A candid and captivating memoir from award-winning and beloved actress Kelly Bishop, spanning her six decades in show business from Broadway to Hollywood with A Chorus Line, Dirty Dancing, Gilmore Girls, and much more.

Kelly Bishop’s long, storied career has been defined by landmark achievements, from winning a Tony Award for her turn in the original Broadway cast of A Chorus Line to her memorable performance as Jennifer Grey’s mother in Dirty Dancing. But it is probably her iconic role as matriarch Emily in the modern classic Gilmore Girls that cemented her legacy. Now, Bishop reflects on her remarkable life and looks towards the future with The Third Gilmore Girl. She shares some of her greatest stories and the life lessons she’s learned on her journey. From her early transition from dance to drama, to marrying young to a compulsive gambler, to the losses and achievements she experienced—among them marching for women’s rights and losing her second husband to cancer—Bishop offers a rich, genuine celebration of her life. Full of witty insights and featuring a special collection of personal and professional photographs, The Third Gilmore Girl is a warm, unapologetic, and spirited memoir from a woman who has left indelible impressions on her audiences for decades and has no plans on slowing down.

An electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre. Hey girlfriend I got a proposition, goes something like this: Dare ya to do what you want. Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the 90s and beyond. Her band, Bikini Kill, embodies this iconic time, and today her personal yet feminist lyrics on anthems like "Rebel Girl" and "Double Dare Ya" are more powerful than ever.

But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes clear, being in a "girl band," especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination.

But the relationships she developed during those years buoyed her—including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett— were all a testament to how the punk world could nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands, Le Tigre and The Julie Ruin.

She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful—and how it continues to fuel her revolutionary art and music.

The Demon of Unrest by Erik Larson, the #1 New York Times bestselling author of The Splendid and the Vile, brings to life the pivotal five months between the election of Abraham Lincoln and the start of the Civil War—a slow-burning crisis that finally tore a deeply divided nation in two.

On November 6, 1860, Abraham Lincoln became the fluky victor in a tight race for president. The country was bitterly at odds; Southern extremists were moving ever closer to destroying the Union, with one state after another seceding and Lincoln powerless to stop them. Slavery fueled the conflict, but somehow the passions of North and South came to focus on a lonely federal fortress in Charleston—Fort Sumter.

Master storyteller Erik Larson offers a gripping account of the chaotic months between Lincoln’s election and the Confederacy’s shelling of Sumter—a period marked by tragic errors and miscommunications, inflamed egos and craven ambitions, personal tragedies and betrayals. Lincoln himself wrote that the trials of these five months were “so great that, could I have anticipated them, I would not have believed it possible to survive them.”

At the heart of this suspense-filled narrative are Major Robert Anderson, Sumter’s commander and a former slave owner sympathetic to the South but loyal to the Union; Edmund Ruffin, a vain and bloodthirsty radical who stirs secessionist ardor at every opportunity; and Mary Boykin Chesnut, wife of a prominent planter, conflicted over both marriage and slavery and seeing parallels between both. In the middle of it all is the overwhelmed Lincoln, battling with his duplicitous Secretary of State, William Seward, as he tries desperately to avert a war that he fears is inevitable—one that will eventually kill 750,000 Americans.

Drawing on diaries, secret communiques, slave ledgers, and plantation records, Larson gives us a political horror story that captures the forces that led America to the brink—a dark reminder that we often don’t see a cataclysm coming until it’s too late.

An Unfinished Love Story: A Personal History of the 1960s by Doris Kearns Goodwin, one of America's most beloved historians, artfully weaves together biography, memoir, and history. She takes you along on the emotional journey she and her husband, Richard (Dick) Goodwin embarked upon in the last years of his life.

Dick and Doris Goodwin were married for forty-two years and married to American history even longer. In his twenties, Dick was one of the brilliant young men of John F. Kennedy's New Frontier. In his thirties, he both named and helped design Lyndon Johnson's Great Society and was a speechwriter and close advisor to Robert Kennedy. Doris Kearns was a twenty-four-year-old graduate student when selected as a White House Fellow. She worked directly for Lyndon Johnson and later assisted on his memoir.

