A searing, exquisite new novel by the best-selling and award-winning author of Americanah and We Should All Be Feminists—the story of four women and their loves, longings, and desires.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until—betrayed and brokenhearted—she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America but faces an unthinkable hardship that threatens all she has worked to achieve.

In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable, or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved?

A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations on the human heart, in language that soars with beauty and power.

هذا الكتاب هو إحدى مجموعات توفيق الحكيم القصصية الشهيرة.

Our Missing Hearts is a gripping novel about a mother’s unbreakable love in a world consumed by fear. Twelve-year-old Bird Gardner lives a quiet existence with his loving father, a former linguist who now shelves books in a university library. His mother, Margaret, a Chinese American poet, left when he was nine years old, and her books have since been banned.

Bird receives a mysterious letter containing only a cryptic drawing, pulling him into a quest to find her. His journey takes him through the many folktales she once shared, into an underground network of heroic librarians, and finally to New York City, where he uncovers the truth about his mother and the future that awaits them both.

Our Missing Hearts is an old story made new, exploring the ways supposedly civilized communities can ignore searing injustice. It delves into the lessons and legacies we pass on to our children and the power of art to create change.

Ross Gay’s The Book of Delights is a genre-defying book of essays—some as short as a paragraph; some as long as five pages—that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives.

His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a black man; the ecological and psychic violence of our consumer culture; the loss of those he loves.

Among Gay’s funny, poetic, philosophical delights: the way Botan Rice Candy wrappers melt in your mouth, the volunteer crossing guard with a pronounced tremor whom he imagines as a kind of boat-woman escorting pedestrians across the River Styx, a friend’s unabashed use of air quotes, pickup basketball games, the silent nod of acknowledgment between black people.

And more than any other subject, Gay celebrates the beauty of the natural world—his garden, the flowers in the sidewalk, the birds, the bees, the mushrooms, the trees.

This is not a book of how-to or inspiration, though it could be read that way. The Book of Delights is about our connection to the world, to each other, and the rewards that come from a life closely observed. Gay’s pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old.

Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations—those who lived through Mao’s Cultural Revolution and their children, who became the students protesting in Tiananmen Square.

At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship, Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story.

Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming’s father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli, were forced to reimagine their artistic and private selves during China’s political campaigns and how their fates reverberate through the years with lasting consequences.

With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.

Men We Reaped is a poignant memoir by the talented Jesmyn Ward, who recounts the heartbreaking loss of five men in her life over five years. These men were lost to drugs, accidents, and suicide, and their deaths are painted against the backdrop of the harsh realities of poverty and systemic racism in rural Mississippi.

Ward bravely explores the pressures faced by black men, the women who support them, and the communities that struggle with the absence of these men. Her narrative is both an intimate reflection and a powerful commentary on the social and economic struggles that foster drug addiction and the breakdown of family relationships.

As the only member of her family to pursue higher education, Ward writes with the objectivity that distance provides and the intimacy of someone deeply familiar with the struggles of her community. Men We Reaped is a compelling read that resonates with the themes of grief, resilience, and hope.

The World of Yesterday is a profound memoir by the renowned Austrian author, Stefan Zweig. This masterpiece stands as one of his most significant works, providing a rich source for understanding modern European culture.

Zweig offers an eyewitness account of the pivotal events that shaped modern European history. Through his vivid recollections, he captures the atmosphere of Europe's cities and shares encounters with some of its most notable personalities.

This autobiography serves as a mirror to an era and a poignant reflection on the cultural and historical transformations of his time.

Kapan terakhir kali kita memeluk ayah kita? Menatap wajahnya, lantas bilang kita sungguh sayang padanya? Kapan terakhir kali kita bercakap ringan, tertawa gelak, bercengkerama, lantas menyentuh lembut tangannya, bilang kita sungguh bangga padanya?

Inilah kisah tentang seorang anak yang dibesarkan dengan dongeng-dongeng kesederhanaan hidup. Kesederhanaan yang justru membuat ia membenci ayahnya sendiri. Inilah kisah tentang hakikat kebahagiaan sejati. Jika kalian tidak menemukan rumus itu di novel ini, tidak ada lagi cara terbaik untuk menjelaskannya.

Mulailah membaca novel ini dengan hati lapang, dan saat tiba di halaman terakhir, berlarilah secepat mungkin menemui ayah kita, sebelum semuanya terlambat, dan kita tidak pernah sempat mengatakannya.

Tere-Liye adalah pengarang beberapa novel dengan rating tinggi di website para pencinta buku. Tere-Liye banyak menghabiskan waktu untuk melakukan perjalanan, mencoba memahami banyak hal dengan melihat banyak tempat. Selamat membaca novel kecil ini.

