Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty, as the Chinese battle both Japanese invaders and each other in the turbulent 1930s.

A legend in China, where it inspired an Oscar-nominated film, Red Sorghum is a book in which fable and history collide to produce fiction that is entirely new and unforgettable.

Yuda, "si iblis", seorang pemanjat tebing dan petaruh yang melecehkan nilai-nilai masyarakat. Parang Jati, "si malaikat", seorang pemuda berjari duabelas yang dibentuk oleh ayah angkatnya untuk menanggung duka dunia. Marja, "si manusia", seorang gadis bertubuh kuda feji dan berjiwa matahari.

Mereka terlibat dalam segitiga cinta yang lembut, di antara pengalaman-pengalaman keras yang berawal dari sebuah kejadian aneh-- orang mati yang bangkit dari kubur-- menuju penyelamatan perbukitan gamping di selatan Jawa.

Di antara semua itu, Bilangan Fu sayup-sayup menyingkapkan diri.

Pengarang menamai nafas novelnya "spiritualisme kritis". Yaitu, yang mengangkat wacana spiritual-- keagamaan, kebatinan, maupun mistik-- ke dalam kerangka yang menghormatinya sekaligus bersikap kritis kepadanya, yang mengangkat wacana keberimanan, tanpa terjebak dalam dakwah hitam dan putih. Novel ini adalah manifesto Ayu Utami tentang sebuah sikap yang dianggap perlu diutamakan di zaman ini: sikap religius ataupun spiritual, yang kritis.

Uwem Akpan's stunning stories humanize the perils of poverty and violence so piercingly that few readers will feel they've ever encountered Africa so immediately.

The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord.

In the second of his stories, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children.

This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.

Burnt Shadows is an epic narrative beginning on August 9, 1945, in Nagasaki, and ending in a prison cell in the US in 2002. The story unfolds as a man waits to be sent to Guantanamo Bay. At the center of this tale is Hiroko Tanaka, a young woman of twenty-one, deeply in love with her fiancé, Konrad Weiss.

On the fateful day, as Hiroko stands on her veranda, wrapped in a kimono adorned with three black cranes, her world is irrevocably changed by the atomic bomb that obliterates everything she holds dear. All that remains are the bird-shaped burns on her back, a stark reminder of the world she has lost.

In search of new beginnings, Hiroko journeys to Delhi two years later, where her life becomes intertwined with Konrad’s half-sister, Elizabeth, her husband, James Burton, and their employee Sajjad Ashraf, who teaches her Urdu. With the partition of India and the creation of Pakistan, Hiroko finds herself displaced once more, navigating a world where old wars are replaced by new conflicts.

The shadows of history—both personal and political—are cast over the interrelated worlds of the Burtons, the Ashrafs, and the Tanakas. These families are transported from Pakistan to New York and, in the novel’s astonishing climax, to Afghanistan in the immediate aftermath of 9/11. The ties binding these families over decades and generations are tested to the extreme, with unforeseeable consequences.

From the Pulitzer Prize-winning author of The Overstory, comes an enthralling and wrenching novel about the lives and choices of one family, caught on the cusp of identities.

Jonah, Ruth, and Joseph are the children of mixed-race parents determined to raise them beyond time, beyond identity, steeped in song. Yet, they cannot be protected from the world forever. Even as Jonah becomes a successful young tenor, the opera arena remains fixated on his race. Ruth turns her back on classical music and disappears, dedicating herself to activism and a new relationship. As the years pass, Joseph – the middle child, a pianist and our narrator – must battle not just to remain connected to his siblings, but to forge a future of his own.

This is a story of the tragedy of race in America, told through the lives and choices of one family caught on the cusp of identities. It weaves ideas of race, music, and science into a mysterious but satisfying tapestry.

An epic novel of modern America that explores themes of self-invention, allegiance, race, cultural ownership, and the compromised power of music.

