From “one of the UK’s most interesting authors” (Kirkus Reviews), Patricia Highsmith meets White Lotus in this surprising and suspenseful modern gothic story following a couple running from both secretive pasts and very present dangers while honeymooning on a Greek island.

Still reeling from the chaos of their wedding, Evelyn and Richard arrive on a tiny Greek island for their honeymoon. It’s the end of the season and a storm is imminent. Determined to make the best of it, they check into the sun-soaked doors of the Villa Rosa. Already feeling insecure after seeing the “beautiful people,” the seemingly endless number of young models and musicians lounging along the Mediterranean, Evelyn is wary of the hotel’s owner, Isabella, who seems to only have eyes for Richard.

Isabella ostensibly disapproves of every request Evelyn makes, seemingly annoyed at the fact that they are there at all. Isabella is also preoccupied with her chance to enthrall the only other guests—an American producer named Marcus and his partner Debbie—with the story of “the sleepwalkers,” a couple who had stayed at the hotel recently and drowned.

Everyone seems to want to talk about the sleepwalkers, save for Hamza, a young Turkish man Evelyn had seen with some “beautiful people,” as well as the “dapper little man”—the strange yet fashionable owner of the island’s lone antiques and gift shop she sees everywhere. But what at first seemed eccentric, decorative, or simply ridiculous, becomes a living nightmare. Evelyn and Richard are separated the night of the storm and forced to face dark truths, but it’s their confessions around the origins of their relationship and the years leading up to their marriage that might save them.

Exhilarating, suspenseful, and also very funny, The Sleepwalkers asks urgent questions about relationships, sexuality, and the darkest elements of contemporary society—where our most terrible secrets are hidden in plain sight.

This is a tale of murder. Or maybe that's not quite true. At its heart, it's a love story, isn't it?

Lana Farrar is a reclusive ex-movie star and one of the most famous women in the world. Every year, she invites her closest friends to escape the English weather and spend Easter on her idyllic private Greek island.

I tell you this because you may think you know this story. You probably read about it at the time - it caused a real stir in the tabloids, if you remember. It had all the necessary ingredients for a press: a celebrity; a private island cut off by the wind...and a murder.

We found ourselves trapped there overnight. Our old friendships concealed hatred and a desire for revenge. What followed was a game of cat and mouse - a battle of wits, full of twists and turns, building to an unforgettable climax. The night ended in violence and death, as one of us was found murdered.

But who am I? My name is Elliot Chase, and I'm going to tell you a story unlike any you've ever heard.

In present-day Greece, deep in an ancient forest, lives a family: Irini, a musician, who teaches children to read and play music; her husband, Tasso, who paints pictures of the forest, his greatest muse; and Chara, their young daughter, whose name means joy. On the fateful day that will forever alter the trajectory of their lives, flames chase fleeing birds across the sky. The wildfire that will consume their home, and their lives as they know it, races toward them.

Months later, as the village tries to rebuild, Irini stumbles upon the man who started the fire, a land speculator who had intended only a small, controlled burn to clear forestland to build on but instead ignited a catastrophe. He is dying, although the cause is unclear, and in her anger at all he took from them, Irini makes a split-second decision that will haunt her.

As the local police investigate the suspicious death, Tasso mourns his father, who has not been seen since before the fire. Tasso's hands were burnt in the flames, leaving him unable to paint, and he struggles to cope with the overwhelming loss of his artistic voice and his beloved forest. Only his young daughter, who wants to repair the damage that's been done, gives him hope for the future.

Gorgeously written, sweeping in scope and intimate in tone, The Book of Fire is a masterful work about the search for meaning in the wake of tragedy, as well as the universal ties that bind people together, and to the land that they call home.

August Blue, a mesmerising new novel from the twice Booker-shortlisted author Deborah Levy, delves into the life of Elsa M. Anderson, a piano virtuoso and former child prodigy, now in her thirties, who finds herself in a moment of crisis. At the pinnacle of her career, Elsa walks off the stage in Vienna, mid-performance, setting off on a journey to escape her talent and her past.

Her odyssey takes her to Athens, where she encounters a woman so familiar, she could be her double. This woman purchases a pair of mechanical dancing horses at a flea market—objects Elsa herself desires but cannot have. This encounter sparks Elsa's trek across Europe, haunted by the presence of the woman who seems to share her soul.

August Blue paints a dazzling portrait of melancholy and metamorphosis, exploring the ways we attempt to rewrite our life stories and the pursuit to reinvent ourselves.

Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy.

So begins Robert Fagles' magnificent translation of the Odyssey, which Jasper Griffin in The New York Times Review of Books hails as "a distinguished achievement." If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey through life.

Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.

Renowned classicist Bernard Knox's superb introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.

This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.