What is beauty? In History of Beauty, Umberto Eco, one of Italy’s finest contemporary thinkers, delves into the nature, meaning, and history of the idea of beauty in Western culture. This groundbreaking work is lavishly illustrated with abundant examples of sublime painting and sculpture.

Eco explores how every historical era has had its own ideas about eye-appeal and beauty. The book is a profound philosophical journey, examining the intersection of standards of beauty with Christian belief, notions of the Sublime, and the philosophies of Kant and Hegel.

With more than 300 illustrations, this book traces the history of Western art as it relates to beauty, covering themes like the mathematics of ideal proportions, the representation of ugliness, and the fascination with the exotic.

Si Jed Martin, le personnage principal de ce roman, devait vous en raconter l’histoire, il commencerait peut-être par vous parler d’une panne de chauffe-eau, un certain 15 décembre. Ou de son père, architecte connu et engagé, avec qui il passa seul de nombreux réveillons de Noël.

Il évoquerait certainement Olga, une très jolie Russe rencontrée au début de sa carrière, lors d’une première exposition de son travail photographique à partir de cartes routières Michelin. C’était avant que le succès mondial n’arrive avec la série des « métiers », ces portraits de personnalités de tous milieux (dont l’écrivain Michel Houellebecq), saisis dans l’exercice de leur profession.

Il devrait dire aussi comment il aida le commissaire Jasselin à élucider une atroce affaire criminelle, dont la terrifiante mise en scène marqua durablement les équipes de police.

Sur la fin de sa vie, il accédera à une certaine sérénité, et n’émettra plus que des murmures.

L’art, l’argent, l’amour, le rapport au père, la mort, le travail, la France devenue un paradis touristique sont quelques-uns des thèmes de ce roman, résolument classique et ouvertement moderne.

الديوان الأخير للشاعر الراحل محمود درويش بعنوان لا أريد لهذي القصيدة أن تنتهي ينقسم الديوان إلى ثلاثة أقسام:

الأول بعنوان لاعب النرد وهو يبدأ بالقصيدة التي استهل بها أمسيته الأخيرة في رام الله.

القسم الثاني خصص لقصيدة واحدة لا أريد لهذي القصيدة أن تنتهي والأرجح أنها القصيدة الأخيرة التي كتبها زمنياً، والتي أراد لها الشاعر أن لا تنتهي. وهي ترمز إلى علاقة الشاعر بذاته وأرضه وموته.

أما القسم الثالث فيضم مجموعة من القصائد التي كتبها محمود درويش على مراحل منها الوطني ومنها الشخصي وبينها قصيدتان إلى نزار قباني وإميل حبيبي.

Ximen Nao, a landowner known for his generosity and kindness to his peasants, is not only stripped of his land and worldly possessions in Mao's Land Reform Movement of 1948, but is cruelly executed, despite his protestations of innocence.

He goes to Hell, where Lord Yama, king of the underworld, has Ximen Nao tortured endlessly, trying to make him admit his guilt, to no avail. Finally, in disgust, Lord Yama allows Ximen Nao to return to earth, to his own farm, where he is reborn not as a human but first as a donkey, then an ox, pig, dog, monkey, and finally the big-headed boy Lan Qiansui.

Through the earthy and hugely entertaining perspectives of these animals, Ximen Nao narrates fifty years of modern Chinese history, ending on the eve of the new millennium. Here is an absolutely spellbinding tale that reveals the author's love of the land, beset by so many ills, traditional and modern.

Seventeen years ago, Sepha Stephanos fled the Ethiopian Revolution after witnessing soldiers brutally beat his father. Selling off his parents' jewelry, he paid for passage to the United States. Now, he finds himself running a grocery store in a poor African-American neighborhood in Washington, D.C. His only companions are two fellow African immigrants who share his feelings of frustration and bitter nostalgia for their home continent.

He realizes that his life has turned out completely different and far more isolated from the one he had imagined for himself years ago. Soon, Sepha's neighborhood begins to change. Hope comes in the form of new neighbors—Judith and Naomi, a white woman and her biracial daughter—who become his friends and remind him of what having a family is like for the first time in years.

But when the neighborhood's newfound calm is disturbed by a series of racial incidents, Sepha may lose everything all over again. Told in a haunting and powerful first-person narration, the novel casts the streets of Washington, D.C., and Addis Ababa through Sepha's eyes. The Beautiful Things That Heaven Bears is a deeply affecting and unforgettable debut novel about what it means to lose a family and a country—and what it takes to create a new home.

