A dazzling new novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.

Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago crisis, she finds herself finally grappling with the devastating ways AIDS affected her life and her relationship with her daughter. The two intertwining stories take us through the heartbreak of the eighties and the chaos of the modern world, as both Yale and Fiona struggle to find goodness in the midst of disaster.

Casas vacías habla del dolor de las mujeres ante la desaparición de un hijo y de su propia vida. Es una novela que también cuestiona la maternidad y abre la posibilidad de un diálogo sobre cómo se enfrentan las maternidades no solicitadas y que son impuestas socialmente. La maternidad, que casi siempre asociamos con la felicidad, también puede ser una pesadilla: la de una mujer cuyo hijo desaparece en el parque donde estaba jugando, y la de aquella otra mujer que se lo lleva para criarlo como propio

Brenda Navarro ha conseguido un prodigio: caminar siempre, sin caerse nunca, sobre la delgada línea que separa –pero también une– el olvido y la memoria, la esperanza y la depresión, la vida privada y la vida pública, la pérdida y el encuentro, los cuerpos de las mujeres y el acto político. Casas vacías estremece de forma tan devastadora como ilumina: brillante y extrañamente esperanzadora.

Station Eleven, an audacious, darkly glittering novel about art, fame, and ambition, is set in the eerie days of civilization's collapse. Day One: The Georgia Flu explodes over the surface of the earth like a neutron bomb. News reports put the mortality rate at over 99%. Week Two: Civilization has crumbled.

Year Twenty: A band of actors and musicians, known as the Travelling Symphony, move through the territories of a changed world, performing concerts and Shakespeare at the settlements that have formed. Twenty years after the pandemic, life feels relatively safe. But now a new danger looms, and it threatens the world every hopeful survivor has tried to rebuild.

Moving backward and forward in time, from the glittering years just before the collapse to the strange and altered world that exists twenty years after, Station Eleven charts the unexpected twists of fate that connect six people: celebrated actor Arthur Leander; Jeevan, a bystander warned about the flu just in time; Arthur's first wife, Miranda; Arthur's oldest friend, Clark; Kirsten, an actress with the Travelling Symphony; and the mysterious and self-proclaimed "prophet."

Sometimes terrifying, sometimes tender, Station Eleven tells a story about the fragility of life, the relationships that sustain us, and the beauty of the world as we know it.

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.

From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day comes a devastating novel of innocence, knowledge, and loss.

As children, Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were. Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special—and how that gift will shape the rest of their time together.

Ishiguro explores what it means to have a soul and how art distinguishes man from other life forms. But above all, Never Let Me Go is a study of friendship and the bonds we form which make or break while we come of age.