From the Foreword by Marian Wright Edelman

Africa’s Child is an unforgettable and searingly personal book. In the face of repeated obstacles and injustices, Nhambu continued to analyze the world around her with wit and a sharp sense of humor. Above all, as a very young child she decided one day that even if there was no other person in the world who loved and wanted her, she was going to love and care for herself—and that decision changed the course of her life.

Africa’s Child is the story of a mixed-race girl growing up in the Usambara Mountains of Tanzania, East Africa. Raised in an orphanage with no knowledge of her origins or family, she endured abandonment, hardships, severe illnesses, and bullying. Her experiences as a child and teenager included physical, emotional, and sexual abuse, social stigma, and racial discrimination.

Yet Nhambu tells her inspiring story with warmth and humor. Her questioning mind probes the African tribal realities and multi-cultural complexities that impacted her life both at the orphanage and schools run by German nuns as well as at an African high school with American nuns. Nhambu not only survived her childhood but triumphed. Her faith and resilience, along with a belief in learning and her tenacious pursuit of an education, sustained her through many challenges. Dance, especially African tribal dance, became the way she healed and nourished her spirit. Through the love and commitment of an American teacher she met in Africa, Nhambu was able to pursue her dream of education and a new life for herself. The first book in her three-part memoir ends as she is leaving Africa for university studies in America on a full scholarship.

Maria Nhambu is the creator of Aerobics With Soul®, a fitness workout based on African dance.

Aztec is the extraordinary story of the last and greatest native civilization of North America. Told in the words of one of the most robust and memorable characters in modern fiction, Mixtli-Dark Cloud, Aztec reveals the very depths of Aztec civilization from the peak and feather-banner splendor of the Aztec Capital of Tenochtitlan to the arrival of Hernán Cortés and his conquistadores, and their destruction of the Aztec empire. The story of Mixtli is the story of the Aztecs themselves---a compelling, epic tale of heroic dignity and a colossal civilization's rise and fall.

Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.

Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.

The Golem and the Jinni is an intoxicating fusion of fantasy and historical fiction. Helene Wecker's debut novel tells the story of a chance meeting between two supernatural creatures in turn-of-the-century immigrant New York.

Chava is a golem, a creature made of clay by a disgraced rabbi knowledgeable in the ways of dark Kabbalistic magic. She serves as the wife to a Polish merchant who dies at sea on the voyage to America. As the ship arrives in New York in 1899, Chava is unmoored and adrift until a rabbi on the Lower East Side recognizes her for the creature she is and takes her in.

Ahmad is a jinni, a being of fire born in the ancient Syrian desert and trapped centuries ago in an old copper flask by a Bedouin wizard. Released by a Syrian tinsmith in a Manhattan shop, Ahmad appears in human form but is still not free. An iron band around his wrist binds him to the wizard and to the physical world.

Chava and Ahmad meet accidentally and become friends and soul mates despite their opposing natures. But when the golem’s violent nature overtakes her one evening, their bond is challenged. An even more powerful threat will emerge, however, and bring Chava and Ahmad together again, challenging their very existence and forcing them to make a fateful choice.

Compulsively readable, The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction, and magical fable, in a wondrously inventive tale that is mesmerizing and unforgettable.

More American women are childless than ever before—nearly half those of childbearing age don’t have children. While our society often assumes these women are “childfree by choice,” that’s not always true. In reality, many of them expected to marry and have children, but it simply hasn’t happened. Wrongly judged as picky or career-obsessed, they make up the “Otherhood,” a growing demographic that has gone without definition or visibility until now.

In Otherhood, author Melanie Notkin reveals her own story as well as the honest, poignant, humorous, and occasionally heartbreaking stories of women in her generation—women who expected love, marriage, and parenthood, but instead found themselves facing a different reality. She addresses the reasons for this shift, the social and emotional impact it has on our collective culture, and how the “new normal” will affect our society in the decades to come.

Notkin aims to reassure women that they are not alone and encourages them to find happiness and fulfillment no matter what the future holds. A groundbreaking exploration of an essential contemporary issue, Otherhood inspires thought-provoking conversation and gets at the heart of our cultural assumptions about single women and childlessness.

