My Heavenly Favorite is a harrowing, unforgettable masterpiece by the winner of the Booker International Prize. This work serves as a confession, a lament, and a mad gush of grief and obsession. It is the remarkable and chilling successor to Marieke Lucas Rijneveld's international sensation, The Discomfort of Evening.
The narrative tells the story of a veterinarian who visits a farm in the Dutch countryside where he becomes enraptured by his "Favorite"—the farmer's daughter. She is on the cusp of adolescence and longs to inhabit a boy's body. The veterinarian appears as a tantalizing possible escape from the constrictions of her conservative rural life.
Narrated after the veterinarian has faced punishment for his crimes, Rijneveld's audacious and profane novel captivates with paradoxical beauty in its prose, gripping the reader's attention. The novel refracts the contours of the Lolita story with perverse glee, leading the reader into otherwise unimaginable spaces—pop lyrics, horror novels, the Favorite's fantasized conversations with Freud and Hitler, and her dreams of flight, destruction, and transcendence.
An unflinching depiction of abjection and a pointed excavation of taboos and social norms, My Heavenly Favorite solidifies Rijneveld as one of the most daring and brilliant writers on the world stage.
Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant—and ultimately has Griet sit for him as a model.
The Dutch painter Johannes Vermeer, with precisely 35 canvases to his credit, represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries—and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.