A funny, fiercely intelligent, and moving collection exploring marriage, friendship, fame, and artistic ambition—including a story that revisits the main character from Curtis Sittenfeld’s iconic novel Prep—from the New York Times bestselling author of Eligible and Romantic Comedy.

In her second story collection, Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long-held beliefs are overturned.

In “The Patron Saints of Middle Age,” a woman visits two friends she hasn’t seen since her divorce. In “A for Alone,” a married artist embarks on a creative project intended to disprove the so-called Mike Pence Rule, which suggests that women and men can’t spend time alone together without lusting after each other. And in “Lost but Not Forgotten,” Sittenfeld gives readers of her novel Prep a window into the world of her beloved character Lee Fiora, decades later, when Lee attends an alumni reunion at her boarding school.

Hilarious, thought-provoking, and full of tenderness for her characters, Sittenfeld’s stories peel back layer after layer of our inner lives, keeping us riveted to the page with her utterly distinctive voice.

From the bestselling author of The Berry Pickers

In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

In this intimate collection, Amanda Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism, and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A grieving mother finds purpose and healing on the front lines as a water protector. And a nervous child dances in her first Mawi’omi.

At times sad, sometimes disturbing but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief, there is also joy; where there is trauma, there is resilience; and most importantly, there is power.