Somewhere Beyond the Sea is the highly anticipated sequel to TJ Klune's The House in the Cerulean Sea, a beloved and best-selling fantasy novel.

Arthur Parnassus has created a good life from the remnants of a difficult past. As the caretaker of an extraordinary orphanage on a remote and unique island, he aspires to become the adoptive father to the six enchanted and powerful children in his care.

Arthur dedicates himself fully, ensuring that the children never endure the neglect and suffering he experienced as an orphan on the same island. He's not alone in his efforts; his life partner, Linus Baker, a former employee of the Department In Charge of Magical Youth, stands with him. Alongside them are the island's sprite, Zoe Chapelwhite, and her girlfriend, Mayor Helen Webb. Together, they will go to any lengths to safeguard the children.

When Arthur is compelled to confront his shadowy history publicly, he leads a battle for a future that his family and all magical beings are entitled to. The arrival of a new magical child, who embraces the term 'monster'—a label Arthur fought to shield his children from—indicates a pivotal moment for their family. They must either unite more robustly than before or risk disintegration.

Return to Marsyas Island for Arthur's tale—a narrative of perseverance and love, about the challenging journey to fight for the life you choose and the effort required to maintain it.

Yr Dead is a queer, Jewish, diasporic bildungsroman told in lyric fragments through the eyes of the character Ezra. The world of the book unfolds as Ezra's life flashes across time and geography during their final act of protest. The novel leaps from memories of childhood, gender identity formation, and political revelation to the inherited memory and historical movements of Ezra's family. This book explores how historical memory shapes our political and emotional present as it exists at the intersections of protest, religion, and desire.

A woman is pulled into a love affair with a radical activist, unknowingly echoing her family's dangerous past and risking the foundations of her future in this electrifying novel. The course of your life can change with one split-second decision.

Minnow has always tried to lead the life her single father modeled—private, quiet, hardworking, apolitical. So she is rocked when an instinctive decision to help a student makes her the extremely public face of a scandal in the small town where she teaches. As tensions rise, vandalism and death threats follow, and an overwhelmed Minnow flees to a teaching position in Paris.

There, Minnow falls into an exhilarating and all-consuming relationship with Charles, a young Frenchman whose activism has placed him at odds with his powerful family. As Minnow is pulled into the daring protest Charles and his friends are planning, she unknowingly draws close to repeating a secret tragedy from her family's past. For her father wasn’t always the restrained, conservative man he appears today. There are things he has taken great pains to bury from his family and from the world.

In 1968, Keen is avoiding the Vietnam draft by pursuing a PhD at Harvard. He lives his life in the basement chemistry lab, studiously avoiding the news. But when he unexpectedly falls in love with Olya, a fiery community organizer, he is consumed by her world and loses sight of his own. Learning that his deferment has ended and he’s been drafted, Keen agrees to participate in the latest action that Olya is organizing—one with more dangerous and far-reaching consequences than he could have imagined.

Minnow’s and Keen's intertwining stories take us through the turmoil of the late sixties student movements and into the chaos of the modern world. Exploding with suspense, heart, and intelligence, There's Going to Be Trouble is a story about revolution, legacy, passionate love, and how we live with the consequences of our darkest secrets.

Like Love: Essays and Conversations is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time.

The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth.

A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.