Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.

Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.

She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story.

Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

From the award-winning, bestselling author of No Logo, The Shock Doctrine, and This Changes Everything, Naomi Klein presents a revelatory analysis of the collapsed meanings, blurred identities, and uncertain realities of the mirror world.

Naomi Klein takes a more personal turn, braiding together elements of tragicomic memoir, chilling political reportage, and cobweb-clearing cultural analysis, as she dives deep into what she calls the Mirror World—our destabilized present rife with doubles and confusion, where far right movements playact solidarity with the working class, AI-generated content blurs the line between genuine and spurious, New Age wellness entrepreneurs turned anti-vaxxers further scramble our familiar political allegiances, and so many of us project our own carefully curated digital doubles out into the social media sphere.

Klein begins this richly nuanced intellectual adventure story by grappling with her own doppelganger—a fellow author and public intellectual whose views are antithetical to Klein’s own, but whose name and public persona are sufficiently similar that many people have confused the two over the years. From there, she turns her gaze both inward to our psychic landscapes—drawing on the work of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks—and outward, to our intersecting economic, environmental, medical, and political crises.

Ultimately seeking to escape the Mirror World and chart a path beyond confusion and despair, Klein delivers a treatment of the way many of us think and feel now, offering an intellectual adventure story for our times.

A historian explores the complicated relationship between womanhood and motherhood in this timely, refreshingly open-hearted study of the choices women make and the cards they’re dealt.

In an era of falling births, it’s often said that millennials invented the idea of not having kids. But history is full of women without children: some who chose childless lives, others who wanted children but never had them, and still others—the vast majority, then and now—who fell somewhere in between. Modern women considering how and if children fit into their lives are products of their political, ecological, and cultural moment. But history also tells them that they are not alone.

Drawing on deep research and her own experience as a woman without children, historian Peggy O’Donnell Heffington shows that many of the reasons women are not having children today are ones they share with women in the past: a lack of support, their jobs or finances, environmental concerns, infertility, and the desire to live different kinds of lives. Understanding this history—how normal it has always been to not have children, and how hard society has worked to make it seem abnormal—is key, she writes, to rebuilding kinship between mothers and non-mothers, and to building a better world for us all.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies. It is a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs.

Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid.

Ren aches to be in the water. She dreams of the scent of chlorine—the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

What is “woman” if not “mother”?
Anything she wants to be.

Foregoing motherhood has traditionally marked a woman as “other.” With no official place setting for her in our society, she has hovered on the sidelines: the quirky girl, the neurotic career obsessive, the “eccentric” aunt. Instead of continuing to paint women without kids as sad, self-obsessed, or somehow dysfunctional, what if we saw them as boldly forging a first-in-a-civilization vision for a fully autonomous womankind? Or as journalist and thought leader Ruby Warrington asks, What if being a woman without kids were in fact its own kind of legacy?

Taking in themes from intergenerational healing to feminism to environmentalism, this personal look and anthropological dig into a stubbornly taboo topic is a timely and brave reframing of what it means not to be a mom. Our experiences and discourse around non-motherhood are central to women’s ongoing fight for gender equality. And whether we are childless by design or circumstance, we can live without regret, shame, or compromise.

Bold and tenderhearted, Women Without Kids seeks first and foremost to help valorize a path that is the natural consequence of women having more say about the choices we make and how our lives play out. Within this, it unites the unsung sisterhood of non-mothers―no longer pariahs or misfits, but as a vital part of our evolution and collective healing as women, as humans, and as a global family.

In the aftermath of a seemingly inconsequential battle in the fourteenth century of southern India, a young girl named Pampa Kampana is thrust into an extraordinary destiny. Following the tragic death of her mother, she becomes the chosen vessel for a goddess, who empowers her with a profound mission. Pampa Kampana is to be the architect of a magnificent city, Bisnaga—known as "Victory City", destined to be the wonder of the world.

As the centuries unfold, Pampa Kampana's fate and the city's fortunes become inextricably linked. From its mystical inception—planted from a sack of magical seeds—to the inevitable decay wrought by the arrogance of its rulers, Bisnaga's story is one of love, ambition, and myth. Pampa Kampana, whispering the city and its inhabitants into existence, strives to fulfill the goddess's decree: to forge a world where women wield equal influence in a society dominated by men.

Yet, as with all tales, the narrative spirals beyond the control of its creator. Through the ebb and flow of time, as monarchs rise and fall, as victories are celebrated and defeats mourned, and as loyalties evolve, Bisnaga's tapestry grows ever more intricate—with Pampa Kampana at its very heart.

Rendered in the grandeur of an ancient epic, Victory City is a saga that celebrates the enduring power of storytelling, penned by the visionary Salman Rushdie. It is a testament to the fleeting nature of power and the eternal legacy of the stories we leave behind.