رواية "ربع جرام" من الأدب الاجتماعى الذى يتخلل –بعمق- ذلك النسيج المجتمعى للفترة التى تمثلها الرواية. تتبنى مشكلة إدمان المخدرات باعتبارها ظاهرة حياتية من أهم المشكلات التى تعانى منها كافة المجتمعات الإنسانية.

ترسم طريق الحل والخلاص ولا يأتى ذلك فى سياق موعظة وحكمة مباشرة، وإنما من خلال لغة أدبية رشيقة، ترسم أدق المشاعر وأكثرها خصوصية وتحس بأن شخوصها أناس يحيون بيننا. نتعاطف معهم ونحاسبهم ونحاول أن نصل بهم إلى بر الأمان.

Orhan Pamuk’s first book since winning the Nobel Prize, Other Colors is a dazzling collection of essays on his life, his city, his work, and the example of other writers.

Over the last three decades, Pamuk has written, in addition to his seven novels, scores of pieces—personal, critical, and meditative—the finest of which he has brilliantly woven together here. He opens a window on his private life, from his boyhood dislike of school to his daughter’s precocious melancholy, from his successful struggle to quit smoking to his anxiety at the prospect of testifying against some clumsy muggers who fell upon him during a visit to New York City.

From ordinary obligations such as applying for a passport or sharing a holiday meal with relatives, he takes extraordinary flights of imagination; in extreme moments, such as the terrifying days following a cataclysmic earthquake in Istanbul, he lays bare our most basic hopes and fears.

Again and again, Pamuk declares his faith in fiction, engaging the work of such predecessors as Laurence Sterne and Fyodor Dostoyevsky, sharing fragments from his notebooks, and commenting on his own novels. He contemplates his mysterious compulsion to sit alone at a desk and dream, always returning to the rich deliverance that is reading and writing.

By turns witty, moving, playful, and provocative, Other Colors glows with the energy of a master at work and gives us the world through his eyes, assigning every radiant theme and shifting mood its precise shade in the spectrum of significance.

Filosofi Kopi: Kumpulan Cerita dan Prosa Satu Dekade is a mesmerizing collection of stories and prose by the talented Dee Lestari. This book invites readers to delve into a world where coffee is not just a beverage, but a profound symbol of life and reflection.

Through the lens of coffee, Dee explores themes of Buddha, Herman, and unspoken love, weaving narratives that are both bittersweet and invigorating. Her ability to transform the confined space of a short story into an expansive realm of introspection and dialogue is nothing short of remarkable.

The stories in this collection are akin to a perfectly brewed cup of coffee: aromatic, refreshing, and delightful. They offer a unique blend of bitterness intertwined with sweetness, engaging readers in a journey through life's small yet significant moments.

Un mundo para Julius es una obra maestra de la literatura peruana, considerada por muchos como la mejor novela del país.

La historia es un retrato vibrante y crítico de un sector feliz y despreocupado de la oligarquía limeña. En el centro de la narrativa está Julius, un niño inteligente y afortunado, quien se convierte en el eje de una serie de costumbres y pensamientos que reflejan una situación de buen gusto, aunque amenazada por la fragilidad y resaltada por una injusticia terrible.

Con una mezcla sutil de ironía, nostalgia y humor, esta novela de Alfredo Bryce Echenique ofrece una visión aguda de la realidad que la convierte en una de las mejores obras de la narrativa latinoamericana.

كل ما أدريه أنني مذ غادرت الجزائر ما عدت ذلك الصحافي ولا المصوّر الذي كنته. أصبحت بطلاً في رواية، أو في فيلم سينمائي يعيش على أهبة مباغتة؟ جاهزاً لأمر ما.. لفرح طارئ أو لفاجعة مرتقبة.

نحن من بعثرتهم قسنطينة، ها نحن نتواعد في عواصم الحزن وضواحي الخوف الباريسي. حتى من قبل أن نلتقي حزنت من أجل ناصر، من أجل اسم أكبر من أن يقيم ضيفاً في ضواحي التاريخ، لأن أباه لم يورثه شيئاً عدا اسمه، ولأن البعض صنع من الوطن ملكاً عقارياً لأولاده، وأدار البلاد كما يدير مزرعة عائلية تربي في خرائبها القتلة، بينما يتشرد شرفاء الوطن في المنافي.

جميل ناصر، كما تصورته كان. وجميلاً كان لقائي به، وضمة منه احتضنت فيها التاريخ والحبّ معاً، فقد كان نصفه سي الطاهر ونصفه حياة.

