In a street war, there's always a body to be discovered.

Lamar Dunken is a dedicated monster who presents the perfect image of a street terrorist. He knows how to respond when a desperate crisis threatens his operation, and he exacts horrifying tactics to get things under control.

FBI Special Agent Livingston is faced with the serious task of investigating Lamar's tactics while connecting killings start to terrorize Philadelphia and the surrounding suburbs.

Also, a violent criminal locked behind bars a year before Lamar was even born is back on the streets and looking for him. Lamar is forced to call on his deepest strength to face his accusers and ensure that the values that he holds most dear will survive.

The nightmare has begun. Again. And, over again.

The True Story of a Man Who Risked It All for God

With over 15 million sold, this modern-day classic is now available in a new edition especially for young readers ages 9 to 12, complete with 30 illustrations that bring the story to life.

This riveting story follows the young David Wilkerson—then a simple country preacher—as he risks everything, including his life, to go to the heart of New York City to bring the gospel to the violent gangs and drug users who were taking over the streets.

The courage, resilience, and faith of this young preacher will inspire a new generation of readers as they see how God's love can pierce the darkest of circumstances and save those who we think are beyond saving.

Let this powerful story show the young people in your life how God can use anyone with faith to do the impossible.

In Reclaiming the Discarded, Kathleen M. Millar offers an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials. While the figure of the scavenger sifting through garbage seems iconic of wageless life today, Millar shows how the work of reclaiming recyclables is more than a survival strategy or an informal labor practice.

Rather, the stories of catadores show how this work is inseparable from conceptions of the good life and from human struggles to realize these visions within precarious conditions of urban poverty. By approaching the work of catadores as highly generative, Millar calls into question the category of informality, common conceptions of garbage, and the continued normativity of wage labor. In so doing, she illuminates how waste lies at the heart of relations of inequality and projects of social transformation.