Traduttore, traditore: An act of translation is always an act of betrayal.

Babel is a profound exploration of the complexities of language, power, and colonialism, set against the backdrop of the British Empire's expansion.

When orphan Robin Swift is brought from Canton to London by Professor Lovell, he embarks on an intense education in languages and translation, aiming for a bright future at Oxford University's Royal Institute of Translation, known as Babel. This institution stands at the heart of the Empire's superiority, harnessing the mystical power of silver working to manifest the elusive meanings lost in translation.

As Robin becomes entrenched in the scholastic utopia of Babel, his ties to his heritage pull him into an inner conflict. When an aggressive war threatens China over silver and opium, Robin is torn between the comfort of academia and the call for justice. He must confront a crucial question: Can change come from within, or is violence an inevitable part of revolution?

Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life is a dark and astonishing tale of love, chaos, scientific obsession, and—possibly—even murder, woven together in a wondrous debut by NPR reporter Lulu Miller.

David Starr Jordan, a taxonomist driven to bring order to the natural world, was on the verge of discovering nearly a fifth of the fish known to humans in his day. However, the universe seemed determined to challenge him, as his specimen collections were destroyed by a series of calamities, culminating in the 1906 San Francisco earthquake. His life's work in ruins, Jordan stood amidst the wreckage and, spotting the first fish he recognized, began the arduous task of rebuilding his collection. This time, he introduced an innovation to protect his work from chaos.

Lulu Miller's encounter with Jordan's story led her to question her own understanding of history, morality, and the world beneath her feet. Why Fish Don't Exist is not only a biography and a memoir but also a scientific adventure that reads like a fable, offering an inspiring reflection on how to persevere in a world where chaos always seems to prevail.

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Undercover as a factory manager, Anderson scours Bangkok's street markets in search of foodstuffs thought to be extinct, aiming to harvest the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. She is one of the New People, not human but an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, now abandoned to the streets of Bangkok. Seen as soulless beings by some and devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future where calorie companies dominate, the age of oil has ended, and bio-engineered plagues are rampant.

What happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits and forces mankind to the brink of post-human evolution? Paolo Bacigalupi delivers a highly-acclaimed science fiction tale that explores these profound questions.

The forerunner to The Lord of the Rings, The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.

The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them, such as Elrond and Galadriel, took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.

The forerunner to The Lord of the Rings, The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.

The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them, such as Elrond and Galadriel, took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.

The fables of Aesop have become one of the most enduring traditions of European culture, ever since they were first written down nearly two millennia ago. Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature.

First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

The Ones Who Walk Away from Omelas is a thought-provoking short story that poses a powerful ethical question. It explores the concept of a seemingly utopian city, Omelas, where the prosperity and happiness of its citizens are contingent upon the perpetual misery of a single child. The narrative delves into the moral implications of this arrangement and the reaction of the citizens when confronted with the reality of the child's suffering.

Ursula K. Le Guin's masterful storytelling invites readers to ponder the sacrifices made for the greater good and the individual's role in confronting injustices. The tale's enduring relevance and its challenge to societal norms make it a compelling read that continues to inspire philosophical debate and reflection.

Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.

The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.

Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.

I, Robot is a fixup novel of science fiction short stories or essays by American writer Isaac Asimov. The stories, which originally appeared in the American magazines Super Science Stories and Astounding Science Fiction between 1940 and 1950, are woven together by a framing narrative. In this narrative, the fictional Dr. Susan Calvin tells each story to a reporter in the 21st century.

The stories share a theme of the interaction of humans, robots, and morality. Together, they tell a larger story of Asimov's fictional history of robotics. The collection explores profound questions such as: What is human? And is humanity obsolete?

Asimov's Three Laws of Robotics are central to the narrative:

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.

2. A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.

3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

These laws lay the foundation for a bold new era of evolution, opening up enormous possibilities—and unforeseen risks. As humans and robots struggle to coexist on Earth and in space, the future of both hangs in the balance. I, Robot not only changes our perception of robots but also challenges the timeless myth of man's dream to play god—with all its rewards and terrors.