Interesting Facts About Space is a journey through the cosmos, guided by the witty and introspective Enid. An aficionado of all things astronomical, Enid can describe the terrifying wonders of black holes with ease, but her own fears are much closer to home—like her inexplicable phobia of bald men, a secret she guards closely.
Between her addiction to true crime podcasts and a carousel of dates with women from dating apps, Enid is trying to navigate the complexities of life, including reconnecting with her estranged half-sisters following their father's death. But life takes a peculiar turn when Enid finds herself in her first serious romantic relationship and starts to suspect that she's being stalked.
As Enid's paranoia escalates, she's forced to face the haunting realization that she can't escape the most persistent follower of all—herself. With a blend of quirky humor, charm, and a touch of heartache, Interesting Facts About Space explores the importance of confronting our hidden fears and the most intimately human aspects of our identity.
Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.
Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.
Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.
From the award-winning author comes a gripping account of one of the most scandalous chapters in modern Irish history, at once a propulsive work of true crime and an act of literary subversion.
Malcolm Macarthur was a well-known Dublin socialite and heir. Suave and urbane, he passed his days mingling with artists and aristocrats, reading philosophy, living a life of the mind. But by 1982, his inheritance had dwindled to almost nothing, a desperate threat to his lifestyle. Macarthur hastily conceived a He would commit bank robbery, of the kind that had become frightfully common in Dublin at the time. But his plan spun swiftly out of control, and he needlessly killed two innocent people. The ensuing manhunt, arrest, and conviction amounted to one of the most infamous political scandals in modern Irish history, contributing to the eventual collapse of a government.
Author Mark O'Connell spent countless hours in conversation with Macarthur—interviews that veered from confession to evasion. Through their tense exchanges and O’Connell’s independent reporting, a pair of narratives a riveting account of Macarthur's crimes and a study of the hazy line between truth and invention. We come to see not only the enormity of the murders but the damage that’s inflicted when a life is rendered into story.
¿Qué nos produce turbación, desprecio o asco? ¿Por qué a veces el llanto nos desborda y nos deja exhaustos? ¿Qué nos lleva a culpar a los demás de lo que no somos capaces de resolver? ¿En qué momento nos convertimos en seres furibundos si perdemos el control?
En este libro sabremos por quĂ© cedemos y en quĂ© circunstancias a los deseos sexuales más intensos; cĂłmo se proyectan en nuestro presente los traumas de la infancia; quĂ© indica reĂr sin control si pasamos por una tragedia, un dolor fĂsico severo o una gran tristeza; cuáles son las señales de una soledad profunda o un miedo sin lĂmites que pueden derivar en una enfermedad crĂłnica.
El lado B de las emociones es una obra provocadora porque nos confronta con lucidez y contundencia sobre aspectos que tememos, negamos o sencillamente odiamos. Eduardo Calixto llega hasta lo más hondo para hablarnos de nuestro enojo, el resentimiento, la vergüenza, el resultado: un libro con explicaciones impactantes sobre nuestras conductas más siniestras, la verdad sobre los actos perversos y, más que nada, las claves para conocer nuestros abismos, enfrentarlos y llenarlos de luz.
Enseñar a Hablar a un Monstruo es una indagaciĂłn literaria sobre el gran misterio que nos hace humanos: el lenguaje. Es el primer libro de no ficciĂłn del novelista, traductor y profesor de linguĂstica JosĂ© C. Vales. Este ensayo narrativo y literario nos propone un viaje al origen del lenguaje, la evoluciĂłn de las lenguas y el milagro de la escritura.
Armado con mĂşltiples preguntas y reflexiones, el autor plantea las diferentes teorĂas que explican por quĂ© estamos dotados de lenguaje, cĂłmo evoluciona y de quĂ© manera empieza a transcribirse. El texto es una lectura deliciosa, amena, interesante y sugerente respecto a un tema universal, explicado con afán didáctico y libre de tecnicismos.
Con el estilo que caracteriza a JosĂ© C. Vales, repleto de lucidez, sabidurĂa y siempre con su toque irĂłnico pero amable, descubriremos el fascinante mundo de la comunicaciĂłn humana.
In this gripping narrative, Ben Macintyre tackles one of the most famous prison stories in history and makes it utterly his own. During World War II, the German army used the towering Colditz Castle to hold the most defiant Allied prisoners. For four years, these prisoners of the castle tested its walls and its guards with ingenious escape attempts that would become legend.
