, to find the story where it did not obviously exist.

It is this great forerunner’s spirit—both supremely worldly and innately Occidental—that would continue to whet Kapuscinski’s ravenous appetite for discovering the broader world and that has made him our own indispensable companion on any leg of that perpetual journey.

From the celebrated author of The English Patient and Anil's Ghost comes a remarkable, intimate novel of intersecting lives that ranges across continents and time.

In the 1970s in Northern California, a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is shattered by an incident of violence that sets fire to the rest of their lives.

Divisadero takes us from San Francisco to the raucous backrooms of Nevada's casinos and eventually to the landscape of southern France. As the narrative moves back and forth through time and place, we find each of the characters trying to find some foothold in a present shadowed by the past.

Breathtakingly evoked and with unforgettable characters, Divisadero is a multi-layered novel about passion, loss, and the unshakable past, about the often discordant demands of family, love, and memory.

Joe Mackall has lived surrounded by the Swartzentruber Amish community of Ashland County, Ohio, for over sixteen years. They are the most traditional and insular of all the Amish sects: the Swartzentrubers live without gas, electricity, or indoor plumbing; without lights on their buggies or cushioned chairs in their homes; and without rumspringa, the recently popularized "running-around time" that some Amish sects allow their sixteen-year-olds.

Over the years, Mackall has developed a steady relationship with the Shetler family (Samuel and Mary, their nine children, and their extended family). Plain Secrets tells the Shetlers' story over these years, using their lives to paint a portrait of Swartzentruber Amish life and mores. During this time, Samuel's nephew Jonas finally rejects the strictures of the Amish way of life for good, after two failed attempts to leave, and his bright young daughter reaches the end of school for Amish children: the eighth grade.

But Plain Secrets is also the story of the unusual friendship between Samuel and Joe. Samuel is quietly bemused—and, one suspects, secretly delighted—at Joe's ignorance of crops and planting, carpentry and cattle. He knows Joe is planning to write a book about the family, and yet he allows him a glimpse of the tensions inside this intensely private community.

These and other stories from the life of the family reveal the larger questions posed by the Amish way of life. If the continued existence of the Amish in the midst of modern society asks us to consider the appeal of traditional, highly restrictive, and gendered religious communities, it also asks how we romanticize or condemn these communities—and why. Mackall's attempt to parse these questions—to write as honestly as possible about what he has seen of Amish life—tests his relationship with Samuel and reveals the limits of a friendship between "English" and Amish.

When sixteen-year-old Amal decides to wear the hijab full-time, her entire world changes, all because of a piece of cloth...

Amal makes the decision to start wearing the hijab full-time and everyone has a reaction. Her parents, her teachers, her friends, people on the street. But she stands by her decision to embrace her faith and all that it is, even if it does make her a little different from everyone else.

Can she handle the taunts of "towel head," the prejudice of her classmates, and still attract the cutest boy in school?

Brilliantly funny and poignant, Randa Abdel-Fattah's debut novel will strike a chord in all teenage readers, no matter what their beliefs.

The Red Parts chronicles the uncanny series of events that led to Nelson's interest in her aunt's death, the reopening of the case, the bizarre and brutal trial that ensued, and the effects these events had on the disparate group of people they brought together. But The Red Parts is much more than a "true crime" record of a murder, investigation, and trial. For into this story Nelson has woven an account of a girlhood and early adulthood haunted by loss, mortality, mystery, and betrayal, as well as a look at the personal and political consequences of our cultural fixation on dead (white) women.

Building on the national bestselling success of Sex, Drugs, and Cocoa Puffs, preeminent pop culture writer Chuck Klosterman unleashes his best book yet—the story of his cross-country tour of sites where rock stars have died and his search for love, excitement, and the meaning of death.