كانت شقته على بساطتها مؤثثة بدفء عن استعاض بالأثاث الجميل عن خسارة ما، ومن استعان بالموسيقى القسنطينية ليغطي على نواح داخلي لا يتوقف... رحت أسأل ناصر عن أخباره وعن سفره من ألمانيا إلى باريس إن كان وجد فيه مشقة. ردّ مازحاً: كانت الأسئلة أطول من المسافة! ثم أضاف أقصد الإهانات المهذبة التي تقدم إليك من المطارات على شكل أسئلة قال مراد مازحاً: واش تريد يا خويا.." وجه الخروف معروف"!

ردّ ناص: معروف بماذا؟ بأنه الذئب؟ أجاب مراد: إن لم تكن الذئب، فالذئاب كثيرة هذه الأيام. ولا أرى سبباً لغضبك. هنا على الأقل لا خوف عليك ما دمت بريئاً. ولا تشكل خطراً على الآخرين. أما عندنا فحتى البريء لا يضمن سلامته! ردّ ناصر متذمراً: نحن نفاصل بين موت وآخر، وذلّ وآخر، لا غير.

في الجزائر يبحثون عنك لتصفيتك جسدياً. عذابك يدوم زمن اختراق رصاصة. في أوروبا بذريعة إنقاذك من القتلة يقتلونك عرياً كل لحظة، ويطيل من عذابك أن العري لا يقتل بل يجردك من حميميتك ويغتالك مهانة. تشعر أنك تمشي بين الناس وتقيم بينهم لكنك لن تكون منهم، أنت عارٍ ومكشوف ومشبوه بسبب اسمك، وسحنتك ودينك. لا خصوصية لك برغم أنك في بلد حر.

أنت تحب وتعمل وتسافر وتنفق بشهادة الكاميرات وأجهزة التنصت وملفات الاستخبارات.

في زمن موت كرامة العربي، في زمن تهميشه في زمن احتقاره وامتهانه تضحي مساحة سرديات أحلام مستغانمي أوسع وأعمق، وبعيدة كل البعد عن روتينية الصنعة الروائية في استرسالاتها في انبعاثات أحداثها. فهي تؤدي مهمة تتجاوز الحدث، مخنوقة النفس العربية عموماً، الجزائرية على وجه الخصوص، مستلهمة من الواقع منولوجاتها الداخلية وحتى الخارجية، ممتزجة باليأس، وغارقة في لجج من الإحباطات.

تسترسل أحلام مستغانمي في انسياحاتها السردية متماهية مع الجزائري مع العربي في آلامه وأوجاعه. في محاولة لتشخيص مرض وإيجاد علاج. من خلال أسلوب أدبي رائع، وعبارات ومعانٍ تميل إلى الرمز حيناً، إلى الواقعية أحاييناً مستدرجة مشاعر القارئ وفكره للتماهي في رحلتها التي شرعتها مع عابر سرير.

Put Jonathan Raban on a boat, and the results will be fascinating, and never more so than when he’s sailing around the serpentine, 2,000-mile coast of his native England. In this acutely perceived and beautifully written book, Raban turns that voyage—which coincided with the Falklands war of 1982—into an occasion for meditations on his country, his childhood, and the elusive notion of home.

Whether he’s chatting with bored tax exiles on the Isle of Man, wrestling down a mainsail during a titanic gale, or crashing a Scottish house party where the kilted guests turn out to be Americans, Raban is alert to the slightest nuance of meaning. One can read Coasting for his precise naturalistic descriptions or his mordant comments on the new England, where the principal industry seems to be the marketing of Englishness. But one always reads it with pleasure.

Caroline Fletcher, the daughter of a wealthy slave-holding family from Richmond, Virginia, is raised in a culture that believes slavery is God-ordained and biblically acceptable. But upon awakening to the cruelty and injustice it encompasses, Caroline's eyes are opened for the first time to the men and women who have cared tirelessly for her.

Her journey of maturity and faith will draw her into the abolitionist movement, where she is confronted with the risks and sacrifices her beliefs entail. Emboldened by her passion to make a difference and her growing faith, will she risk everything she holds dear?

هزمتك يا موت الفنون جميعها

هكذا وفي عبارة واحدة يكثف الشاعر محمود درويش في جداريته ما حاول أن يقوله بأساليب متنوعة على مدى هذه القصيدة - الديوان. إنها لحظة التحدي الأخيرة بين لغة وذاكرة من جهة، ونهاية كانت تقترب بسرعة.

