In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding.

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker.

Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter’s and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

Four lives are drawn together in a sweeping, panoramic new novel from Richard Powers, showcasing the Pulitzer Prize–winning author of The Overstory at the height of his skills.

Twelve-year-old Evie Beaulieu sinks to the bottom of a swimming pool in Montreal strapped to one of the world’s first aqualungs. Ina Aroita grows up on naval bases across the Pacific with art as her only home. Two polar opposites at an elite Chicago high school bond over a three-thousand-year-old board game; Rafi Young will get lost in literature, while Todd Keane’s work will lead to a startling AI breakthrough.

They meet on the history-scarred island of Makatea in French Polynesia, whose deposits of phosphorus once helped to feed the world. Now the tiny atoll has been chosen for humanity’s next adventure: a plan to send floating, autonomous cities out onto the open sea. But first, the island’s residents must vote to greenlight the project or turn the seasteaders away.

Set in the world’s largest ocean, this awe-filled book explores that last wild place we have yet to colonize in a still-unfolding oceanic game, and interweaves beautiful writing, rich characterization, profound themes of technology and the environment, and a deep exploration of our shared humanity in a way only Richard Powers can.

Hum is an extraordinary novel by the National Book Award–longlisted author Helen Phillips. It tells the story of a wife and mother named May, who, after losing her job to artificial intelligence, undergoes a radical procedure that makes her invisible to surveillance systems.

The narrative follows her as she invests in a brief escape to the Botanical Garden, a sanctuary of natural beauty, hoping it will heal her family's reliance on technology. However, the supposed tranquility is short-lived as her family's safety is compromised.

Hum is a riveting work of speculative fiction, examining themes of marriage, motherhood, and identity against a backdrop of environmental decay and rapid technological progress. It presents a world filled with both dystopian and utopian elements, compelling readers to confront the unsettling realities of our times.

Pink Slime is a harrowing, intimate novel about a woman and the people who depend on her as the world around them teeters on the edge—marking an award-winning Latin American author's US debut. In a city ravaged by a mysterious plague, a woman tries to understand why her world is falling apart. An algae bloom has poisoned the previously pristine air that blows in from the sea. Inland, a secretive corporation churns out the only food anyone can afford—a revolting pink paste, made of an unknown substance.

In the short, desperate breaks between deadly windstorms, our narrator stubbornly tends to her few remaining relationships: with her difficult but vulnerable mother; with the ex-husband for whom she still harbors feelings; with the boy she nannies, whose parents sent him away even as terrible threats loomed. Yet as conditions outside deteriorate further, her commitment to remaining in place only grows—even if staying means being left behind. An evocative elegy for a safe, clean world, Pink Slime is buoyed by humor and its narrator's resiliency. This unforgettable novel explores the place where love, responsibility, and self-preservation converge, and the beauty and fragility of our most intimate relationships.

HOW THE DISENCHANTMENT OF EMPIRE LED TO CLIMATE CHANGE.

While industrial states competed to colonize Asia and Africa in the nineteenth century, conversion to Christianity was replaced by a civilizing mission. This new secular impetus strode hand in hand with racial capitalism in the age of empires: a terrestrial paradise was to be achieved through accumulation and the ravaging of nature.

Far from a defence of religion, The States of the Earth argues that phenomena such as evangelism and political Islam are best understood as products of empire and secularization. In a world where material technology was considered divine, religious and secular forces both tried to achieve Heaven on Earth by destroying Earth itself.

We Loved It All: A Memory of Life by Lydia Millet is an intimate evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. In her first work of nonfiction, acclaimed novelist Lydia Millet offers a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.

Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others”―the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers―all figures in the complex tapestry each of us weaves with the surrounding world.

Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth―including our own.

You Are Here: Poetry In The Natural World, edited by the twenty-fourth Poet Laureate of the United States, Ada Limón, is a singular collection of poems that reflects on our relationship to the natural world. This book brings together fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more.

Contrary to the traditional images evoked by "nature poetry," this collection presents an updated and vibrant perspective. Each poem interacts with the author's local landscape, whether it's the vast array of flora in a national park or a resilient tree blooming by a bus stop. These works offer an intimate model of how we relate to the world around us.

Through a beautifully diverse range of voices from across the United States, You Are Here challenges our preconceptions about nature and poetry. The collection is both joyful and provocative, wondrous and urgent, offering a lyrical reimagining of what "nature" and "poetry" signify in the current era, and inviting readers to experience both in a fresh, new light.

Award-winning author and critic Emily Raboteau uses the lens of motherhood to craft a powerfully moving meditation on race, climate, environmental justice —and what it takes to find shelter. Lessons For Survival is a probing series of pilgrimages from the perspective of a mother struggling to raise her children to thrive without coming undone in an era of turbulent intersecting crises.

With camera in hand, Raboteau goes in search of birds, fluttering in the air or painted on buildings, and ways her children may safely play in city parks while avoiding pollution, pandemics, and the police. She ventures abroad to learn from indigenous peoples, and in her own family and community discovers the most intimate meanings of resilience. Raboteau bears witness to the inner life of Black women/motherhood, and to the brutalities and possibilities of cities, while celebrating the beauty and fragility of nature.

This innovative work of reportage and autobiography will appeal to readers of the bestseller All We Can Save and Joan Didion’s The White Album alike. Lessons For Survival stitches together multiple stories of protection, offering a profound sense of hope.

How to think about the end of the world and what we must do to rebuild beyond that final moment, for readers of The Mushroom at the End of the World by Anna Lowenhaupt Tsing and Extinction: A Radical History by Ashley Dawson. What are we to think as we face the sixth extinction moment? Kant's invitation to imagine an 'end of all things' no longer feels like just a thought experiment.

Philosopher Ben Ware argues that we must accept this without looking away. In fact, extinction is the very lens through which we see our current reality. He argues that in order to map the catastrophic present, we will first need to take a tiger's leap into the past in order to construct a new 'dialectics of extinctions'.

On Extinction takes us on a breath-taking philosophical journey. Bringing dialectical thought to bear on one of the most pressing issues of our times, Ware argues that radical politics today should not be concerned with merely averting the worst, but rather with beginning again at the end: bringing to completion a mode of political and economic life which tethers us all–the yet to be born–to a sick but undying present. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need.