As private secretary to the Emperor Hadrian, Suetonius gained access to the imperial archives and used them (along with eye-witness accounts) to produce one of the most colorful biographical works in history. The Twelve Caesars chronicles the public careers and private lives of the men who wielded absolute power over Rome, from the foundation of the empire under Julius Caesar and Augustus, to the decline into depravity and civil war under Nero, and the recovery that came with his successors.

A masterpiece of anecdote, wry observation and detailed physical description, The Twelve Caesars presents us with a gallery of vividly drawn — and all too human — individuals.

Titus Andronicus is the earliest tragedy and the earliest Roman play attributed to Shakespeare. Set during the latter days of the Roman Empire, it tells the fictional story of Titus, a general in the Roman army, who is engaged in a cycle of revenge with Tamora, Queen of the Goths.

Titus, a model Roman, has led twenty-one of his twenty-five sons to death in Rome’s wars; he stabs another son to death for what he views as disloyalty to Rome. Yet Rome has become “a wilderness of tigers.” After a death sentence is imposed on two of his three remaining sons, and his daughter is raped and mutilated, Titus turns his loyalty toward his family.

Aaron the Moor, a magnificent villain and the empress’s secret lover, makes a similar transition. After the empress bears him a child, Aaron devotes himself to preserving the baby. Retaining his thirst for evil, he shows great tenderness to his little family—a tenderness that also characterizes Titus before the terrifying conclusion.

This play is Shakespeare's bloodiest and most violent work and traditionally was one of his least respected plays. However, from around the middle of the twentieth century, its reputation began to improve.

How do you find a new way to approach a story as familiar as any in the English language? If you're Jack Whyte, you begin your retelling of the Arthurian saga by taking one giant step backward to the latter days of the Roman Empire in Britain, sometime between the first breaching of Hadrian's Wall and the legendary days of King Arthur.

Publius Varrus is the last legionnaire in Britain, and The Skystone is in many ways his story. He is a common man with aristocratic friends, and successful both as a soldier and an ironsmith. As the Roman world slowly crumbles around them, and Publius becomes involved in a political and personal vendetta, he and his friends seek to establish a refuge, a valley where the old Roman virtues will be kept alive and the empire's many faults be avoided.

A finely crafted historical novel, The Skystone pays close attention to the details of everyday life in fourth-century Britain. As the first book in Whyte's Camulod Chronicles, it makes few allusions to the usual details of the Arthurian legends until Publius comes into contact with a sword, a stone, a lake, and a Celtic tribe who name themselves Pendragon.

Rarely, if ever, does a new writer dazzle us with such a vivid imagination and storytelling, flawlessly capturing the essence of a land, a people, a legend. Conn Iggulden is just such a writer, bringing to life one of the most fascinating eras in human history.

In a true masterpiece of historical fiction, Iggulden takes us on a breathtaking journey through ancient Rome, sweeping us into a realm of tyrants and slaves, of dark intrigues and seething passions. What emerges is both a grand romantic tale of coming-of-age in the Roman Empire and a vibrant portrait of the early years of a man who would become the most powerful ruler on earth: Julius Caesar.

On the lush Italian peninsula, a new empire is taking shape. At its heart is the city of Rome, a place of glory and decadence, beauty and bloodshed. Against this vivid backdrop, two boys are growing to manhood, dreaming of battles, fame, and glory in service of the mightiest empire the world has ever known. One is the son of a senator, a boy of privilege and ambition to whom much has been given and from whom much is expected. The other is a bastard child, a boy of strength and cunning, whose love for his adoptive family—and his adoptive brother—will be the most powerful force in his life.

As young Gaius and Marcus are trained in the art of combat—under the tutelage of one of Rome's most fearsome gladiators—Rome itself is being rocked by the art of treachery and ambition, caught in a tug-of-war as two rival generals, Marius and Sulla, push the empire toward civil war. For Marcus, a bloody campaign in Greece will become a young soldier's proving ground. For Gaius, the equally deadly infighting of the Roman Senate will be the battlefield where he hones his courage and skill. And for both, the love of an extraordinary slave girl will be an honor each will covet but only one will win.

The two friends are forced to walk different paths, and by the time they meet again everything will have changed. Both will have known love, loss, and violence. And the land where they were once innocent will be thrust into the grip of bitter conflict—a conflict that will set Roman against Roman...and put their friendship to the ultimate test.

Brilliantly interweaving history and adventure, Conn Iggulden conjures a stunning array of contrasts—from the bloody stench of a battlefield to the opulence of the greatest city in history, from the tenderness of a lover to the treachery of an assassin.

Banished to the Empire's farthest outpost, veteran warrior Paulinus Maximus defends The Wall of Britannia from the constant onslaught of belligerent barbarian tribes. Bravery, loyalty, experience, and success lead to Maximus' appointment as "General of the West" by the Roman emperor, the ambition of a lifetime.

But with the title comes a caveat: Maximus needs to muster and command a single legion to defend the perilous Rhine frontier. On the opposite side of the Rhine River, tribal nations are uniting; hundreds of thousands mass in preparation for the conquest of Gaul, and from there, a sweep down into Rome itself. Only a wide river and a wily general keep them in check.

With discipline, deception, persuasion, and surprise, Maximus holds the line against an increasingly desperate and innumerable foe. Friends, allies, and even enemies urge Maximus to proclaim himself emperor. He refuses, bound by an oath of duty, honor, and sacrifice to Rome, a city he has never seen. But then circumstance intervenes. Now, Maximus will accept the purple robe of emperor, if his scrappy legion can deliver this last crucial victory against insurmountable odds. The very fate of Rome hangs in the balance.