فمن غير الشاعر يتطيع منازلة الموت بهذه الطريقة وذاك الدفق وهذا البوح؟ محمود درويش هنا جديد، تتصاعد درجة انتباهه على شرفة الموت، فيهدي إلينا تلك التجربة شعرًا آسرًا، يتوقف فيه الزمن وتتباطأ حركته، فتتأبد اللحظات واللقطات والمشاهد، لنعثر بعد رحلة جلجامش الشهيرة على سفر مبتكر للخلود.

روی ماه خداوند را ببوس is a captivating novel by Mostafa Mastoor, a renowned Iranian author.

This story delves into the depths of human emotions and spirituality, exploring the intricate relationship between man and the divine.

Through its pages, readers are invited to embark on a journey of self-discovery and reflection, as the characters navigate their personal struggles and aspirations.

Rich in cultural context and philosophical insights, this novel offers a unique perspective on life's profound questions.

Mr Palomar is a delightful eccentric whose chief activity is looking at things. He is simply seeking knowledge; it is only after you have come to know the surface of things that you can venture to seek what is underneath.

Whether contemplating a fine cheese, a hungry gecko, a woman sunbathing topless, or a flight of migrant starlings, Mr Palomar's observations render the world afresh.

Life After God is a compellingly innovative collection of stories that cuts through the hype of modern living. It travels inward to the elusive terrain of dreams and nightmares, exploring themes that resonate deeply with our generation.

Douglas Coupland invites us into worlds we know exist but rarely see, finding rare grace amid our pre-millennium turmoil. As we navigate a culture seemingly beyond God, we confront the beauty and disenchantments of the world that temper our souls.

In a world of commodities and consumerism, where spiritual impulses have nowhere to flow, this book delves into the questions of how we cope with loneliness, anxiety, and the collapse of relationships. It seeks to uncover a new kind of truth for a culture stuck on fast-forward, inviting us to reach the quiet, safe layer of our lives.

Krishna, an English teacher in the town of Malgudi, is constantly nagged by the feeling that he's doing the wrong work. Despite this, he is delighted by his domestic life, where his wife and young daughter wait for him outside the house every afternoon.

Devastated by the death of his wife, Krishna comes to realize what he truly wants to do. He makes a decision that will change his life forever.

Герои романа - Лиза Тураева и Костя Тарновский познакомились на гимназическом балу. Как это часто бывает, их пути разошлись. Лиза эмигрировала за границу и стала художницей, Костя - остался в России, занялся наукой и получил звание профессора.

У каждого теперь своя семья и личная жизнь, но их общение не прерывается - они пишут друг другу письма, и эта переписка - самое важное, что есть у них в жизни.

Rappelle-toi Barbara
Il pleuvait sans cesse sur Brest ce jour-là
Et tu marchais souriante
Épanouie ravie ruisselante
Sous la pluie

Rappelle-toi Barbara...
Oh Barbara
Quelle connerie la guerre
Qu'es-tu devenue maintenant
Sous cette pluie de fer
De feu d'acier et de sang
Et celui qui te serrait dans ses bras
Amoureusement
Est-il mort disparu ou bien encore vivant...

In this captivating novel, Tasos Athanasiadis presents a group of young men and women as they enjoy the summer days on a fictional island in the Cyclades. Beneath their apparent bliss and the dazzling Aegean sky, they hear the tormenting voice whispering within them that it's time to make a serious decision about their future.

The author vividly brings to life their psychological reactions to events that surprise their plans for this future, with scenes of sensual intoxication and dramatic uncertainty. This book, translated into German, was met with praise from foreign critics and described as "a masterpiece from Greece," "one of the most important European novels of our time," and "an epic of reconciliation of peoples."

Ultima noapte de dragoste, întâia noapte de război is a remarkable novel by Camil Petrescu, first published in 1930. The book presents a classic love story intertwined with a war diary, creating a narrative that challenges traditional genres.

The novel is narrated in the first person, offering a unique perspective that blends emotions of jealousy and the harsh realities of war. This combination provides an innovative approach to storytelling, distinguishing it from other novels of its time.

Ultima noapte de dragoste, întâia noapte de război marks a profound and radical reform in the novel genre, ensuring that literature would never be the same after its release.

"Aku tahu sekarang, lebih banyak luka di hati bapakku dibanding di tubuhnya. Juga mamakku, lebih banyak tangis di hati Mamak dibanding di matanya."

Sebuah kisah tentang perjalanan pulang, melalui pertarungan demi pertarungan, untuk memeluk erat semua kebencian dan rasa sakit.

Selalu ada hal baru yang bisa direnungi dan dipahami dari novel-novel Tere Liye.

Membaca novel-novel Tere Liye seperti pulang ke rumah. Berapa jauh pun kaki melangkah, selalu ingin kembali.