For 6,557 miles, Chuck Klosterman thought about dying. He drove a rental car from New York to Rhode Island to Georgia to Mississippi to Iowa to Minneapolis to Fargo to Seattle, and he chased death and rock ‘n’ roll all the way. Within the span of twenty-one days, Chuck had three relationships end—one by choice, one by chance, and one by exhaustion. He snorted cocaine in a graveyard. He walked a half-mile through a bean field. A man in Dickinson, North Dakota, explained to him why we have fewer windmills than we used to. He listened to the KISS solo albums and the Rod Stewart box set. At one point, poisonous snakes became involved. The road is hard. From the Chelsea Hotel to the swampland where Lynyrd Skynyrd’s plane went down to the site where Kurt Cobain blew his head off, Chuck explored every brand of rock star demise. He wanted to know why the greatest career move any musician can make is to stop breathing...and what this means for the rest of us.

بالأبيض على الأسود is a poignant autobiographical novel by Rubén González Gallego, who was born with cerebral palsy in Moscow. His story is one of survival and resilience, having been hidden away in Soviet state institutions by his maternal grandfather, the secretary general of the Spanish Communist Party in the 1960s.

Despite a boyhood filled with emotional deprivation, neglect, and mistreatment in orphanages, hospitals, and old-age homes, Gallego's narrative shines with moments of shared small pleasures, courage, and the indomitable power of the human will. As he grows, so does his fascination with books and the worlds within them, offering a glimpse of hope and a testament to life's enduring possibilities.

بالأبيض على الأسود is a call to life and hope, even amidst the pages of sorrow and the harshness of life's realities.

Edensor, the third novel in the Tetralogi Laskar Pelangi series, tells the story of Ikal and Arai's adventures in Europe. After securing scholarships to France, they encounter what many would call culture shock. They face customs and civilizations in Europe that are entirely different from what they understood as Indonesians, especially from the Malay culture.

In this book, Ikal and Arai also reap the karma for mischiefs they committed in their youth. The reader is taken on their journey through Europe with experiences that are astonishing, terrifying, hilarious, and at times, tear-jerking. The desire to climb the peaks of challenges, to break through granite stones of difficulties, to tease the dangers, and to solve mysteries with science is vividly portrayed. They long for a life filled with possibilities reacting with each other like colliding uranium molecules: unpredictable explosions, absorption, binding, duplicating, expanding, disintegrating, and scattering in surprising directions.

They wish to visit distant places, meet diverse languages and people. They want to navigate through fields and deserts, to blister under the sun, stagger in the wind, and shrink in the cold. They crave a thrilling life full of conquests. They want to live! To taste the essence of life!

Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh—and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India. It is a story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side.

Seven years in the making, Sacred Games is an epic of exceptional richness and power. Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard, and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over, and his career prospects are on the slide.

When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize. Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side.

Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies, and Chandra's own life and research on the streets of Mumbai, Sacred Games evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

The Year of the Hare is a delightfully witty and mordant modern classic from Finland. It tells the story of a journalist who befriends an injured hare and embarks into the Finnish wilderness.

Kaarlo Vatanen is fed up with his life. He's sick of his job, his wife, his urban lifestyle in Helsinki. But all this changes one warm summer's evening, when he encounters an injured hare on a deserted country road. On an impulse he can't fully explain, Vatanen abruptly abandons his car, his home, his wife, and his job to chase the hare into the forest.

A year of comic misadventures ensues, where Vatanen and his unlikely companion battle through forest fires, pagan sacrifices, military war games, and encounters with murderous bears. They are kept afloat by the help and understanding of other sympathetic free spirits.

The Year of the Hare is a freewheeling adventure through the Finnish countryside and a witty portrayal of one man's long detour from conventional living.

In Barcelona, an aging Brazilian prostitute trains her dog to weep at the grave she has chosen for herself.

In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family.

In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact.

In these twelve masterful short stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience.

Ryūnosuke Akutagawa (1892-1927) is one of Japan’s foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty, and wild humour.

‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’, and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants, and peasants.

In later works such as ‘Death Register’, ‘The Life of a Stupid Man’, and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

Moshav? What’s a moshav? Is it “shopping mall” in Hebrew? From what Jessica was telling me, Israeli stores have the latest fashions from Europe. That black dress Jessica has is really awesome. I know I’d be selling out if I go with the Sperm Donor to a mall, but I keep thinking about all the great stuff I could bring back home.