But as Macintyre shows, the story of Colditz was about much more than escape. Its population represented a society in miniature, full of heroes and traitors, class conflicts and secret alliances, and the full range of human joy and despair. In Macintyre’s telling, Colditz’s most famous names—like the indomitable Pat Reid—share glory with lesser known but equally remarkable characters like Indian doctor Birendranath Mazumdar whose ill treatment, hunger strike, and eventual escape read like fiction; Florimond Duke, America’s oldest paratrooper and least successful secret agent; and Christopher Clayton Hutton, the brilliant inventor employed by British intelligence to manufacture covert escape aids for POWs.
Bringing together the wartime intrigue of his acclaimed Operation Mincemeat and keen psychological portraits of his bestselling true-life spy stories, Macintyre has breathed new life into one of the greatest war stories ever told.
Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. Plagued by a maddening anxiety, the terrible disconnect between his own concept of happiness and the joy of the rest of the world, Yozo Oba plays the clown in his dissolute life, holding up a mask for those around him as he spirals ever downward, locked arm-in-arm with death.
Osamu Dazai's immortal—and supposedly autobiographical—work of Japanese literature, is perfectly adapted here into a manga by Junji Ito. The imagery wrenches open the text of the novel one line at a time to sublimate Yozo's mental landscape into something even more delicate and grotesque. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche.
Superintelligence: Paths, Dangers, Strategies by Nick Bostrom is a comprehensive analysis of the concept of artificial intelligence surpassing human intelligence and the potential consequences of such a development. Bostrom explores the capabilities unique to the human brain that have allowed our species to hold a dominant position on Earth. This dominance could be challenged if machine intelligence exceeds our own, presenting a superintelligence that could become extremely powerful, possibly beyond our control.
The book delves into whether it is possible to construct an initial seed AI in such a way that an intelligence explosion could be survivable. Bostrom presents a controlled approach to this explosive potential, addressing topics such as oracles, genies, singletons, boxing methods, tripwires, mind crime, humanity's cosmic endowment, differential technological development, indirect normativity, instrumental convergence, whole brain emulation, technology couplings, Malthusian economics, dystopian evolution, artificial intelligence, biological cognitive enhancement, and collective intelligence.
With lucid writing, Bostrom guides the reader through this complex landscape, making it accessible and engaging. Superintelligence does not merely lay out the challenges ahead; it offers a reconceptualization of our essential tasks in the face of the future of intelligent life and the fate of humanity itself.
Sapiens. De animales a dioses: Una breve historia de la humanidad es una exploraciĂłn fascinante de cĂłmo la biologĂa y la historia han definido a la humanidad. Yuval Noah Harari, uno de los historiadores más interesantes de nuestros tiempos, nos lleva en un viaje desde que los primeros humanos caminaron sobre la Tierra hasta los avances de las tres grandes revoluciones que nuestra especie ha protagonizado: la cognitiva, la agrĂcola y la cientĂfica.
Utilizando hallazgos de disciplinas tan diversas como la biologĂa, la antropologĂa, la paleontologĂa o la economĂa, Harari examina cĂłmo las corrientes de la historia han moldeado nuestra sociedad, la fauna y la flora que nos rodean, e incluso nuestras personalidades.
El libro plantea preguntas profundas: ÂżHemos ganado en felicidad a medida que ha avanzado la historia? ÂżSeremos capaces de liberar nuestra conducta de la herencia del pasado? ÂżPodemos hacer algo para influir en los siglos futuros? Audaz y provocador, Sapiens cuestiona todo lo que creĂamos saber sobre el ser humano: nuestros orĂgenes, ideas, acciones, poder... y nuestro futuro.
This is an enchanted place. Others don't see it, but I do. The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him.
Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.
Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption—ultimately revealing shocking secrets of her own.
The Enchanted is a magical novel about redemption, the poetry that can exist within the unfathomable, and the human capacity to transcend and survive even the most nightmarish reality. Beautiful and unexpected, this is a memorable story.
Civilization and Its Discontents stands as a brilliant summary of Sigmund Freud's views on culture from a psychoanalytic perspective that he had been developing since the turn of the century. It is both witness and tribute to the late theory of mind—the so-called structural theory, with its stress on aggression, indeed the death drive, as the pitiless adversary of eros.
This book is one of the last of Freud's works, written in the decade before his death and first published in German in 1929. In it, he states his views on the broad question of man's place in the world, a place Freud defines in terms of ceaseless conflict between the individual's quest for freedom and society's demand for conformity.
