Hum is an extraordinary novel by the National Book Award–longlisted author Helen Phillips. It tells the story of a wife and mother named May, who, after losing her job to artificial intelligence, undergoes a radical procedure that makes her invisible to surveillance systems.

Set in a city ravaged by climate change and inhabited by intelligent robots known as 'hums,' May's decision to alter her face to escape detection is driven by desperation to clear her family's debt and secure their future. The narrative follows her as she invests in a brief escape to the Botanical Garden, a sanctuary of natural beauty, hoping it will heal her family's reliance on technology.

However, the supposed tranquility is short-lived as her family's safety is compromised, pushing May to rely on a hum with dubious intentions. Hum is a riveting work of speculative fiction, examining themes of marriage, motherhood, and identity against a backdrop of environmental decay and rapid technological progress. It presents a world filled with both dystopian and utopian elements, compelling readers to confront the unsettling realities of our times.

The Wedding People is a propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan—which makes it that much more surprising when the two women can’t stop confiding in each other. In turns absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined—and the chance encounters it sometimes takes to reroute us.

Liars is a searing exploration of life as a wife, a mother, and an artist, delving into how marriage can often be a facade. Sarah Manguso crafts a narrative that is as much about self-discovery as it is about the disintegration of a relationship.

Jane, an aspiring writer with dreams of a fulfilling creative life, falls in love with John Bridges, a filmmaker. Their mutual desires for love, success, and happiness lead them down the aisle. Jane believes she has captured all she ever wanted, including the joys and challenges of motherhood that follow.

However, as Jane's own career begins to flourish, she finds herself overshadowed by John's ambitions and ego, becoming more of a supporting role in his life rather than an equal partner. The strain on their marriage becomes palpable as Jane struggles to maintain the delicate balance of family life.

Their story reaches a boiling point when John decides to leave, setting Jane on a transformative journey. Liars is a poignant tale that weaves together wit and anger, portraying the intense collapse of a marriage and the indomitable rise of a woman from the ruins.

For readers of Seating Arrangements and The Most Fun We Ever Had, The World After Alice is a gorgeous and gripping story of two families brought together to celebrate an unexpected marriage, twelve years after a devastating tragedy upended their lives.

When Morgan and Benji surprise their families with a wedding invitation to Maine, they're aware the news of their clandestine relationship will come as a shock. Twelve years have passed since the stunning loss of sixteen-year-old Alice, Benji's sister and Morgan's best friend, and no one is quite the same. But the young couple decide to plunge headlong into matrimony, marking the first time their fractured families will reunite since Alice's funeral.

As the arriving guests descend upon the tranquil coastal town, they bring with them not only skepticism about the impromptu nuptials but also deep-seated secrets and agendas of their own. Peter, Morgan's father, may be trying to dissuade his daughter from saying "I do," while Linnie, Benji's mother, introduces a new boyfriend with his own tumultuous past. Nick, Benji's father, is scheming to secure a new job before his wife, Caro—formerly his secretary and mistress—discovers he lost his old one. Morgan, too, carries delicate secrets that threaten to jeopardize the happiness she has so longed for. And as for Benji—well, he's just trying to make sure the whole weekend doesn't implode.

As the whirlwind weekend unfolds, old passions reignite, deep wounds resurface, and unearthed secrets threaten to shatter the fragile peace the wedding promises. With each new revelation, the to-be-weds and their complicated families are forced to question just how well they know the ones they hold dear.

The New York Times bestselling author of THE MOST FUN WE EVER HAD returns with another brilliantly observed family drama in which the enduring, hard-won affection of a long marriage faces imminent derailment from events both past and present.

At fifty-seven, Julia Ames is living an improbably lovely life. Despite her inclination toward self-sabotage and prickly alienation, she has found herself with a husband she loves, two happy children, and a quiet, contented existence in the suburbs. When she bumps into an old friend that she hasn't spoken to in years—a friend who almost ended her marriage decades prior—Julia finds herself reexamining her supposedly happy life. Compounded with a bombshell announcement from her son and her daughter's impending departure for college, this chance meeting threatens to send Julia spinning out of control.

