A captivating, heartrending novel about a Korean American teen navigating grief and first love.

Winter Moon dreams of escape. She works every shift she can get, longing for the day she and her grandmother can finally take flight and disappear. But when her spiteful mother steals her money, Winter is forced to turn to her estranged father, who recently reappeared in her life after being absent for more than a decade. They agree upon a simple contract: she spends time with him in exchange for payment.

It’s not easy reconciling the past and the present, though, and when she’s struck with a sudden loss, Winter flounders in grief and rage. The only person offering a hand is Joon, the new boy at school who sees Winter when no one else does.

As Winter navigates grief, first love, and forgiveness, she begins to forge connections, new and old, that make her question her future and what it really means to be family. Winter knows that broken things can never be fixed, but maybe, just maybe, they can come back together in a different way.

People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

People Like Us is wickedly funny and achingly sad all at once. It is an utter triumph bursting with larger-than-life characters who deliver a very real take on our world. This book contains characters experiencing deep loss and longing; it also is buoyed by riotous humor and characters who share the deepest love.

It is the newest creation of a writer whose work amazes, delivering something utterly new yet instantly recognizable as a Jason Mott novel. Finishing the novel will leave you absolutely breathless and, at the same time, utterly filled with joy for life, changed forever by characters who are people like us.

A hitmaking songwriter and a bitter musician share a startling and inexplicable connection that they’ll do anything to shake, in the next sparkling, magical book from Ashley Poston.

Joni Lark is living the dream. She’s one of the most coveted songwriters in LA… and she can’t seem to write. There’s an emptiness inside her, and nothing seems to fill it.

When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf, and the concerts at The Revelry, her family’s music venue, will spark her inspiration. But when she gets there, nothing is how she left it. Her best friend is avoiding her, her mother’s memories are fading fast, and The Revelry is closing.

How can she think about writing her next song when everything is changing without her?

Until she hears it. A melody in her head, lyric-less and half-formed, and an alluring and addictive voice to go with it—belonging, apparently, to a wry musician with hangups of his own.

Surely, he’s a figment of her overworked imagination.

But then the very real man attached to the voice shows up in Vienna Shores. He’s aggravating and gruff on the outside—nothing like the sweet, funny voice in Joni’s head—and he has a plan:

They’ll finish the song haunting them both, break their connection, and hope they don’t risk their hearts in the process.

Because that song stuck in their heads? Maybe it’s there for a reason.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

The bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

The exciting new contemporary romance—and her first to feature a queer romance—by New York Times bestselling author Jasmine Guillory.

Avery Jensen is almost thirty, fresh off a breakup, and she’s tired of always being so uptight and well-behaved. She wants to get a hobby, date around (especially other women), flirt with everyone she sees, all the fun stuff normal people do in their twenties.

One Avery doesn't know how to do any of that. She doesn't have a lot of dating experience, with men or women, and despite being self-assured at work, she doesn't have a lot of confidence when it comes to romance.

Enter Taylor Cameron, Napa Valley's biggest flirt and champion heartbreaker. Taylor just broke up with her most recent girlfriend, and her best friend bet her that she can't make it until Labor Day without sleeping with someone. (Two whole months? Without sex? Taylor?!?!) So, she offers to give Avery flirting lessons. It will keep her busy, stop her from texting people she shouldn't. And it might distract her from how inadequate she feels compared to her friends, who all seem much more settled and adult than Taylor.

At first, Avery is stiff and nervous, but Taylor is patient and encouraging, and soon, Avery looks forward to their weekly lessons. She tells herself it's because the lessons are fun, not because she kind of might have a little bit of a crush on Taylor. Taylor doesn't even try to deny that she's intrigued by Avery, but she's still got a bet to win.

With Taylor’s help, Avery is finally doing what she wants to—flirting with lots of women, making friends, having fun! But after a while, it becomes impossible for Avery and Taylor to ignore their attraction to one another, despite them both insisting to themselves and everyone else that it isn't serious. When Taylor is forced to confront her feelings for Avery, she doesn't know what to do, how to deal with it, and most importantly, if she's already ruined the best thing she's ever had.

From the bestselling author of The Berry Pickers

In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

In this intimate collection, Amanda Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism, and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A grieving mother finds purpose and healing on the front lines as a water protector. And a nervous child dances in her first Mawi’omi.

At times sad, sometimes disturbing but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief, there is also joy; where there is trauma, there is resilience; and most importantly, there is power.

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is... complicated.

So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly appears on her doorstep, it feels like the final straw. But it turns out even the family you thought you could never forgive might have something to teach about love, and what it actually means to be family.

For fans of Behold the Dreamers, immigrant stories, and family sagas, this compelling novel revolves around a tightly bound Nigerian family living in Florida, exploring the wounds passed down from generation to generation.

When 276 schoolgirls are abducted from their school in Nigeria, Fidelis Ewerike, a Florida-based barrister, poet, and former POW of the Nigerian Civil War, begins to go mad. He is consumed by memories of his younger sister Ugochi, who went missing during that conflict. Overwhelmed by survivor’s guilt and fearful for his sixteen-year-old daughter Amara, who bears an uncanny resemblance to Ugochi, Fidelis locks her in her bedroom, offering no words of explanation, only lovingly—if poorly—made meals and sweets.

As the family spirals into chaos, his wife Adaobi seeks the counsel of a preacher, praying for liberation from what she believes is a curse plaguing their family since leaving Nigeria. Meanwhile, fourteen-year-old Chuk battles with neighborhood boys, learning harsh lessons about force, masculinity, and his tenuous position within the family.

Rebellious and resentful, Amara longs for freedom. When she escapes her imprisonment, she falls in love with Maksym Kostyk, the son of the town drunk, rather than the Aba-born engineer-in-training her mother had hoped for. Together, they plan to run away from their familial traumas.

A Season of Light is an all-consuming masterpiece by Julie Iromuanya. To peer into the Ewerike family’s lives is a profound gift.