Creation is a sweeping novel of politics, war, philosophy, and adventure. In this restored edition, featuring never-before-published material from Gore Vidal’s original manuscript, Creation offers a captivating grand tour of the ancient world.

Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius.

Now blind and aged in Athens—the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates—Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good.

In revisiting the fifth century B.C.—one of the most spectacular periods in history—Gore Vidal illuminates the ideas that have shaped civilizations for millennia.

Antonio Marez is six years old when Ultima enters his life. She is a curandera, one who heals with herbs and magic. "We cannot let her live her last days in loneliness," says Antonio's mother. "It is not the way of our people," agrees his father. And so Ultima comes to live with Antonio's family in New Mexico.

Soon, Tony will journey to the threshold of manhood. Always, Ultima watches over him. She graces him with the courage to face childhood bigotry, diabolical possession, the moral collapse of his brother, and too many violent deaths. Under her wise guidance, Tony will probe the family ties that bind him, and he will find in himself the magical secrets of the pagan past—a mythic legacy equally as palpable as the Catholicism of Latin America in which he has been schooled. At each turn in his life, there is Ultima who will nurture the birth of his soul.

The Tesseract is an intricately woven, suspenseful novel of psychological and political intrigue. Set in the Philippines, it follows the interlocking fates of three sets of characters:

• Gangsters in a chase through the streets of Manila.
• A middle-class mother putting her children to bed in the suburbs while reminiscing about her first love.
• A couple of street kids and the wealthy psychiatrist studying their dreams.

Written by the author of The Beach, Alex Garland demonstrates his extraordinary talents as a novelist, creating a Chinese puzzle of a novel about three intersecting lives that are intertwined in unexpected ways.

بإحساس الأنثى تكتب أحلام عالماً يموج بأحداث تعلو وتيرتها لتهبط وتتسارع لتبطء، والحواس المنتظمة لسيرورتها تتناغم والأحداث وتغدو في فوضى...

فوضى يمتزج فيها الحب بالكراهية وتلتقي فيها الحياة بالموت... ويضحى الموت امتداد لحياة وبقاء لوطن.

Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.

These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

Tout m’avale (…) Je suis avalée par le fleuve trop grand, par le ciel trop haut, par les fleurs trop fragiles, par les papillons trop craintifs, par le visage trop beau de ma mère.

L’Avalée des avalés, premier roman de Réjean Ducharme, s’ouvre sur ces mots crus, douloureux, vibrants, ces paroles d’écorchée vive qui immédiatement nous happent. Tout m’avale, scande la narratrice, et nous voilà, nous aussi, immédiatement “avalés”, pris à la gorge par la douleur vive de cette héroïne qui s’agrippe de toutes ses griffes à l’enfance, alors même que son corps est en train de la trahir.

Elle s’appelle Bérénice, elle a une famille – un père juif, une mère catholique – qu’elle hait, elle a un arbre, un “navire” où elle aime se réfugier. Quand je ne sais plus quoi faire, je m’embarque (…) Larguez les continents. Hissez les horizons. Ici, on part. Et nous partons. Loin sur les ailes de son imagination. Le plus loin possible de sa douleur, de la vie, de la petitesse des humains.

Intermix: to mix together, blend.

North America, paragon of diversity, is gone. From its ashes, a new nation has arisen – Renatus – where the government segregates the surviving population into races, forbidding interracial marriage, mating, and love.

Eighteen-year-old Nazirah Nation is a pariah, an intermix, born of people from different races. When her parents are murdered in the name of justice, Nazirah grudgingly joins the growing rebellion fighting against the despotic government.

Overwhelmed with grief, consumed by guilt, Nazirah craves vengeance as a substitute for absolution. But on her journey to find the girl she once was, Nazirah must learn the hard way that nothing … no one … is purely black or white. Like her, every human is intermix, shades and hues of complex emotions. And those who can take everything away are also the ones who can give everything back.