Over the years, with humor, anger, frustration, and in the end, a growing understanding, Dick and Doris had argued over the achievements and failings of the leaders they served and observed, debating the progress and unfinished promises of the country they both loved. The Goodwins' last great adventure involved finally opening the more than three hundred boxes of letters, diaries, documents, and memorabilia that Dick had saved for more than fifty years. They soon realized they had before them an unparalleled personal time capsule of the 1960s, illuminating public and private moments of a decade when individuals were powered by the conviction they could make a difference; a time, like today, marked by struggles for racial and economic justice, a time when lines were drawn and loyalties tested.

Their expedition gave Dick's last years renewed purpose and determination. It gave Doris the opportunity to connect and reconnect with participants and witnesses of pivotal moments of the 1960s. And it gave them both an opportunity to make fresh assessments of the central figures of the time—John F. Kennedy, Jacqueline Kennedy, Martin Luther King Jr., Robert Kennedy, Eugene McCarthy, and especially Lyndon Johnson, who greatly impacted both their lives. The voyage of remembrance brought unexpected discoveries, forgiveness, and the renewal of old dreams, reviving the hope that the youth of today will carry forward this unfinished love story with America.

Committed is a raw and masterful memoir that navigates the complexities of becoming a woman and going mad—and the intersection of both. Suzanne Scanlon's journey begins in the 90s as a student at Barnard College, where the loss of her mother sends her adrift in a sea of grief and inexpressible pain. This turmoil leads to a suicide attempt that results in her admission to the New York State Psychiatric Institute.

Spanning nearly three years and a myriad of experimental treatments, Suzanne eventually leaves the institute on unsteady footing. The following decades mark her path to recovery and a profound understanding of her suffering as part of a broader narrative—a lineage of women whose intricate and often silenced stories of self-realization are dismissed as mere “crazy chick” and “madwoman” clichés.

Through her personal odyssey, Suzanne discovers a resonating thrill in the works of influential women writers such as Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Audre Lorde, and Shulamith Firestone. Committed is both a tale of personal discovery and a call to reclaim the archetype of the madwoman, celebrating it as a source of insight and a means to transcendence.

From internationally renowned writer and Booker Prize winner Salman Rushdie, Knife is a searing, deeply personal account of enduring—and surviving—an attempt on his life thirty years after the fatwa that was ordered against him.

Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. Knife is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.

Traces Of Enayat is a brilliant work of creative nonfiction from one of the preeminent poets of the Arab-speaking world, exploring the mysterious life and erasure of Egyptian literature's tragic heroine. Cairo, 1963: four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. In the following decades, it's as if Enayat never existed.

Years later, celebrated Egyptian poet Iman Mersal discovers Enayat's long-forgotten Love and Silence in a Cairo book stall, leading her on a journey of reflection and rediscovery. Through interviews with family members and friends, Mersal retraces Enayat's life and afterlife, tracking down the places where Enayat spent her days. From the glamour of golden-age Egyptian cinema to the Cairo of Mersal's own past, a remarkable portrait emerges of two women striving to live on their own terms.

Traces Of Enayat embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject, crafting a luminous biographical detective story.

We Loved It All: A Memory of Life by Lydia Millet is an intimate evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. In her first work of nonfiction, acclaimed novelist Lydia Millet offers a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.

Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others”―the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers―all figures in the complex tapestry each of us weaves with the surrounding world.

Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth―including our own.

A Chance Meeting: Encounters Between American Writers And Artists by Rachel Cohen is a tapestry of creativity and circumstance, chronicling the many links and serendipitous meetings between giants of American culture. This inventive consideration of American culture evokes actual meetings between historical figures such as Henry James, Gertrude Stein, Zora Neale Hurston, and Marcel Duchamp.

The narrative reveals how these figures met in ordinary ways—a careful arrangement after long admiration, a friend's casual introduction, or simply standing near the drinks. They conversed for a few hours or for decades, and later, it seemed impossible that they could have missed each other. From a boyhood encounter between Henry James and Mathew Brady to the partnership of Avedon and James Baldwin, the book delves into the friendships, mentorships, and collaborations that sparked creativity and influenced American literature and art.

