The Eyes and the Impossible is a captivating tale that explores the boundless realms of imagination. Dive into a world where the boundaries of reality are blurred, and the impossible becomes possible. With vivid illustrations by Shawn Harris, this book offers a unique storytelling experience that will enchant readers of all ages.
Join the characters on their extraordinary adventures, where each page turn reveals a new surprise, and every chapter is a gateway to a new universe. It's a journey that challenges perceptions and celebrates the power of creativity.
Beginning with an unlikely stowaway's account of life on board Noah's Ark, A History of the World in 10½ Chapters presents a surprising, subversive, fictional history of earth told from several kaleidoscopic perspectives.
Noah disembarks from his ark, but he and his Voyage are not forgotten: they are revisited in other centuries and other climes - by a Victorian spinster mourning her father, and by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...
This is no ordinary history, but something stranger, a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.
FRESH is a collection of poetry created over a scant few months in late 2010. It moves in many different directions but manages to keep a consistent voice.
It has an urgency, and haphazardness to it that celebrates growth, change, and looking forward while still not forgetting what has gone before.
It proves that time spent in college can be good for more than binge drinking and sleeping ‘til noon; learning can actually take place as well.
In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he'd completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a dozen critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing.
Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and takes us to places ranging from Tokyo's Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him.
Through this marvelous lens of sport emerges a panorama of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after fifty, of seeing his race times improve and then fall back.
By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in distance running.
Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players—some say the originator of jazz—who was, in any case, the genius, the guiding spirit, and the king of that time and place.
In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel—one where the enigma is never resolved, but allowed to manifest in its fullness.
Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.