In Reclaiming the Discarded, Kathleen M. Millar offers an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials. While the figure of the scavenger sifting through garbage seems iconic of wageless life today, Millar shows how the work of reclaiming recyclables is more than a survival strategy or an informal labor practice.

Rather, the stories of catadores show how this work is inseparable from conceptions of the good life and from human struggles to realize these visions within precarious conditions of urban poverty. By approaching the work of catadores as highly generative, Millar calls into question the category of informality, common conceptions of garbage, and the continued normativity of wage labor. In so doing, she illuminates how waste lies at the heart of relations of inequality and projects of social transformation.

Fourth Comings, the fourth installment in the beloved, New York Times bestselling series by Megan McCafferty, captures the life of Jessica Darling as she navigates her early twenties in New York City. With a degree in psychology, Jessica works for a magazine and lives with her best friend, Hope, in a shared apartment affectionately dubbed the 'Cupcake.' Their Brooklyn neighborhood, more suited to 'breeders,' is also home to their high school friend, Manda, and Manda's 'genderqueer boifriend.'

Although Jessica's freelance work barely makes a dent in her student loans, she finds unexpected joys in babysitting her niece and the vibrant city life—full of literary parties, art openings, and downtown karaoke. Yet, it's her tumultuous relationship with Marcus Flutie that leaves Jessica most unsettled. As Marcus starts his freshman year at Princeton at twenty-three, he proposes to Jessica, giving her one week to decide. This proposal sets off a week of introspection, unexpected wisdom, and surprising revelations—including insights from a talk show shrink, a drag queen named Royalle G. Biv, and her own parents.

As Jessica considers whether to embrace her current, imperfect life or to upend it for a future with Marcus in New Jersey, she ponders with her characteristic snark and sharp insight. This pivotal week becomes the most tumultuous and memorable of her life, challenging her perceptions and the very choices that define her.

Teresa Caldeira's pioneering study of fear, crime, and segregation in S�o Paulo poses essential questions about citizenship and urban change in contemporary democratic societies. Focusing on S�o Paulo, and using comparative data on Los Angeles, she identifies new patterns of segregation developing in these cities and suggests that these patterns are appearing in many metropolises.

The book provides a brilliant analysis of the dynamics of urban fear and its impact on the city's geography. Caldeira's work is recognized for its theoretical boldness, rich ethnography, and specific historical insights. It addresses the many challenges and obstacles that government and civil society face in new democracies, shedding light on authoritarian continuity under political reform.

The Catcher in the Rye is an all-time classic in coming-of-age literature—an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind. It's Christmas time, and Holden Caulfield has just been expelled from yet another school.

Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters—shooting the bull with strangers in dive hotels, wandering alone around Central Park, getting beaten up by pimps, and cut down by erstwhile girlfriends. The city is both beautiful and terrible, in all its neon loneliness and seedy glamour, with a mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning.

J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel has been frequently challenged in court for its liberal use of profanity and portrayal of sexuality and was the book that every teenage boy wanted to read in the 1950s and 60s.