Spring break, 2009. High school best friends Zoe and Dani are now freshman college students, meeting in a place they've wanted to visit forever: New York City. Tagging along is Dani's classmate Fiona, a mercurial art student with an opinion on everything.

Together, the three cram in as much of the city as possible, gleefully falling into tourist traps, pondering so-called great works of art, sidestepping creeps, and eating lots and lots of pizza (folded in half, of course). Roaming is a ground-breaking graphic novel from the authors behind New York Times bestseller and Caldecott Honor Book This One Summer.

Witness by National Book Award finalist Jamel Brinkley is an elegant, insistent narrative of actions taken and not taken. It explores the profound question: What does it mean to really see the world around you—to bear witness? And what does it cost us, both to see and not to see?

In this collection of ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city.

Witness enacts its own testimony through portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust—doctors, employers, siblings—too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.

With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

Crook Manifesto continues the Harlem saga by the two-time Pulitzer Prize winner and bestselling author Colson Whitehead. Set in a 1970s New York that is both seedy and glittering, the novel follows furniture store owner and ex-fence Ray Carney as he navigates a city on the brink of bankruptcy.

It's 1971, and Carney is trying to keep his head down and his business afloat amidst rampant crime and a citywide nervous breakdown. His criminal past is behind him—or so he believes—until a quest for Jackson 5 tickets for his daughter May entangles him with his old police contact Munson, a fixer with his own dangerous agenda.

By 1973, as the counter-culture ushers in a new generation and the old ways are being cast aside, Carney's partner in crime, Pepper, is caught up in the world of Blaxploitation films. It's a bizarre mix of Hollywood stars, comedians on the rise, and the usual underworld figures, all underestimating Pepper's cunning and resourcefulness.

In the lead-up to the Bicentennial celebrations of 1976, Harlem itself is ablaze, and Carney must reconcile his advertising ambitions with his wife Elizabeth's political aspirations as she campaigns for her friend, the ambitious Alexander Oakes. When tragedy strikes close to home, Carney and Pepper must confront the city's shady and violent forces to uncover the truth.

Crook Manifesto is not only a darkly humorous tale of a city under siege but also a profound exploration of family and survival. Colson Whitehead's vivid depiction of Harlem stands as a testament to one of history's most dynamic places and times.

Con un par de golpecitos en la pantalla, tu smartphone puede colocar delante de ti un automóvil. Esta sencilla operación pone en funcionamiento toda una maquinaria extractiva que se aprovecha de la infraestructura urbana, de los bienes y recursos de los trabajadores e incluso de los datos personales de los usuarios, para poner en contacto a un conductor marginado del mercado laboral formal y a un viajero deseoso de escapar de las penurias del transporte público. Esta plataformización del trabajo revela una nueva lógica empresarial, en la que se enhebran la innovación informática y el abuso patronal, la reinvención de los servicios urbanos y el canto de las sirenas del autoempleo. ¡Bienvenidos todos al cappitalismo!

Con las sutiles herramientas de la antropología contemporánea, tanto de gabinete como de campo, Natalia Radetich se lanzó a la jungla de concreto para conocer desde dentro la mecánica por la que Uber, quizá la más emblemática de las aplicaciones para el transporte de pasajeros, crea sus mensajes para convencer —y mantener enganchados— a conductores y usuarios, y para, con total descaro, eludir su responsabilidad fiscal y patronal. Escrito con rigor y sagacidad, ricamente documentado y nutrido de observaciones en el terreno, este libro desmenuza los elementos de un novedoso fenómeno que está ocurriendo delante de nosotros, lo mismo en la movilidad, el reparto de alimentos o la mensajería: la uberización del trabajo. En ese escenario despiadado ha surgido, sin embargo, un ánimo solidario entre quienes sufren la precarización laboral.

Este libro resultará clave para entender la actual etapa del capitalismo y los mecanismos de la apropiación empresarial.