Unfortunately for 16-year-old Amy Nelson, “moshav” is not Hebrew for “shopping mall.” Not even close. Think goats, not Gucci.

Going to Israel with her estranged Israeli father is the last thing Amy wants to do this summer. She’s got a serious grudge against her dad, a.k.a. “Sperm Donor,” for showing up so rarely in her life. Now he’s dragging her to a war zone to meet a family she’s never known, where she’ll probably be drafted into the army.

At the very least, she’ll be stuck in a house with no AC and only one bathroom for seven people all summer—no best friend, no boyfriend, no shopping, no cell phone… Goodbye pride—hello Israel.

San Francisco art patron Bibi Chen has planned a journey of the senses along the famed Burma Road for eleven lucky friends. But after her mysterious death, Bibi watches aghast from her ghostly perch as the travelers veer off her itinerary and embark on a trail paved with cultural gaffes and tribal curses, Buddhist illusions and romantic desires. On Christmas morning, the tourists cruise across a misty lake and disappear.

With picaresque characters and mesmerizing imagery, Saving Fish from Drowning gives us a voice as idiosyncratic, sharp, and affectionate as the mothers of The Joy Luck Club. Bibi is the observant eye of human nature–the witness of good intentions and bad outcomes, of desperate souls and those who wish to save them. In the end, Tan takes her readers to that place in their own heart where hope is found.

It's the end of the world as we know it...

Someday soon, you might wake up to the call to prayer from a muezzin. Europeans already are. And liberals will still tell you that "diversity is our strength"--while Talibanic enforcers cruise Greenwich Village burning books and barber shops, the Supreme Court decides sharia law doesn't violate the "separation of church and state," and the Hollywood Left decides to give up on gay rights in favor of the much safer charms of polygamy.

If you think this can't happen, you haven't been paying attention, as the hilarious, provocative, and brilliant Mark Steyn--the most popular conservative columnist in the English-speaking world--shows to devastating effect.

The future, as Steyn shows, belongs to the fecund and the confident. And the Islamists are both, while the West is looking ever more like the ruins of a civilization.

But America can survive, prosper, and defend its freedom only if it continues to believe in itself, in the sturdier virtues of self-reliance (not government), in the centrality of family, and in the conviction that our country really is the world's last best hope.

Mark Steyn's America Alone is laugh-out-loud funny--but it will also change the way you look at the world.

Lakshmi is a thirteen-year-old girl who lives with her family in a small hut in the mountains of Nepal. Her family is desperately poor, but her life is full of simple pleasures, like raising her black-and-white speckled goat, and having her mother brush her hair by the light of an oil lamp. But when the harsh Himalayan monsoons wash away all that remains of the family’s crops, Lakshmi’s stepfather says she must leave home and take a job to support her family.

He introduces her to a glamorous stranger who tells her she will find her a job as a maid working for a wealthy woman in the city. Glad to be able to help, Lakshmi undertakes the long journey to India and arrives at “Happiness House” full of hope. But she soon learns the unthinkable truth: she has been sold into prostitution.

An old woman named Mumtaz rules the brothel with cruelty and cunning. She tells Lakshmi that she is trapped there until she can pay off her family’s debt – then cheats Lakshmi of her meager earnings so that she can never leave.

Lakshmi’s life becomes a nightmare from which she cannot escape. Still, she lives by her mother’s words – “Simply to endure is to triumph” – and gradually, she forms friendships with the other girls that enable her to survive in this terrifying new world. Then the day comes when she must make a decision – will she risk everything for a chance to reclaim her life?

Written in spare and evocative vignettes, this powerful novel renders a world that is as unimaginable as it is real, and a girl who not only survives but triumphs.

It is 922 A.D. The refined Arab courtier Ibn Fadlan is accompanying a party of Viking warriors back to their home. He is appalled by their customs—the gratuitous sexuality of their women, their disregard for cleanliness, and their cold-blooded sacrifices.

As they enter the frozen, forbidden landscape of the North—where the day’s length does not equal the night’s, where after sunset the sky burns in streaks of color—Fadlan soon discovers that he has been unwillingly enlisted to combat the terrors in the night that come to slaughter the Vikings, the monsters of the mist that devour human flesh. But just how he will do it, Fadlan has no idea.