Meeting with Christ and Other Poems is written by internationally renowned poet Deepak Chaswal. His poetry has been widely appreciated by eminent poets, critics, and poetry lovers around the globe.

Prof. Hugh Fox (Professor Emeritus of Michigan State University, archaeologist, editor, writer, and iconic poet of international fame) has liked and appreciated this book in these words: "One of the deepest, widest, most universal poetry books ever written about individual spirituality in a world-wide context. And Chaswal has the single most original view of Christianity in all its totality and specifics of anyone else on the contemporary scene. What he wants is individual sanity, salvation, an escape from the depravities of the modern world into an ancient oneness with the universe, a kind of reworking of human spirituality, so that it really functions and Man as such can glide into, drift into individual completeness. Christ isn't someone distant for Chaswal but someone he goes to Jerusalem to meet and converse with, all about a return to essential humanity. He hates greed, selfishness, in a sense the whole mechanical-cybernetic drifting of the modern world into a flow that is turning humankind into something minor and self-involved that it was never intended to be. Chaswal identifies with blacks, whites, Indians in India, Americans....you name it, he identifies with it. Universalism at its most universal. You read his poetry and you go through a kind of spiritual renewal."

In the words of Candice James, Poet Laureate, New Westminster, BC CANADA: "Deepak Chaswal is a master of words and weaves them into an intricate pattern that indelibly imprints the mind. His poem, 'Man', tells succinctly the story of our existence from cradle to grave. In 'Day of Judgement' Chaswal's poetry wanders the bleak alleyways of ignorance, atrocity, and man's inhumanity to man. He then leads us from the paths of iniquity into a gentle serenity with his musing in his poem 'Joy'. Deepak Chaswal bares his soul to bleed onto every page that you may be further enriched for reading it."

Felix Nicolau (prolific poet, novelist, critic and Associate Professor of English and Comparative Literature at "Hyperion" University of Bucharest, Romania, where he is the Dean of Faculty of Letters and Foreign Languages) observes: "Now and again Christ pops up before our eyes - bearer of intense messages. But when He emerges in front of the Poet there’ll be some mind-twisting revelation for sure. Deepak Chaswal regretfully conjures apocalypse and playfully takes snapshots of voracious appearances. His art can’t sit legs crossed and contemplate ivory towers. Every verse in this book testifies for or against something, proving the intellectual and political charge of contemporary poetry. Then, the details and frailties of a world in turmoil are cunningly surprised by the poet. Such an art refutes the confined vision of Cyclops and energetically assumes the thousand-eyed body of Argus. More than ever, the poet is a seer, full of experience and innocence in the same time."

Philip Ellis, a freelance critic, poet and scholar from Australia comments: "The poetry of Deepak Chaswal's Meeting with Christ and Other Poems invokes the exterior world in language both spiritual and secular, so that the world becomes something newer and stranger than what it was in the past. It is also a melange of images and motifs which appear, disappear and reappear throughout this collection, and it is a body of work unique to his life experiences and his worldview. It is a poetry where the tropes of Western religion, such as Christ and angels, encounter Chaswal's eastern milieu and are transformed, made, again, strange. The result of all this is a verbal and formal richness, using rhyme and free verse alike in its dexterity, and poems that are both distinctive."

So, then. You want a story and I will tell you one...Afghanistan, 1952. Abdullah and his sister Pari live with their father and stepmother in the small village of Shadbagh. Their father, Saboor, is constantly in search of work and they struggle together through poverty and brutal winters. To Abdullah, Pari - as beautiful and sweet-natured as the fairy for which she was named - is everything. More like a parent than a brother, Abdullah will do anything for her, even trading his only pair of shoes for a feather for her treasured collection. Each night they sleep together in their cot, their heads touching, their limbs tangled. One day the siblings journey across the desert to Kabul with their father. Pari and Abdullah have no sense of the fate that awaits them there, for the event which unfolds will tear their lives apart; sometimes a finger must be cut to save the hand. Crossing generations and continents, moving from Kabul, to Paris, to San Francisco, to the Greek island of Tinos, with profound wisdom, depth, insight and compassion, Khaled Hosseini writes about the bonds that define us and shape our lives, the ways in which we help our loved ones in need, how the choices we make resonate through history and how we are often surprised by the people closest to us.

