Alex Easton, retired soldier, returns in this novella-length sequel to the bestselling What Moves The Dead. When Easton travels to Gallacia as a favor to Miss Potter, they find their home empty, the caretaker dead, and the grounds troubled by a strange, uncanny silence.

The locals whisper of a strange breath-stealing being from Gallacian folklore that has taken up residence in Easton's home... and in their dreams.

On a split of land cut off by the Gulf, three Victorian summer houses stand against the encroaching sand. Two of the houses at Beldame are still used. The third house, filling with sand, is empty... except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air.

The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame.

But they won't be alone. For something there, something they don't like to think about, is thinking about them... and about all the ways to make them die.

Second Glance is an intricate tale of love, haunting memories, and renewal, set in the small town of Comtosook, Vermont. When odd, supernatural events plague the town, a ghost hunter is hired by the developer to help convince the residents that there's nothing spiritual about the property.

Enter Ross Wakeman, a suicidal drifter who has put himself in mortal danger time and again. Despite his best efforts, life clings to him since his fiancée's death in a car crash eight years ago. Ross now lives only for the moment he might once again encounter the woman he loves.

In Comtosook, the only discovery Ross can lay claim to is that of Lia Beaumont, a skittish, mysterious woman who, like Ross, is on a search for something beyond the boundary separating life and death.

Jodi Picoult's enthralling and astonishing story delves into a virtually unknown chapter of American history—Vermont's eugenics project of the 1920s and 30s—to provide a compelling study of the things that come back to haunt us—literally and figuratively. Do we love across time, or in spite of it?