Skillfully Probing the Attack on Women’s Rights

Opting-out, security moms, desperate housewives, the new baby fever—the trend stories of 2006 leave no doubt that American women are still being barraged by the same backlash messages that Susan Faludi brilliantly exposed in her 1991 bestselling book of revelations.

When it was first published, Backlash made headlines for puncturing such favorite media myths as the infertility epidemic and the man shortage, myths that defied statistical realities. These willfully fictitious media campaigns added up to an antifeminist backlash.

With passion and precision, Faludi shows how the creators of commercial culture distort feminist concepts to sell products while selling women downstream, how the feminist ethic of economic independence is twisted into the consumer ethic of buying power, and how the feminist quest for self-determination is warped into a self-centered quest for self-improvement.

Backlash is a classic of feminism, an alarm bell for women of every generation, reminding us of the dangers that we still face.

Wizard of the Crow is a magisterial comic novel by the exiled Kenyan novelist, playwright, poet, and literary critic, Ngũgĩ wa Thiong'o. This landmark of postcolonial African literature is set in the fictional 'Free Republic of Aburĩria'.

In this dazzling masterpiece, Ngũgĩ wa Thiong'o attempts to sum up Africa of the twentieth century within the context of two thousand years of world history. The novel is a grand tapestry of the battle for control over the souls of the Aburĩrian people, depicted with corrosive humor and sharp observation.

The story features a host of vivid characters, including His High Mighty Excellency, the eponymous Wizard—an avatar of folklore and wisdom, the corrupt Christian Ministry, and the nefarious Global Bank. By weaving the stories of both the powerful and the ordinary into a kaleidoscopic mosaic, Wizard of the Crow reveals the endlessly surprising complexity of humanity.

Informed by richly enigmatic traditional African storytelling, this novel is the crowning achievement in Ngũgĩ wa Thiong'o’s career thus far.

Austin Tappan Wright left the world a wholly unsuspected legacy. After he died in a tragic accident, among this distinguished legal scholar's papers were found thousands of pages devoted to a staggering feat of literary creation—a detailed history of an imagined country complete with geography, genealogy, literature, language, and culture.

As detailed as J.R.R. Tolkien's middle-earth novels, Islandia has similarly become a classic touchstone for those concerned with the creation of imaginary worlds.

Galip is a lawyer living in Istanbul. His wife, the detective novel–loving Ruya, has disappeared. Could she have left him for her ex-husband or Celâl, a popular newspaper columnist? But Celâl, too, seems to have vanished. As Galip investigates, he finds himself assuming the enviable Celâl's identity, wearing his clothes, answering his phone calls, even writing his columns.

Galip pursues every conceivable clue, but the nature of the mystery keeps changing, and when he receives a death threat, he begins to fear the worst.

With its cascade of beguiling stories about Istanbul, The Black Book is a brilliantly unconventional mystery, and a provocative meditation on identity. It is the cherished cult novel in which Orhan Pamuk found his original voice, but it has largely been neglected by English-language readers. Now, in Maureen Freely’s beautiful new translation, they, too, may encounter all its riches.

Marco Polo was nicknamed "Marco of the millions" because his Venetian countrymen took the grandiose stories of his travels to be exaggerated, if not outright lies. As he lay dying, his priest, family, and friends offered him a last chance to confess his mendacity, and Marco, it is said, replied, "I have not told the half of what I saw and did."

Now, Gary Jennings has imagined the half that Marco left unsaid as even more elaborate and adventurous than the tall tales thought to be lies. From the palazzi and back streets of medieval Venice to the sumptuous court of Kublai Khan, from the perfumed sexuality of the Levant to the dangers and rigors of travel along the Silk Road, Marco meets all manner of people, survives all manner of danger, and, insatiably curious, becomes an almost compulsive collector of customs, languages, and women.

In more than two decades of travel, Marco was variously a merchant, a warrior, a lover, a spy, even a tax collector - but always a journeyer, unflagging in his appetite for new experiences, regretting only what he missed.