Freud's theme is that what works for civilization doesn't necessarily work for man. By nature, man is aggressive and egotistical, seeking self-satisfaction, but culture inhibits his instinctual drives. The result is a pervasive and familiar guilt.
Of the various English translations of Freud's major works to appear in his lifetime, only one was authorized by Freud himself: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey. Freud approved the overall editorial plan, specific renderings of key words and phrases, and the addition of valuable notes, both bibliographical and explanatory.
Acclaimed New Yorker writer and author of the breakout debut bestseller The Lost City of Z, David Grann, offers a collection of spellbinding narrative journalism.
Whether he's reporting on the infiltration of the murderous Aryan Brotherhood into the U.S. prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone-tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.
Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent, and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses.
Throughout, Grann's hypnotic accounts display the power—and often the willful perversity—of the human spirit. Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.
Olive Kitteridge: indomitable, compassionate, and often unpredictable. A retired schoolteacher in a small coastal town in Maine, as she grows older, she struggles to make sense of the changes in her life. She is a woman who sees into the hearts of those around her, their triumphs and tragedies.
We meet her stoic husband, bound to her in a marriage both broken and strong, and a young man who aches for the mother he lost - and whom Olive comforts by her mere presence, while her own son feels overwhelmed by her complex sensitivities.
A penetrating, vibrant exploration of the human soul, the story of Olive Kitteridge will make you laugh, nod in recognition, wince in pain, and shed a tear or two. At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge deplores the changes to her little town of Crosby, Maine, and in the world at large, but she doesn't always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive's own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life—sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition—its conflicts, its tragedies and joys, and the endurance it requires.
Malgudi Days is a collection of stories by the acclaimed Indian writer R. K. Narayan. In this collection, Narayan beautifully describes how in India, "the writer has only to look out of the window to pick up a character and thereby a story."
Composed of powerful, magical portraits of all kinds of people, and comprising stories written over almost forty years, Malgudi Days presents Narayan’s imaginary city in full color, revealing the essence of India and of human experience.
This edition includes an introduction by Pulitzer Prize-winning author Jhumpa Lahiri.
In "The Blank Slate," Steven Pinker explores the idea of human nature and its moral, emotional, and political colorings. He shows how many intellectuals have denied the existence of human nature by embracing three linked dogmas: the Blank Slate (the mind has no innate traits), the Noble Savage (people are born good and corrupted by society), and the Ghost in the Machine (each of us has a soul that makes choices free from biology).
Each dogma carries a moral burden, so their defenders have engaged in desperate tactics to discredit the scientists who are now challenging them. Pinker injects calm and rationality into these debates by showing that equality, progress, responsibility, and purpose have nothing to fear from discoveries about a rich human nature. He disarms even the most menacing threats with clear thinking, common sense, and pertinent facts from science and history.
Despite its popularity among intellectuals during much of the twentieth century, he argues, the doctrine of the Blank Slate may have done more harm than good. It denies our common humanity and our individual preferences, replaces hardheaded analyses of social problems with feel-good slogans, and distorts our understanding of government, violence, parenting, and the arts.
Pinker shows that an acknowledgement of human nature that is grounded in science and common sense, far from being dangerous, can complement insights about the human condition made by millennia of artists and philosophers. All this is done in the style that earned his previous books many prizes and worldwide acclaim: wit, lucidity, and insight into matters great and small.
The Insulted & Injured, published soon after Dostoevsky's political imprisonment, clearly foreshadows his later preoccupation with unconscious psychological drives and their external effects on the lives of his characters. Where his later works carry these drives to inevitably dramatic conclusions, The Insulted & Injured confines them within the smaller boundaries of everyday event.
In this story, the impulse toward self-abnegation in love, which appears so markedly in both Vanya and Natasha, isn't itself enough to direct their lives; instead, it combines with their social world and the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha—the person least driven to mold life to his own terms—emerges untouched.
Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-and-blood people as we see them around every day. They are made up of both good and evil, of will and acceptance. Unfailingly, they command interest and illuminate understanding.
Robert Bly, the renowned poet and author of the ground-breaking bestseller Iron John, mingles essay and verse to explore the Shadow — the dark side of the human personality — and the importance of confronting it.
This little book delves into the depths of our subconscious, offering insights into the parts of ourselves we hide from the world. Bly's poetic prowess and deep understanding of human nature guide the reader through a journey of self-discovery and acceptance.
Embrace your shadow and uncover the hidden facets of your personality with this enlightening read.