Cohen's work draws the reader into the mysterious process by which creativity has been sparked and passed on among iconoclastic American writers and artists, forming a long chain of influence stretching from the Civil War era through a century that profoundly affected contemporary culture.

Carson McCullers: A Life is the first major biography in more than twenty years of one of America's greatest writers. Drawing from newly available letters and journals, this biography paints a full picture of a brilliant and complex artist, Carson McCullers, whose literary stature has endured over time.

Carson McCullers, born Lula Carson Smith in Columbus, Georgia, aspired to become a concert pianist, but her talent for writing, evident since she was sixteen, led her to a different path. The influence of music can be seen throughout her work, and her personal life was as rich and complex as her novels. At the age of twenty, she married Reeves McCullers, and their tumultuous twelve-year marriage ended tragically with his suicide in 1953.

McCullers' debut novel, The Heart Is a Lonely Hunter, published when she was just twenty-three, catapulted her to literary stardom. Despite her public success, her private life remained enigmatic. Now, with access to a wealth of materials that have surfaced in recent years, Mary V. Dearborn gives us an unprecedented look into the life of a writer who was decades ahead of her time, capturing the heart and longing of the outcast.

Burma Sahib is a riveting new novel from acclaimed author Paul Theroux, exploring one of English literature's most beloved and controversial figures—George Orwell. This biographical fiction delves into the early years of Orwell as an officer in colonial Burma, a time that transformed him from Eric Blair, the British Raj policeman, into Orwell, the anticolonial writer.

At the tender age of nineteen, young Eton graduate Eric Blair sets sail for India, filled with dread for the assignment that lies ahead. As a conscript trained to serve the British Empire, Blair is tasked with overseeing the local policemen in Burma. He must navigate the complex social, racial, and class politics of his fellow Britons while simultaneously learning the local languages and maintaining control over his men.

Faced with challenges to his self-worth and a sense that he is not suited for the role, Blair's experiences in the hot, beautiful land of Burma are overwhelming. His clashes with superiors and the unfolding drama in this setting ultimately lead to a profound transformation, forever changing the man known to the world as George Orwell.

Since his death in 1961 at the age of thirty-six, Frantz Fanon has loomed ever larger. He was the intellectual activist of the postcolonial era, and his writings about race, revolution, and the psychology of power have inspired radical movements across the world. But who was Frantz Fanon? In this searching biography, Adam Shatz tells the story of Fanon's stunning journey--from a civil servant's modest home in Martinique to fighting in the French Army during World War II, practicing psychiatry in rural France and Algeria, and joining the Algerian independence struggle, where he became a spokesman, diplomat, and clandestine strategist before his death at a military hospital in Maryland.

Shatz situates Fanon's writings in the context of his close and contested relations with the French intellectuals of his era, as well as his encounters with psychiatric patients, guerrilla fighters, and the early leaders of independent African states. Today, Fanon's Black Skin, White Masks and The Wretched of the Earth have become canonical texts of the Black and global radical imagination, comparable to James Baldwin's essays in their influence. And yet they are little understood. In The Rebel's Clinic, Shatz offers a dramatic reconstruction of Fanon's extraordinary life--and a guide to the books that underlie Black Lives Matter and other groups attempting to challenge white supremacy and racial capitalism.

The Survivors of the Clotilda joins the ranks of Rebecca Skloot’s The Immortal Life of Henrietta Lacks and Zora Neale Hurston’s rediscovered classic Barracoon, offering an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil. This compelling narrative is told through the stories of its survivors—the final documented survivors of any slave ship—whose lives diverged and intersected in profound ways.

The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860—more than half a century after a federal law banned the importation of captive Africans, and nine months before the start of the Civil War. The last of its survivors lived well into the twentieth century, serving as the last witnesses to the final act of a significant and tragic period in world history.

In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile—an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston—to the foundation of the quilting community of Gee’s Bend—a Black artistic circle whose cultural influence remains enormous.

An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.