Here - recreated and reimagined with all the splendor, the love of adventure, the zest for the rare and curious that are Jennings's hallmarks - is the epic account, at once magnificent and delightful, of the greatest real-life adventurer in human history.

Jas is in trouble. Because of who he is—an eighteen-year-old Asian living in London. Because of the gang he hangs out with. And because of the woman he fancies, Samira, who Jas shouldn't have taken a shining to because she is, as his pals point out, not one of his own.

He's in trouble because his education, never mind his career, is going nowhere. And he's fallen into the schemes, games, and prejudices of his friends on the streets of the big western city in which he lives. But Jas's main trouble is Jas himself, and he doesn't even know the trouble he's in. Try as hard as he does, he's failing to make sense of what it is to be young, male, and what you might say is Indostani in a city that professes to be a melting pot but is a city of racial and religious exclusion zones.

Without his parents' aspirations to assimilate, without the gifts of his more academically accomplished contemporaries, Jas is a young man without a survival plan to get by in the big city. He's out of touch, an anachronism posing as young man who's up-to-date, living free-style, making things up as he goes along in suburbs of West London.

Gautam Malkani's extraordinary comic novel portrays the lives of young Muslim, Sikh, and Hindu men in the ethnically charged enclave of one of the biggest western cities, London. A world usually—but wrongly—portrayed as the breeding ground for Islamic militants is, in actuality, a world of money, flash cars, cell phones, rap music, and MTV, as well as rivalries and feuds, and the small-time crooks who exploit them.

In Malkani's hilarious depiction of multiculturalism, race is no more than a proxy for masculinity, or lack of masculinity, among young men struggling to get by in a remorseless city. Just as Martin Amis and Irvine Welsh captured the mood and the ethos of the eighties and nineties, twenty-nine-year-old Gautam Malkani brilliantly evokes the life of immigrants who are not immigrants in Londonstani, bringing an entirely fresh perspective to contemporary fiction as he does so.

Sesher Kobita, The Last Poem is a profound work by the illustrious author Rabindranath Tagore. This novel strips away societal and familial supports to bring forth an intimate dialogue between two captivating characters: Amit Rai and Labanyalata.

Within its pages, Tagore navigates the emotional evolution of these characters through a series of scintillating conversations. At its surface, it's an unusual love story, but as one delves deeper, other significant themes emerge.

Is love important in marriage?
Does marriage allow space, both physical and mental, for both partners? These questions are explored with Tagore's characteristic depth.

Moreover, Tagore's mastery over the Bengali language is evident as he plays elaborate language games, making this work not only a romantic drama but also a reflection on the language itself.

The novel’s engagement with issues of romantic love and the everyday responsibilities of marriage remains relevant, prompting readers to reflect deeply on these timeless questions.

First published in 1975, Paul Theroux's strange, unique, and hugely entertaining railway odyssey has become a modern classic of travel literature. Here, Theroux recounts his early adventures on an unusual grand continental tour. Asia's fabled trains — the Orient Express, the Khyber Pass Local, the Frontier Mail, the Golden Arrow to Kuala Lumpur, the Mandalay Express, the Trans-Siberian Express — are the stars of a journey that takes him on a loop eastbound from London's Victoria Station to Tokyo Central, then back from Japan on the Trans-Siberian.

Brimming with Theroux's signature humor and wry keen observations, this engrossing chronicle is essential reading for both the ardent adventurer and the armchair traveler.

In what is perhaps her richest and most deeply searching novel, Anne Tyler gives us a story about what it is to be an American, and about Maryam Yazdan, who after thirty-five years in this country must finally come to terms with her “outsiderness.”

Two families, who would otherwise never have come together, meet by chance at the Baltimore airport—the Donaldsons, a very American couple, and the Yazdans, Maryam’s fully assimilated son and his attractive Iranian American wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate with an “arrival party,” an event that is repeated every year as the two families become more deeply intertwined.

Even independent-minded Maryam is drawn in. But only up to a point. When she finds herself being courted by one of the Donaldson clan, a good-hearted man of her vintage, recently widowed and still recovering from his wife’s death, suddenly all the values she cherishes—her traditions, her privacy, her otherness—are threatened. Somehow this big American takes up so much space that the orderly boundaries of her life feel invaded.

