Emergency Contact meets Moxie in this cheeky and searing novel that unpacks just how complicated new love can get…when you fall for your enemy.

Eliza Quan is the perfect candidate for editor in chief of her school paper. That is, until ex-jock Len DiMartile decides on a whim to run against her. Suddenly her vast qualifications mean squat because inexperienced Len—who is tall, handsome, and male—just seems more like a leader.

When Eliza's frustration spills out in a viral essay, she finds herself inspiring a feminist movement she never meant to start, caught between those who believe she's a gender equality champion and others who think she's simply crying misogyny.

Amid this growing tension, the school asks Eliza and Len to work side by side to demonstrate civility. But as they get to know one another, Eliza feels increasingly trapped by a horrifying realization—she just might be falling for the face of the patriarchy himself.

Demon Copperhead is set in the mountains of southern Appalachia, unraveling the life of a boy born to a teenage single mother in a single-wide trailer. He possesses no material wealth, save for his dead father's good looks, copper-colored hair, a sharp wit, and an innate ability to survive. Told through his candid perspective, Demon navigates the treacherous landscape of foster care, child labor, failing schools, athletic achievement, addiction, disastrous romances, and profound losses.

As he confronts the harsh reality of his own invisibility within a society that has relegated rural people to the shadows, even in popular culture where superheroes favor cities over the countryside, Demon's journey is a testament to resilience.

Inspired by Charles Dickens' David Copperfield, which itself was a product of Dickens' experiences with institutional poverty and its detrimental effects on children, Demon Copperhead carries forward Dickens' legacy of indignation and empathy. Barbara Kingsolver employs these sentiments to weave a narrative that is both a nod to a classic and a voice for the modern generation of 'lost boys' and all those rooted to places of cursed beauty they cannot fathom leaving.

Stay True is a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by New Yorker staff writer Hua Hsu. In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes 'zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to.

The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them. But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.

Determined to hold on to all that was left off one of his closest friends—his memories—Hua turned to writing. Stay True is the book he's been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.

Saving the world is a test no school of magic can prepare you for in the triumphant conclusion to the New York Times bestselling trilogy that began with A Deadly Education and The Last Graduate. The one thing you never talk about while you're in the Scholomance is what you'll do when you get out. Not even the richest enclaver would tempt fate that way. But it's all we dream about: the hideously slim chance we'll survive to make it out the gates and improbably find ourselves with a life ahead of us, a life outside the Scholomance halls.

And now the impossible dream has come true. I'm out, we're all out—and I didn't even have to turn into a monstrous dark witch to make it happen. So much for my great-grandmother's prophecy of doom and destruction. I didn't kill enclavers, I saved them. Me, and Orion, and our allies. Our graduation plan worked to perfection: we saved everyone and made the world safe for all wizards and brought peace and harmony to all the enclaves everywhere. Ha, only joking! Actually, it's gone all wrong. Someone else has picked up the project of destroying enclaves in my stead, and probably everyone we saved is about to get killed in the brewing enclave war.

And the first thing I've got to do now, having miraculously gotten out of the Scholomance, is turn straight around and find a way back in.

Legendary storyteller Stephen King dives deep into the well of his imagination in this spellbinding novel about a seventeen-year-old boy who inherits the keys to a parallel world where good and evil are at war, and the stakes could not be higher—for their world or ours.

Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a hit-and-run accident when he was ten, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. Then, when Charlie is seventeen, he meets Howard Bowditch, a recluse with a big dog in a big house at the top of a big hill. In the backyard is a locked shed from which strange sounds emerge, as if some creature is trying to escape. When Mr. Bowditch dies, he leaves Charlie the house, a massive amount of gold, a cassette tape telling a story that is impossible to believe, and a responsibility far too massive for a boy to shoulder.

Because within the shed is a portal to another world—one whose denizens are in peril and whose monstrous leaders may destroy their own world, and ours. In this parallel universe, where two moons race across the sky, and the grand towers of a sprawling palace pierce the clouds, there are exiled princesses and princes who suffer horrific punishments; there are dungeons; there are games in which men and women must fight each other to the death for the amusement of the “Fair One.” And there is a magic sundial that can turn back time.

Fairy Tale is a story as old as myth, and as startling and iconic as the rest of King's work, about an ordinary guy forced into the hero's role by circumstance, and it is both spectacularly suspenseful and satisfying.

Belly measures her life in summers. Everything good, everything magical happens between the months of June and August. Winters are simply a time to count the weeks until the next summer, a place away from the beach house, away from Susannah, and most importantly, away from Jeremiah and Conrad. They are the boys that Belly has known since her very first summer—they have been her brother figures, her crushes, and everything in between.

But one summer, one terrible and wonderful summer, the more everything changes, the more it all ends up just the way it should have been all along.

From two incredible rising talents comes the fantasy graphic novel Molly Knox Ostertag calls “instantly compelling.” Aiza has always dreamt of becoming a Knight. It’s the highest military honor in the once-great Bayt-Sajji Empire, and as a member of the subjugated Ornu people, Knighthood is her only path to full citizenship. Ravaged by famine and mounting tensions, Bayt-Sajji finds itself on the brink of war once again, so Aiza can finally enlist in the competitive Squire training program. It’s not how she imagined it, though.

Aiza must navigate new friendships, rivalries, and rigorous training under the unyielding General Hende, all while hiding her Ornu background. As the pressure mounts, Aiza realizes that the “greater good” that Bayt-Sajji’s military promises might not include her, and that the recruits might be in greater danger than she ever imagined. In this breathtaking and timely story, Aiza will have to choose, once and for all: loyalty to her heart and heritage, or loyalty to the Empire.