Equus is a powerful exploration of the way modern society has destroyed our ability to feel passion. The story follows Alan Strang, a disturbed youth whose dangerous obsession with horses leads him to commit an unspeakable act of violence.
As psychiatrist Martin Dysart struggles to understand the motivation for Alan's brutality, he is increasingly drawn into Alan's web and eventually forced to question his own sanity.
Peter Shaffer creates a chilling portrait of how materialism and convenience have killed our capacity for worship and passion, and, consequently, our capacity for pain. Rarely has a playwright created an atmosphere and situation that so harshly pinpoint the spiritual and mental decay of modern man.
Equus is a timeless classic and a cornerstone of contemporary drama that delves into the darkest recesses of human existence.
A young woman harnesses her newfound power to challenge the ruthless man who controls her, in this brilliant and provocative novel from the award-winning author of Parable of the Sower.
Mary is a treacherous experiment. Her creator, an immortal named Doro, has molded the human race for generations, seeking out those with unusual talents like telepathy and breeding them into a new subrace of humans who obey his every command. The result is a young black woman living on the rough outskirts of Los Angeles in the 1970s, who has no idea how much power she will soon wield. Doro knows he must handle Mary carefully or risk her ending like his previous dead, either by her own hand or Doro's. What he doesn't suspect is that Mary's maturing telepathic abilities may soon rival his own power. By linking telepaths with a viral pattern, she will create the potential to break free of his control once and for all-and shift the course of humanity.
The Left Hand of Darkness by Ursula K. Le Guin is a groundbreaking work of science fiction that explores the story of a lone human emissary to Winter, an alien world whose inhabitants spend most of their time without a gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. However, to achieve this, he must bridge the gulf between his own views and those of the completely dissimilar culture he encounters.
Embracing aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness is celebrated as a landmark achievement in the annals of intellectual science fiction. The novel delves into complex themes involving gender and sexuality, challenging readers' perceptions of human nature and societal constructs. It is not only an adventure story but also a profound thought experiment that invites contemplation about the fluidity of gender and the potential for understanding amidst cultural differences.
He was a fully grown man, alone in dense forest, with no trail to show where he had come from and no memory to tell who — or what — he was. His eyes were not the eyes of a human.
The forest people took him in and raised him almost as a child, teaching him to speak, training him in forest lore, giving him all the knowledge they had. But they could not solve the riddle of his past, and at last he had to set out on a perilous quest to Es Toch, the City of the Shining, the Liars of Earth, the Enemy of Mankind. There he would find his true self ... and a universe of danger.
NAME: Valentine Michael Smith
ANCESTRY: Human
ORIGIN: Mars
Valentine Michael Smith is a human being raised on Mars, newly returned to Earth. Among his people for the first time, he struggles to understand the social mores and prejudices of human nature that are so alien to him, while teaching them his own fundamental beliefs in grokking, watersharing, and love.
Psychiatrist Viktor Frankl's memoir has riveted generations of readers with its descriptions of life in Nazi death camps and its lessons for spiritual survival. Between 1942 and 1945 Frankl labored in four different camps, including Auschwitz, while his parents, brother, and pregnant wife perished.
Based on his own experience and the experiences of others he treated later in his practice, Frankl argues that we cannot avoid suffering but we can choose how to cope with it, find meaning in it, and move forward with renewed purpose. Frankl's theory-known as logotherapy, from the Greek word logos ("meaning")-holds that our primary drive in life is not pleasure, as Freud maintained, but the discovery and pursuit of what we personally find meaningful.
I, Robot is a fixup novel of science fiction short stories or essays by American writer Isaac Asimov. The stories, which originally appeared in the American magazines Super Science Stories and Astounding Science Fiction between 1940 and 1950, are woven together by a framing narrative. In this narrative, the fictional Dr. Susan Calvin tells each story to a reporter in the 21st century.
The stories share a theme of the interaction of humans, robots, and morality. Together, they tell a larger story of Asimov's fictional history of robotics. The collection explores profound questions such as: What is human? And is humanity obsolete?
Asimov's Three Laws of Robotics are central to the narrative:
A robot may not injure a human being or, through inaction, allow a human being to come to harm.
A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.
A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
These laws lay the foundation for a bold new era of evolution, opening up enormous possibilities—and unforeseen risks. As humans and robots struggle to coexist on Earth and in space, the future of both hangs in the balance. I, Robot not only changes our perception of robots but also challenges the timeless myth of man's dream to play god—with all its rewards and terrors.