Bridesmaids meets Emily in Paris—in London—in this hilarious and heartfelt story of one handsome neighbor, one no-good ex, and the summer Amy Duffy makes the comeback of her life.
Her past is a mess. But her present is about to get delicious. Amy is more than one disastrous night of drunken revenge on her boss/ex-boyfriend’s Audi—the night that tanked her rising TV producer career and led to a hasty move to London for a fresh start. She is thirty years of awesomeness. At least, that’s what Amy tells herself every morning before trekking to her mediocre job making trailers at a failing British TV channel.
Two years later, she’s finally starting to believe it. Sparks are flying between her and Jake, her handsome new downstairs neighbor, and there’s a competition at work that just might get her career back on track while bringing her and Jake even closer. But then, in a twisted turn of fate, the ex-boyfriend who wrecked her life is hired as her new boss and past and present are about to epically, hilariously collide.
Cat Sebastian returns to Georgian London with a stunning tale of a reluctant criminal and the thief who cannot help but love her. Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before...
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody's bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband's blood and in desperate need of his help?
As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob's past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.
Harry Potter is preparing to leave the Dursleys and Privet Drive for the last time. But the future that awaits him is full of danger, not only for him, but for anyone close to him – and Harry has already lost so much. Only by destroying Voldemort's remaining Horcruxes can Harry free himself and overcome the Dark Lord's forces of evil. In a final perilous journey, Harry must find the strength and the will to face a deadly confrontation that is his alone to fight.
Meet Bridget Jones—a 30-something Singleton who is certain she would have all the answers if she could:
123 lbs. (how is it possible to put on 4 pounds in the middle of the night? Could flesh have somehow solidified becoming denser and heavier? Repulsive, horrifying notion), alcohol units 4 (excellent), cigarettes 21 (poor but will give up totally tomorrow), number of correct lottery numbers 2 (better, but nevertheless useless)...
Bridget Jones' Diary is the devastatingly self-aware, laugh-out-loud daily chronicle of Bridget's permanent, doomed quest for self-improvement — a year in which she resolves to:
Over the course of the year, Bridget loses a total of 72 pounds but gains a total of 74. She remains, however, optimistic. Through it all, Bridget will have you helpless with laughter, and — like millions of readers the world round — you'll find yourself shouting, "Bridget Jones is me!"
Stylish, suburban Katherine is eighteen when she is propelled into the heart of Professor Jacob Goldman's rambling home and his large eccentric family. As his enchanting yet sharp-tongued wife Jane gives birth to her sixth child, Katherine meets the beautiful, sulky Roger and his volatile younger brother, Jonathan.
Inevitable heartbreak sends her fleeing to Rome, but ten years later, older and wiser, she returns to find the Goldmans again. A little wiser and a lot more grown-up, Katherine faces her future.
The Beautifull Cassandra is one of Jane Austen's most charming youthful works, written when she was just twelve or thirteen years old. This deluxe illustrated edition is a celebration of Austen's early writing, showcasing her wit and her already mature stylistic mastery.
The story follows the slightly criminal adventures of the sixteen-year-old title character, Cassandra, who, after stealing a hat, embarks on a journey around London. She indulges in eating ice cream and taking coach rides without paying for them, and encounters handsome young ladies and gentlemen without speaking to them. Cassandra's day out is one of joy and mischief, culminating in her return home with a sense of satisfaction: "This is a day well spent."
This edition features elegant and edgy watercolor drawings by Leon Steinmetz and is edited by leading Austen scholar Claudia L. Johnson. In her afterword, Johnson regards The Beautifull Cassandra as "among the most brilliant and polished" of Austen's juvenile writings, hinting at the great novelist she would become. The book is a literary treasure and a delightful read for Austen fans of all ages.
'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.
Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.
Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.