The Kite Runner is an unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant. Set against the backdrop of a country in turmoil, this beautifully crafted novel explores themes such as the power of reading, the price of betrayal, and the possibility of redemption.

Discover the power of fathers over sons—their love, their sacrifices, their lies—in this sweeping story of family, love, and friendship. Told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is a powerful novel that has become a beloved classic.

في التائهون, أستلهم فترة شبابي بتصرف شديد. فقد عشتُ تلك الفترة مع أصدقاء كانوا يؤمنون بعالم أفضل. ومع أنَّ لا شبه بين أبطال هذه الرواية وبين أشخاص حقيقيين، فهم ليسوا من نسج الخيال تماماً. فلقد نهلتُ من معين أحلامي واستيهاماتي وحسراتي بقدر ما نهلتُ من معين ذكرياتي.

كان أبطال هذه الرواية متلازمين في شبابهم ثم تشتَّتوا ودبَّ بينهم الخصام وفرّقتهم الأيام، وسيجتمع شملهم بمناسبة وفاة أحدهم. بعضهم أبى أن يغادر وطنه الأم، وبعضهم الآخر هاجر إلى الولايات المتحدة، أو البرازيل، أو فرنسا، وأخذتهم الدروب التي سلكوها في اتجاهات مختلفة. فماذا يجمع بعد بين صاحبة الفندق المتحرِّرة، أو المقاول الذي جمع ثروة، أو الراهب الذي اعتزل العالم وانصرف إلى التأمل؟ بعض الذكريات المشتركة، وحنين لا برء منه للزمن الذي مضى.

Crossing the Seas: A Diary of My Thoughts documents the author Yuehai Xiao's book reading experience and his reflections upon politics, higher education, society, and pop culture, as well as his mind reading experience. It is a collection of his posts on his blog and on Facebook, where he has been sharing his thoughts and interacting with top political and business leaders, celebrities, and scholars in America, Europe, and Asia, implicitly and explicitly during the past two years (Sept.2010 through Sept.2012).

It seems that his Facebook posts might have inspired lots of creative celebrities who produced stunning songs, movies, and TV shows, evidencing a broad influence on popular culture.

Rabid charts the history, science, and cultural mythology of rabies, documenting how before its vaccine, the disease caused fatal brain infections and sparked the creations of famous monsters including werewolves, vampires, and zombies. This engrossing, lively history of a fearsome and misunderstood virus binds man and dog.

The most fatal virus known to science, rabies—a disease that spreads avidly from animals to humans—kills nearly one hundred percent of its victims once the infection takes root in the brain. In this critically acclaimed exploration, journalist Bill Wasik and veterinarian Monica Murphy chart four thousand years of the history, science, and cultural mythology of rabies. From Greek myths to zombie flicks, from the laboratory heroics of Louis Pasteur to the contemporary search for a lifesaving treatment, Rabid is a fresh and often wildly entertaining look at one of humankind’s oldest and most fearsome foes.

Fast food has hastened the malling of our landscape, widened the chasm between rich and poor, fueled an epidemic of obesity, and propelled American cultural imperialism abroad. That's a lengthy list of charges, but Eric Schlosser makes them stick with an artful mix of first-rate reportage, wry wit, and careful reasoning.

Schlosser's myth-shattering survey stretches from California's subdivisions, where the business was born, to the industrial corridor along the New Jersey Turnpike, where many of fast food's flavors are concocted. Along the way, he unearths a trove of fascinating, unsettling truths -- from the unholy alliance between fast food and Hollywood to the seismic changes the industry has wrought in food production, popular culture, and even real estate.

A poignant and inspirational love story set in Burma, The Art of Hearing Heartbeats spans the decades between the 1950s and the present. When a successful New York lawyer suddenly disappears without a trace, neither his wife nor his daughter Julia has any idea where he might be…until they find a love letter he wrote many years ago, to a Burmese woman they have never heard of. Intent on solving the mystery and coming to terms with her father’s past, Julia decides to travel to the village where the woman lived. There she uncovers a tale of unimaginable hardship, resilience, and passion that will reaffirm the reader’s belief in the power of love to move mountains.

