Monica is a dazzling, spectacular tapestry of interconnected narratives that together tell a life story. Clowes calls upon a lifetime of inspiration to create the most complex and personal graphic novel of his distinguished career. Rich with visual detail, an impeccable ear for language and dialogue, and thrilling twists, Monica is a multilayered masterpiece in comics form that alludes to many of the genres that have defined the medium — war, romance, horror, crime, the supernatural, and more — but in a mysterious, uncategorizable, and quintessentially Clowesian way that rewards multiple readings.
Five years in the making, Monica marks the apex of creativity from one of the defining voices of the graphic novel boom over the past quarter-century.
In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies. It is a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.
Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs.
Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid.
Ren aches to be in the water. She dreams of the scent of chlorine—the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.
An innocent family, carjacked on a desolate highway, is abducted to a bizarre new world. A world being born in the Californian desert. They discover Earth has been invaded by an alien microorganism. The deadly entity attacks like a virus, but survivors of the disease genetically bond with it, developing amazing powers, near-immortality, unnatural desires - and a need to spread the contagion and create a secret colony of the transformed. Now the meaning of "survival" changes. For the babies born in the colony are clearly, undeniably, not human...
In a violent near-future, Asa Elias Doyle and her companions encounter an alien life form so heinous and destructive, they exile themselves in the desert so as not to contaminate other humans. To resist the compulsion to infect others is mental agony, but to succumb is to relinquish humanity and free will. Desperate, they kidnap a doctor and his two daughters as they cross the wasteland--and endanger the world.
In an alternate America marked by volatile class warfare, Blake Maslin is traveling with his teenage twin daughters when their car is ambushed. Their attackers appear sickly yet possess inhuman strength, and they transport Blake's family to an isolated compound. There, the three captives discover that the compound's residents have a highly contagious alien disease that has mutated their DNA to make them powerful, dangerous, and compelled to infect others. If Blake and his daughters do not escape, they will be infected with a virus that will either kill them outright or transform them into outcasts whose very existence is a threat to the world around them. In the following hours, Blake and his daughters each must make a vital choice: risk everything to escape and warn the rest of the world, or accept their new reality -- as well as the uncertain fate of the human race.
Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers—characters on the hunt for love, connection, revenge, or their own sense of purpose.
In "The White Cat's Divorce," an aging billionaire sends his three sons on a series of absurd goose chases to decide which child will become his heir. In "The Girl Who Did Not Know Fear," a professor with a delicate health condition becomes stranded for days in an airport hotel after a conference, desperate to get home to her wife and young daughter, and in acute danger of being late for an appointment that cannot be missed. In "Skinder's Veil," a young man agrees to take over a remote house-sitting gig for a friend. But what should be a chance to focus on his long-avoided dissertation instead becomes a wildly unexpected journey, as the house seems to be a portal for otherworldly travelers—or perhaps a door into his own mysterious psyche.
Twisting and turning in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable—these stories remind us once again of why Kelly Link is incomparable in the realm of short fiction.