Daunted by a looming empty nest, Julia becomes consumed with her checkered past—and with the chaos of her present. She grapples with a complicated new daughter-in-law, the reappearance of her own estranged mother, and the forbidden allure of rekindling a relationship that was once both her lifeline and her downfall. The novel follows Julia over the course of a few tumultuous months as well as the fifty-plus years that preceded them, from her chaotic childhood in Chicago to her fraught early days of marriage and motherhood. SAME AS IT EVER WAS ultimately examines the complete and complicated trajectory of one woman's life and asks what it takes to form—and keep—a family.

A young mother, in denial after the death of her sister, navigates the dizzying landscapes of desire, guilt, and grief in this darkly comic, highly anticipated debut novel from Kimberly King Parsons, author of the story collection, Black Light.

The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.

When she returns to the Dallas suburbs, Kit tries to settle into her routine—long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother’s phone calls. But in the secret recesses of Kit’s mind, she’s reminiscing about the band she used to be in—and how they’d go out to the desert after shows and drop acid. She’s imagining an impossible threesome with her kid’s pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone?

We Were the Universe is an ambitious, inventive novel from a revelatory new voice in American fiction—a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take.

From “one of the UK’s most interesting authors” (Kirkus Reviews), Patricia Highsmith meets White Lotus in this surprising and suspenseful modern gothic story following a couple running from both secretive pasts and very present dangers while honeymooning on a Greek island.

Still reeling from the chaos of their wedding, Evelyn and Richard arrive on a tiny Greek island for their honeymoon. It’s the end of the season and a storm is imminent. Determined to make the best of it, they check into the sun-soaked doors of the Villa Rosa. Already feeling insecure after seeing the “beautiful people,” the seemingly endless number of young models and musicians lounging along the Mediterranean, Evelyn is wary of the hotel’s owner, Isabella, who seems to only have eyes for Richard.

Isabella ostensibly disapproves of every request Evelyn makes, seemingly annoyed at the fact that they are there at all. Isabella is also preoccupied with her chance to enthrall the only other guests—an American producer named Marcus and his partner Debbie—with the story of “the sleepwalkers,” a couple who had stayed at the hotel recently and drowned.

Everyone seems to want to talk about the sleepwalkers, save for Hamza, a young Turkish man Evelyn had seen with some “beautiful people,” as well as the “dapper little man”—the strange yet fashionable owner of the island’s lone antiques and gift shop she sees everywhere. But what at first seemed eccentric, decorative, or simply ridiculous, becomes a living nightmare. Evelyn and Richard are separated the night of the storm and forced to face dark truths, but it’s their confessions around the origins of their relationship and the years leading up to their marriage that might save them.

Exhilarating, suspenseful, and also very funny, The Sleepwalkers asks urgent questions about relationships, sexuality, and the darkest elements of contemporary society—where our most terrible secrets are hidden in plain sight.

The Audacity is a razor-sharp satire diving headfirst into the implosion of a Theranos-like company, the unraveling of a marriage, and the absurdity of a billionaires' philanthropy summit. Ryan Chapman offers a narrative that is as incisive as it is entertaining, perfect for fans of Hari Kunzru and The White Lotus.

The story unfurls over a precipitous 72 hours, with a bombshell exposé on the cusp of revealing Victoria Stevens's multibillion-dollar startup as nothing but a colossal sham. Victoria herself has vanished off the face of the Earth. Is she playing dead, leaving her spouse, Guy Sarvananthan, to grapple with the impending disaster and the specter of incarceration? Confronted with the choice of fleeing to his homeland of Sri Lanka in disgrace or living in denial, Guy opts for the latter, jetting off to a secluded Caribbean island. Here, the elite 0.0001% convene to select which of the planet's dire issues they will 'eradicate forever.'

As Guy descends into a spiral of indulgence and intoxication amidst opulent wilderness and luxury yachts, surrounded by titans of industry, hordes of staff, and unexpected disruptors, Victoria tells her tale from a secret location in the California desert. Through feverishly penned diary entries laced with enigmatic self-help dogma, she schemes her return to power, unwavering in her belief that she will once again prove the doubters wrong.

Chapman's novel is a bold plunge into the dark chasm of ultra-late capitalism, likened to 'Martin Amis's Money' but for an era that has lingered far too long in the depths of excess and moral ambiguity.