A luminous novel brimming with subtle, funny, and tender observations that cast a penetrating light on the American way as seen from two perspectives, those who are born here and those who are still struggling to fit in.

From the best-selling author of Persepolis comes a gloriously entertaining and enlightening look into the sex lives of Iranian women. Embroideries gathers together Marjane’s tough-talking grandmother, stoic mother, glamorous and eccentric aunt and their friends and neighbors for an afternoon of tea drinking and talking. Naturally, the subject turns to love, sex, and the vagaries of men.

As the afternoon progresses, these vibrant women share their secrets, their regrets, and their often outrageous stories about, among other things, how to fake one’s virginity, how to escape an arranged marriage, how to enjoy the miracles of plastic surgery, and how to delight in being a mistress. By turns revealing and hilarious, these are stories about the lengths to which some women will go to find a man, keep a man, or, most importantly, keep up appearances.

Full of surprises, this introduction to the private lives of some fascinating women, whose life stories and lovers will strike us as at once deeply familiar and profoundly different from our own, is sure to bring smiles of recognition to the faces of women everywhere—and to teach us all a thing or two.

Tragic, comic, and utterly honest, A Tale of Love and Darkness is at once a family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history.

It is the story of a boy growing up in the war-torn Jerusalem of the forties and fifties, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. The story of an adolescent whose life has been changed forever by his mother's suicide when he was twelve years old.

The story of a man who leaves the constraints of his family and its community of dreamers, scholars, and failed businessmen to join a kibbutz, change his name, marry, and have children. The story of a writer who becomes an active participant in the political life of his nation.

Begitu banyak hal menakjubkan yang terjadi dalam masa kecil para anggota Laskar Pelangi. Sebelas orang anak Melayu Belitong yang luar biasa ini tak menyerah walau keadaan tak bersimpati pada mereka. Tengoklah Lintang, seorang kuli kopra cilik yang genius dan dengan senang hati bersepeda 80 kilometer pulang pergi untuk memuaskan dahaganya akan ilmu—bahkan terkadang hanya untuk menyanyikan Padamu Negeri di akhir jam sekolah. Atau Mahar, seorang pesuruh tukang parut kelapa sekaligus seniman dadakan yang imajinatif, tak logis, kreatif, dan sering diremehkan sahabat-sahabatnya, namun berhasil mengangkat derajat sekolah kampung mereka dalam karnaval 17 Agustus. Dan juga sembilan orang Laskar Pelangi lain yang begitu bersemangat dalam menjalani hidup dan berjuang meraih cita-cita.

Selami ironisnya kehidupan mereka, kejujuran pemikiran mereka, indahnya petualangan mereka, dan temukan diri Anda tertawa, menangis, dan tersentuh saat membaca setiap lembarnya. Laskar Pelangi ini dipersembahkan buat mereka yang meyakini the magic of childhood memories, dan khususnya juga buat siapa saja yang masih meyakini adanya pintu keajaiban lain untuk mengubah dunia: pendidikan.

In 1935, with a doctorate in art history and no prospect of a job, the 26-year-old Ernst Gombrich was invited by a publishing acquaintance to attempt a history of the world for younger readers. Amazingly, he completed the task in an intense six weeks, and Eine kurze Weltgeschichte für junge Leser was published in Vienna to immediate success, and is now available in seventeen languages across the world.

Toward the end of his long life, Gombrich embarked upon a revision and, at last, an English translation. A Little History of the World presents his lively and involving history to English-language readers for the first time. Superbly designed and freshly illustrated, this is a book to be savored and collected.

In forty concise chapters, Gombrich tells the story of man from the stone age to the atomic bomb. In between emerges a colorful picture of wars and conquests, grand works of art, and the spread and limitations of science. This is a text dominated not by dates and facts, but by the sweep of mankind's experience across the centuries, a guide to humanity's achievements and an acute witness to its frailties.

The product of a generous and humane sensibility, this timeless account makes intelligible the full span of human history.