Fernando Pessoa was many writers in one. He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague."
Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.
What is TKI? TKI is not like anything ever created before (that is the kind of line business managers make you write, I apologise), it is 3 books in 1 which is quite surprising given that it is a novella.
Layer 1
Layer one is a thriller that has none stop action from start to finish.
Who is the man in the yellow polo shirt? Is he an anarchist, a jihadist or a fascist bent on a new world order? What was he doing at the scene of two separate terrorist attacks and why has he reappeared five years later during the deadliest bombings London has seen since the blitz?
Agent Heller, the only member of her Majesty's Secret Service that believes the man in the yellow polo shirt is behind it all, must find out the deadly truth, but what is the truth in the world of espionage and where does reality end and madness begin?
Layer 2
Layer two is a philosophical meta-fiction discussing the ramifications of actions and thoughts.
What if everything that happened in the world of a novel was real? What if authors were evil monsters torturing innocent characters with their evil schemes? And what does that make the reader?
Layer 3
Layer three is a literary criticism discussing the state of modern commercial fiction, its inflexible state of being, the trite cliches, the sloppy editing, the scores of grammar and spelling mistakes and its obsession with sales over quality.
If novel writing has basically become an algorithm to be followed, why would the world need writers anymore? If the world simply wants the same thing in slightly varying degrees, what is the point of creativity?
Hourglass is an inquiry into how marriage is transformed by time--abraded, strengthened, shaped in miraculous and sometimes terrifying ways by accident and experience. With courage and relentless honesty, Dani Shapiro opens the door to her house, her marriage, and her heart, and invites us to witness her own marital reckoning--a reckoning in which she confronts both the life she dreamed of and the life she made, and struggles to reconcile the girl she was with the woman she has become.
Drawing on literature, poetry, philosophy, and theology, Shapiro writes gloriously of the joys and challenges of matrimonial life, in a luminous narrative that unfurls with urgent immediacy and sharp intelligence. Artful, intensely emotional work from one of our finest writers.
Universal basic income. A 15-hour workweek. Open borders. Does it sound too good to be true? One of Europe's leading young thinkers shows how we can build an ideal world today.
After working all day at jobs we often dislike, we buy things we don't need. Rutger Bregman, a Dutch historian, reminds us it needn't be this way—and in some places it isn't. Rutger Bregman's TED Talk about universal basic income seemed impossibly radical when he delivered it in 2014. A quarter of a million views later, the subject of that video is being seriously considered by leading economists and government leaders the world over. It's just one of the many utopian ideas that Bregman proves is possible today.
Utopia for Realists is one of those rare books that takes you by surprise and challenges what you think can happen. From a Canadian city that once completely eradicated poverty, to Richard Nixon's near implementation of a basic income for millions of Americans, Bregman takes us on a journey through history, and beyond the traditional left-right divides, as he champions ideas whose time have come.
Every progressive milestone of civilization—from the end of slavery to the beginning of democracy—was once considered a utopian fantasy. Bregman's book, both challenging and bracing, demonstrates that new utopian ideas, like the elimination of poverty and the creation of the fifteen-hour workweek, can become a reality in our lifetime. Being unrealistic and unreasonable can in fact make the impossible inevitable, and it is the only way to build the ideal world.