For fans of Sally Rooney and Torrey Peters, a taut and profoundly moving debut that follows a cast of intricately linked characters during a heatwave in London as simmering tensions and secrets come to a head over one life-changing weekend.
London, 2019. It's the hottest June on record, and a whale is stuck in the Thames River. In the streets of the city, four old acquaintances want more from life than they've been given. On the summer solstice, the longest day of the year, their paths will intersect at a party that will change their lives forever...
Maggie, a once-hopeful artist turned waitress, is pregnant and preparing to move back to her hometown with her boyfriend and father-to-be Ed, leaving the city she loves and the life she imagined for herself.
Ed, coasting through life as a barely competent bike courier, is ready for a new start with Maggie and their baby, if only to finally leave behind his secret past of hooking up with strange men in train station bathrooms—and his secret past with Maggie’s best friend, Phil.
Phil, who sleepwalks through his office job and lives for the weekends, is on the brink of achieving his first real relationship with his roommate Keith. The two live in an illegal warehouse commune with other quirky creatives and idealists—the site of the party to end all parties.
As the temperature continues to climb, Maggie, Ed, and Phil will have to confront their shared pasts, current desires, and limits of their future lives together before the weekend is over.
Strikingly heartfelt, sexually charged, and disarmingly comic, Oisín McKenna’s addictive, page-turning debut is a mesmerizing dive into the soul of a city and a critical look at the political, emotional, and financial hurdles facing young adults trying to build lives there and often living for their evenings and weekends.
Con un par de golpecitos en la pantalla, tu smartphone puede colocar delante de ti un automóvil. Esta sencilla operación pone en funcionamiento toda una maquinaria extractiva que se aprovecha de la infraestructura urbana, de los bienes y recursos de los trabajadores e incluso de los datos personales de los usuarios, para poner en contacto a un conductor marginado del mercado laboral formal y a un viajero deseoso de escapar de las penurias del transporte público. Esta plataformización del trabajo revela una nueva lógica empresarial, en la que se enhebran la innovación informática y el abuso patronal, la reinvención de los servicios urbanos y el canto de las sirenas del autoempleo. ¡Bienvenidos todos al cappitalismo!
Con las sutiles herramientas de la antropología contemporánea, tanto de gabinete como de campo, Natalia Radetich se lanzó a la jungla de concreto para conocer desde dentro la mecánica por la que Uber, quizá la más emblemática de las aplicaciones para el transporte de pasajeros, crea sus mensajes para convencer —y mantener enganchados— a conductores y usuarios, y para, con total descaro, eludir su responsabilidad fiscal y patronal. Escrito con rigor y sagacidad, ricamente documentado y nutrido de observaciones en el terreno, este libro desmenuza los elementos de un novedoso fenómeno que está ocurriendo delante de nosotros, lo mismo en la movilidad, el reparto de alimentos o la mensajería: la uberización del trabajo. En ese escenario despiadado ha surgido, sin embargo, un ánimo solidario entre quienes sufren la precarización laboral.
Este libro resultará clave para entender la actual etapa del capitalismo y los mecanismos de la apropiación empresarial.
Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It's an unforgiving job, and Hart's got nothing but time to ponder his loneliness. Mercy never has a moment to herself. She's been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest.
After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to "A Friend". Much to his surprise, an anonymous letter comes back in return, and a tentative friendship is born. If only Hart knew he's been baring his soul to the person who infuriates him most – Mercy. As the dangers from Tanria grow closer, so do the unlikely correspondents. But can their blossoming romance survive the fated discovery that their pen pals are their worst nightmares – each other?
Set in a world full of magic and demigods, donuts and small-town drama, this enchantingly quirky, utterly unique fantasy is perfect for readers of The House in the Cerulean Sea and The Invisible Library.
Tattoos on the Heart is a series of parables about kinship and redemption from pastor, activist, and renowned speaker, Father Gregory Boyle. For twenty years, Father Boyle has run Homeboy Industries, a gang-intervention program located in the Boyle Heights neighborhood of Los Angeles—also known as the gang capital of the world.
In Tattoos on the Heart, Boyle distills his experiences working in the ghetto into a breathtaking series of parables inspired by faith. From giant, tattooed Cesar, shopping at JC Penney fresh out of prison, you learn how to feel worthy of God's love. From ten-year-old Pipi, you learn the importance of being known and acknowledged. From Lulu, you come to understand the kind of patience necessary to rescue someone from the dark. As Father Boyle phrases it, we can only shine a flashlight on a light switch in a darkened room.
This is a motivating look at how to stay faithful in spite of failure, how to meet the world with a loving heart, and how to conquer shame with boundless, restorative love. These essays offer a stirring look at how full our lives could be if we find the joy in loving others and in being loved unconditionally.
Seventeen years ago, Sepha Stephanos fled the Ethiopian Revolution after witnessing soldiers brutally beat his father. Selling off his parents' jewelry, he paid for passage to the United States. Now, he finds himself running a grocery store in a poor African-American neighborhood in Washington, D.C. His only companions are two fellow African immigrants who share his feelings of frustration and bitter nostalgia for their home continent.
He realizes that his life has turned out completely different and far more isolated from the one he had imagined for himself years ago. Soon, Sepha's neighborhood begins to change. Hope comes in the form of new neighbors—Judith and Naomi, a white woman and her biracial daughter—who become his friends and remind him of what having a family is like for the first time in years.
But when the neighborhood's newfound calm is disturbed by a series of racial incidents, Sepha may lose everything all over again. Told in a haunting and powerful first-person narration, the novel casts the streets of Washington, D.C., and Addis Ababa through Sepha's eyes. The Beautiful Things That Heaven Bears is a deeply affecting and unforgettable debut novel about what it means to lose a family and a country—and what it takes to create a new home.
Originally published in 1997, Drown instantly garnered terrific acclaim.
Moving from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, these heartbreaking, completely original stories established Díaz as one of contemporary fiction's most exhilarating new voices.
With ten stories that crackle with an electric sense of discovery, Díaz evokes a world in which fathers are gone, mothers fight with grim determination for their families and themselves, and the next generation inherits the casual cruelty, devastating ambivalence, and knowing humor of lives circumscribed by poverty and uncertainty.
In Drown, Díaz has harnessed the rhythms of anger and release, frustration and joy, to indelible effect.