A hitmaking songwriter and a bitter musician share a startling and inexplicable connection that they’ll do anything to shake, in the next sparkling, magical book from Ashley Poston.

Joni Lark is living the dream. She’s one of the most coveted songwriters in LA… and she can’t seem to write. There’s an emptiness inside her, and nothing seems to fill it.

When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf, and the concerts at The Revelry, her family’s music venue, will spark her inspiration. But when she gets there, nothing is how she left it. Her best friend is avoiding her, her mother’s memories are fading fast, and The Revelry is closing.

How can she think about writing her next song when everything is changing without her?

Until she hears it. A melody in her head, lyric-less and half-formed, and an alluring and addictive voice to go with it—belonging, apparently, to a wry musician with hangups of his own.

Surely, he’s a figment of her overworked imagination.

But then the very real man attached to the voice shows up in Vienna Shores. He’s aggravating and gruff on the outside—nothing like the sweet, funny voice in Joni’s head—and he has a plan:

They’ll finish the song haunting them both, break their connection, and hope they don’t risk their hearts in the process.

Because that song stuck in their heads? Maybe it’s there for a reason.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

The bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

The exciting new contemporary romance—and her first to feature a queer romance—by New York Times bestselling author Jasmine Guillory.

Avery Jensen is almost thirty, fresh off a breakup, and she’s tired of always being so uptight and well-behaved. She wants to get a hobby, date around (especially other women), flirt with everyone she sees, all the fun stuff normal people do in their twenties.

One Avery doesn't know how to do any of that. She doesn't have a lot of dating experience, with men or women, and despite being self-assured at work, she doesn't have a lot of confidence when it comes to romance.

Enter Taylor Cameron, Napa Valley's biggest flirt and champion heartbreaker. Taylor just broke up with her most recent girlfriend, and her best friend bet her that she can't make it until Labor Day without sleeping with someone. (Two whole months? Without sex? Taylor?!?!) So, she offers to give Avery flirting lessons. It will keep her busy, stop her from texting people she shouldn't. And it might distract her from how inadequate she feels compared to her friends, who all seem much more settled and adult than Taylor.

At first, Avery is stiff and nervous, but Taylor is patient and encouraging, and soon, Avery looks forward to their weekly lessons. She tells herself it's because the lessons are fun, not because she kind of might have a little bit of a crush on Taylor. Taylor doesn't even try to deny that she's intrigued by Avery, but she's still got a bet to win.

With Taylor’s help, Avery is finally doing what she wants to—flirting with lots of women, making friends, having fun! But after a while, it becomes impossible for Avery and Taylor to ignore their attraction to one another, despite them both insisting to themselves and everyone else that it isn't serious. When Taylor is forced to confront her feelings for Avery, she doesn't know what to do, how to deal with it, and most importantly, if she's already ruined the best thing she's ever had.

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is... complicated.

So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly appears on her doorstep, it feels like the final straw. But it turns out even the family you thought you could never forgive might have something to teach about love, and what it actually means to be family.