Somer's life is everything she imagined it would be — she's newly married and has started her career as a physician in San Francisco — until she makes the devastating discovery she never will be able to have children.

The same year in India, a poor mother makes the heartbreaking choice to save her newborn daughter's life by giving her away. It is a decision that will haunt Kavita for the rest of her life, and cause a ripple effect that travels across the world and back again.

Asha, adopted out of a Mumbai orphanage, is the child that binds the destinies of these two women. We follow both families, invisibly connected until Asha's journey of self-discovery leads her back to India.

Compulsively readable and deeply touching, Secret Daughter is a story of the unforeseen ways in which our choices and families affect our lives, and the indelible power of love in all its many forms.

For many years Sierra Leone and Liberia have been too dangerous to travel through, bedevilled by a uniquely brutal form of violence from which sprang many of Africa's cruellest contemporary icons. This travel book touches on one of the most fraught parts of the globe at a different moment in its history.

Chasing the Devil tells the story of Tim Butcher's audacious expedition from Freetown at the mouth of the Sierra Leone river overland through forest-covered mountains and malarial plains to the coast of Liberia. He ventures deep into areas not visited by outsiders for years. Both nations are on a developmental cusp and Tim explores whether national and international attempts to chase away the devil of war can succeed.

Nothing to Envy follows the lives of six North Koreans over fifteen years—a chaotic period that saw the death of Kim Il-sung, the unchallenged rise to power of his son Kim Jong-il, and the devastation of a far-ranging famine that killed one-fifth of the population. Taking us into a landscape most of us have never before seen, award-winning journalist Barbara Demick brings to life what it means to be living under the most repressive totalitarian regime today—an Orwellian world that is by choice not connected to the Internet, in which radio and television dials are welded to the one government station, and where displays of affection are punished; a police state where informants are rewarded and where an offhand remark can send a person to the gulag for life.

Demick takes us deep inside the country, beyond the reach of government censors. Through meticulous and sensitive reporting, we see her six subjects—average North Korean citizens—fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we experience the moments when they realize that their government has betrayed them.

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"

The Red Parts chronicles the uncanny series of events that led to Nelson's interest in her aunt's death, the reopening of the case, the bizarre and brutal trial that ensued, and the effects these events had on the disparate group of people they brought together. But The Red Parts is much more than a "true crime" record of a murder, investigation, and trial. For into this story Nelson has woven an account of a girlhood and early adulthood haunted by loss, mortality, mystery, and betrayal, as well as a look at the personal and political consequences of our cultural fixation on dead (white) women.

Building on the national bestselling success of Sex, Drugs, and Cocoa Puffs, preeminent pop culture writer Chuck Klosterman unleashes his best book yet—the story of his cross-country tour of sites where rock stars have died and his search for love, excitement, and the meaning of death.

For 6,557 miles, Chuck Klosterman thought about dying. He drove a rental car from New York to Rhode Island to Georgia to Mississippi to Iowa to Minneapolis to Fargo to Seattle, and he chased death and rock ‘n’ roll all the way. Within the span of twenty-one days, Chuck had three relationships end—one by choice, one by chance, and one by exhaustion. He snorted cocaine in a graveyard. He walked a half-mile through a bean field. A man in Dickinson, North Dakota, explained to him why we have fewer windmills than we used to. He listened to the KISS solo albums and the Rod Stewart box set. At one point, poisonous snakes became involved. The road is hard. From the Chelsea Hotel to the swampland where Lynyrd Skynyrd’s plane went down to the site where Kurt Cobain blew his head off, Chuck explored every brand of rock star demise. He wanted to know why the greatest career move any musician can make is to stop breathing...and what this means for the rest of us.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith.

Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

A New York City chef who is also a novelist recounts his experiences in the restaurant business, and exposes abuses of power, sexual promiscuity, drug use, and other secrets of life behind kitchen doors.

On the Road is a quintessential novel of America and the Beat Generation. It chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, a sideburned hero of the snowy West. As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience.

Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make On the Road an inspirational work of lasting importance. This classic novel of freedom and longing defined what it meant to be "Beat" and has inspired every generation since its initial publication.

Midnight in the Garden of Good and Evil is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city has become a modern classic.

Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.

It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the 'soul of pampered self-absorption'; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

Breakfast of Champions is a story featuring one of Kurt Vonnegut's most beloved characters, the aging writer Kilgore Trout. Trout discovers, much to his dismay, that a Midwest car dealer has taken his fiction for reality. What ensues is a satirical romp that deftly critiques American society.

Vonnegut takes aim at war, sex, racism, success, politics, and environmental pollution, challenging the reader to see past the absurdity and recognize the underlying truths.

After living in Britain for two decades, Bill Bryson recently moved back to the United States with his English wife and four children (he had read somewhere that nearly 3 million Americans believed they had been abducted by aliens—as he later put it, "it was clear my people needed me"). They were greeted by a new and improved America that boasts microwave pancakes, twenty-four-hour dental-floss hotlines, and the staunch conviction that ice is not a luxury item.

Delivering the brilliant comic musings that are a Bryson hallmark, I'm a Stranger Here Myself recounts his sometimes disconcerting reunion with the land of his birth. The result is a book filled with hysterical scenes of one man's attempt to reacquaint himself with his own country, but it is also an extended if at times bemused love letter to the homeland he has returned to after twenty years away.

An American expatriate in Rome unearths his family legacy in this sweeping novel by the acclaimed author of The Prince of Tides and The Great Santini. A Southerner living abroad, Jack McCall is scarred by tragedy and betrayal. His desperate desire to find peace after his wife’s suicide draws him into a painful, intimate search for the one haunting secret in his family’s past that can heal his anguished heart.

Spanning three generations and two continents, from the contemporary ruins of the American South to the ancient ruins of Rome, from the unutterable horrors of the Holocaust to the lingering trauma of Vietnam, Beach Music sings with life’s pain and glory. It is a novel of lyric intensity and searing truth, another masterpiece among Pat Conroy’s legendary and beloved novels.

From the New York Times bestselling author of American Psycho and Less Than Zero comes a nihilistic novel set in the early eighties that portrays a chilling descent into the abyss beneath L.A.'s gorgeous surfaces.

This time is the early eighties. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city. Dirk sees his best friend killed in a desert car wreck, then rifles through his pockets for a last joint before the ambulance comes. Cheryl, a wannabe newscaster, chides her future stepdaughter, “You're tan but you don't look happy.” Jamie is a clubland carnivore with a taste for human blood.

Look for Bret Easton Ellis’s new novel, The Shards!

Thirteenth-century Wales is a divided country, ever at the mercy of England's ruthless, power-hungry King John. Then Llewelyn, Prince of North Wales, secures an uneasy truce with England by marrying the English king's beloved, illegitimate daughter, Joanna. Reluctant to wed her father's bitter enemy, Joanna slowly grows to love her charismatic and courageous husband who dreams of uniting Wales. But as John's attentions turn again and again to subduing Wales--and Llewelyn--Joanna must decide to which of these powerful men she owes her loyalty and love.

A sweeping novel of power and passion, loyalty and lives, this is the book that began the trilogy that includes FALLS THE SHADOW and THE RECKONING.

Too Loud a Solitude is a tender and funny story of Haňťa - a man who has lived in a Czech police state - for 35 years, working as compactor of wastepaper and books. In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from the jaws of the hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.

But when a new automatic press makes his job redundant, there's only one thing he can do - go down with his ship. This is an eccentric romp celebrating the indestructibility - against censorship, political oppression, etc - of the written word.

In his signature style of grand storytelling, James A. Michener transports us back thousands of years to the Holy Land. Through the discoveries of modern archaeologists excavating the site of Tell Makor, Michener vividly re-creates life in an ancient city and traces the profound history of the Jewish people—from the persecution of the early Hebrews, the rise of Christianity, and the Crusades to the founding of Israel and the modern conflict in the Middle East.

An epic tale of love, strength, and faith, The Source is a richly written saga that encompasses the history of Western civilization and the great religious and cultural ideas that have shaped our world.

