The Shifter is an immortal creature bound by an ancient spell to protect the kings of Samorna. When the realm is peaceful, she retreats to the Mistwood. But when she is needed, she always comes.

Isabel remembers nothing. Nothing before the prince rode into her forest to take her back to the castle. Nothing about who she is supposed to be, or the powers she is supposed to have.

Prince Rokan needs Isabel to be his Shifter. He needs her ability to shift to animal form, to wind, to mist. He needs her lethal speed and superhuman strength. And he needs her loyalty—because without it, she may be his greatest threat.

Isabel knows that her prince is lying to her, but she can't help wanting to protect him from the dangers and intrigues of the court... until a deadly truth shatters the bond between them.

Now Isabel faces a choice that threatens her loyalty, her heart... and everything she thought she knew.

The Lady and the Unicorn is a tour de force of history and imagination. Tracy Chevalier masterfully unravels the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. These tapestries appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.

Paris, 1490: A shrewd French nobleman commissions six lavish tapestries to celebrate his rising status at Court. He hires the charismatic, arrogant, and sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the nobleman's house—mother and daughter, servant, and lady-in-waiting—before taking his designs north to the Brussels workshop where the tapestries are to be woven.

There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries—his finest, most intricate work—on time for his exacting French client. The results change all their lives—lives that have been captured in the tapestries, for those who know where to look.

In The Lady and the Unicorn, Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry—an extraordinary story exquisitely told.

Battle on and off the field, with sword and fan, with might and manners...

It begins in a cold and shabby tower room, where young Countess Meliara swears to her dying father that she and her brother will defend their people from the growing greed of the king. That promise leads them into a war for which they are ill-prepared, a war that threatens the homes and lives of the very people they are trying to protect.

But war is simple compared to what follows, when the bloody fighting is done and a fragile peace is at hand. Although she wants to turn her back on politics and the crown, Meliara is summoned to the royal palace. There, she soon discovers, friends and enemies look alike, and intrigue fills the dance halls and the drawing rooms.

If she is to survive, Meliara must learn a whole new way of fighting—with wit and words and secret alliances. In war, at least, she knew whom she could trust. Now she can trust no one.

Composed in the early thirteenth century, Wolfram von Eschenbach's Parzival is the re-creation and completion of the story left unfinished by its initiator Chrétien de Troyes. It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone.

As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.