Auburn Reed is determined to rebuild her shattered life and she has no room for mistakes. But when she walks into a Dallas art studio in search of a job, she doesn’t expect to become deeply attracted to the studio’s enigmatic artist, Owen Gentry.

For once, Auburn takes a chance and puts her heart in control, only to discover that Owen is hiding a huge secret. The magnitude of his past threatens to destroy everything Auburn loves most, and the only way to get her life back on track is to cut Owen out of it—but can she do it?

In middle age, Annie Oh—wife, mother, and outsider artist—has shaken her family to its core. After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.

Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.

We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh.

Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.

With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

Cartoonist Ellen Forney explores the intriguing relationship between “crazy” and “creative” in this graphic memoir of her own bipolar disorder. The narrative is beautifully woven with stories of famous bipolar artists and writers.

Shortly before her thirtieth birthday, Forney was diagnosed with bipolar disorder. Flagrantly manic and terrified that medications would cause her to lose her creativity, she began a years-long struggle to find mental stability while retaining her passions and creativity.

In her search to make sense of the popular concept of the “crazy artist”, she finds inspiration from the lives and work of other artists and writers who suffered from mood disorders, including Vincent van Gogh, Georgia O’Keeffe, William Styron, and Sylvia Plath. She also delves into the clinical aspects of bipolar disorder, discussing the strengths and limitations of various treatments and medications.

Darkly funny and intensely personal, Forney’s memoir provides a visceral glimpse into the effects of a mood disorder on an artist’s work. She shares her own story through bold black-and-white images and evocative prose, making this a truly unique and engaging read.

Ivan is an easygoing gorilla. Living at the Exit 8 Big Top Mall and Video Arcade, he has grown accustomed to humans watching him through the glass walls of his domain. He rarely misses his life in the jungle. In fact, he hardly ever thinks about it at all.

Instead, Ivan thinks about TV shows he’s seen and about his friends Stella, an elderly elephant, and Bob, a stray dog. But mostly Ivan thinks about art and how to capture the taste of a mango or the sound of leaves with color and a well-placed line.

Then he meets Ruby, a baby elephant taken from her family, and she makes Ivan see their home—and his own art—through new eyes. When Ruby arrives, change comes with her, and it’s up to Ivan to make it a change for the better.

Katherine Applegate blends humor and poignancy to create Ivan’s unforgettable first-person narration in a story of friendship, art, and hope.

An Arab and a Jew open a restaurant together across the street from the United Nations.... It sounds like the beginning of an ethnic joke, but it's the axis around which spins the long-awaited new Tom Robbins novel, a gutsy, fun-loving, and alarmingly provocative book in which a bean can philosophizes, a dessert spoon mystifies, a young waitress takes on the New York art world, and a rowdy redneck welder discovers the lost god of Palestine--while the illusions that obscure humanity's view of the true universe fall away, one by one, like Salome's veils. Or like the walls of the repeatedly bombed restaurant--for Isaac & Ishmael's, an experiment in international brotherhood, is assaulted by Arabs, Jews, and Christians alike (and not because of its lousy menu). Its greatest crisis, however, comes when it engenders a showdown between the Dance of the Seven Veils and the Super Bowl. Skinny Legs and All, Robbins's most political novel, is also his most controversial, dealing as it does--in Robins's audacious manner--with the most sensitive issues of the day: race, politics marriage, art, religion, money and lust. This time, the bestselling author of Jitterbug Perfume, Even Cowgirls Get the Blues, et al., is writing about the upcoming millennium as seen through the violently scratched lens of the Middle East. But though Jerusalem, ancient an new, is the book's spiritual and psychological setting, every scene but the last takes place in a contemporary America. Leave it to a daredevil like Tom Robbins to pull that one off. Skinny Legs and All lyrically weaves through what some call the "End Days" of our planet. Refusing to avert its gaze from the horrors of the apocalypse, it also refuses to let the alleged end of the world spoil its mood. And its mood is defiantly upbeat. In Skinny Legs and All, the reader will encounter some of the most unusual characters in all fiction, some of the most juicy phrases, some of the most intriguing stories, some of the most challenging ideas. Characters, phrases, stories, and ideas dance together on the page, wild and sexy, like Salome herself. Or was it Jezebel?