The 14th century gives us back two contradictory images: a glittering time of crusades and castles, cathedrals and chivalry, and a dark time of ferocity and spiritual agony, a world plunged into a chaos of war, fear and the Plague. Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.

It is the now-classic story of two fathers and two sons and the pressures on all of them to pursue the religion they share in the way that is best suited to each. And as the boys grow into young men, they discover in the other a lost spiritual brother, and a link to an unexplored world that neither had ever considered before. In effect, they exchange places, and find the peace that neither will ever retreat from again...

Nancy Mitford meets Nora Ephron in the pages of The Duchess of Bloomsbury Street, Helene Hanff's delightful travelogue about her "bucket list" trip to London.

When devoted Anglophile Helene Hanff is invited to London for the English publication of 84, Charing Cross Road—in which she shares two decades of correspondence with Frank Doel, a British bookseller who became a dear friend—she can hardly believe her luck. Frank is no longer alive, but his widow and daughter, along with enthusiastic British fans from all walks of life, embrace Helene as an honored guest.

Eager hosts, including a famous actress and a retired colonel, sweep her up in a whirlwind of plays and dinners, trips to Harrod's, and wild jaunts to their favorite corners of the countryside. A New Yorker who isn't afraid to speak her mind, Helene Hanff delivers an outsider's funny yet fabulous portrait of idiosyncratic Britain at its best.

And whether she is walking across the Oxford University courtyard where John Donne used to tread, visiting Windsor Castle, or telling a British barman how to make a real American martini, Helene always wears her heart on her sleeve. The Duchess of Bloomsbury Street is not only a witty account of two different worlds colliding but also a love letter to England and its literary heritage—and a celebration of the written word's power to sustain us, transport us, and unite us.

من هذا الطفل الذي يناديه الجميع بالشيطان الصغير ويصفونه بقط المزاريب؟ وأي طفل هذا الذي يحمل في قلبه عصفورا يغني؟ "شجرتي شجرة البرتقال الرائعة" للكاتب خوسيه ماورو دي فاسكونسيلوس عمل يدرس في المدارس البرازيلية وينصح الأساتذة في المعاهد الفرنسية طلبتهم بقراءته... إنه عمل مؤثر وإنساني على لسان شاعر طفل لم يتجاوز عمره خمس سنوات... عمل لا يروي حكاية خرافية ولا أحلام الصغار في البرازيل فحسب، بل يروي مغامرات الكاتب في طفولته، مغامرات الطفل الذي تعلم القراءة في سن الرابعة دون معلم، الطفل الذي يحمل في قلبه عصفورا وفي رأسه شيطانا يهمس له بأفكار توقعه في المتاعب مع الكبار... هذه رواية عذبة عذوبة نسغ ثمرة برتقال حلوة... رواية إنسانية تصف البراءة التي يمكن لقلب طفل أن يحملها، وتعرفنا إلى روح الشاعر الفطرية... حكاية طفل يحمل دماء سكان البرازيل الأصليين، طفل يسرق كل صباح من حديقة أحد الأثرياء زهرة لأجل معلمته... وهو يتساءل بمنتهى البراءة: ألم يمنح الله الزهور لكل الناس؟

But What If We're Wrong? visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music, five hundred years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or--weirder still--widely known, but entirely disrespected)? Is it possible that we "overrate" democracy? And perhaps most disturbing, is it possible that we've reached the end of knowledge? Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We're Wrong? is built on interviews with a variety of creative thinkers--George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others--interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It's a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It's about how we live now, once "now" has become "then."

Baldwin's haunting and controversial second novel is his most sustained treatment of sexuality, and a classic of gay literature. In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two.

Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

Among the many things Peter doesn’t know, he doesn’t know he’s an archetype, the Prince of Coins incarnate. He doesn’t know his fiancé is a fortune teller either. He doesn’t know Russian culture, politics, or language, but he does know American business. And he knows his fiancé speaks Russian. He thinks she can make him the new Tsar of the timber industry, but first they must survive a weekend with the Russian mob.

Red Russia is the story of an American businessman and his interpreter in Russia, of business, lies, and deception, of fortunes bought and told.