Largo pétalo de mar es una novela escrita por Isabel Allende. La historia se desarrolla durante la Guerra Civil Española y sigue a los personajes de Víctor Dalmau y Roser Bruguera. Juntos, huyen a Francia y luego se embarcan en el Winnipeg, un barco fletado por el poeta Pablo Neruda, para llegar a Chile. En Chile, Víctor y Roser se enfrentan a los desafíos de una nueva vida, pero también encuentran amor y amistad. A medida que el tiempo pasa, la historia se entrelaza con eventos históricos como el golpe militar de 1973 y el exilio forzado de muchos chilenos. Esta novela épica es una historia de amor, pérdida, esperanza y resistencia. Isabel Allende teje hábilmente la narrativa, explorando temas de identidad, pertenencia y el poder del amor en tiempos difíciles.

«Éste es un libro sobre la vida... apasionado y alegre, sentimental y burlón.» ROSA MONTERO.

Cuando Rosa Montero leyó el maravilloso diario que Marie Curie comenzó tras la muerte de su esposo, y que se incluye al final de este libro, sintió que la historia de esa mujer fascinante que se enfrentó a su época le llenaba la cabeza de ideas y emociones. La ridícula idea de no volver a verte nació de ese incendio de palabras, de ese vertiginoso torbellino. Al hilo de la extraordinaria trayectoria de Curie, Rosa Montero construye una narración a medio camino entre el recuerdo personal y la memoria de todos, entre el análisis de nuestra época y la evocación íntima. Son páginas que hablan de la superación del dolor, de las relaciones entre hombres y mujeres, del esplendor del sexo, de la buena muerte y de la bella vida, de la ciencia y de la ignorancia, de la fuerza salvadora de la literatura y de la sabiduría de quienes aprenden a disfrutar de la existencia con plenitud y con ligereza.

Vivo, libérrimo y original, este libro inclasificable incluye fotos, remembranzas, amistades y anécdotas que transmiten el primitivo placer de escuchar buenas historias. Un texto auténtico, emocionante y cómplice que te atrapará desde sus primeras páginas.

On a beach in the Dominican Republic, a doomed relationship flounders. In the heat of a hospital laundry room in New Jersey, a woman does her lover's washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own.

In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

In an alternate United States, love has been declared a dangerous disease, and the government forces everyone who reaches eighteen to have a procedure called the Cure. Living with her aunt, uncle, and cousins in Portland, Maine, Lena Haloway is very much looking forward to being cured and living a safe, predictable life. She watched love destroy her mother and isn't about to make the same mistake.

But with ninety-five days left until her treatment, Lena meets enigmatic Alex, a boy from the Wilds who lives under the government's radar. What will happen if they do the unthinkable and fall in love?

Adam Deveril, the new Viscount Lynton, is madly in love with the beautiful Julia Oversley. But he has returned from the Peninsular War to find his family on the brink of ruin and his ancestral home mortgaged to the hilt. He has little choice when he is introduced to Mr. Jonathan Chawleigh, a City man of apparently unlimited wealth and no social ambitions for himself-but with his eyes firmly fixed on a suitable match for his only daughter, the quiet and decidedly plain Jenny Chawleigh.

Adam desperately needs money to keep his fatherless family together, and a marriage to Jenny would solve all his problems. And Jenny's father, a man of great wealth and ambition for his daughter, is only too happy to arrange a suitable match with a title for her. Adam chafes under Mr. Chawleigh's generosity, and Julia's jealous behavior upon hearing of the betrothal nearly brings them all into a scandal. But Adam didn't reckon with the Jenny nobody knew, or the unknown quality that lay hidden behind her demure and plain facade, who bring him comfort and eventually more....

Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed, by James C. Scott, is an essential work that delves into the reasons behind the failure of states to execute large-scale social planning successfully. It presents an analysis of various disasters, from Russia to Tanzania, probing why such efforts often result in calamity.

The book argues that disasters occur when states impose oversimplified visions on complex realities that they cannot fully comprehend. Scott emphasizes the importance of recognizing local, practical knowledge alongside formal, systematic knowledge. He critiques 'development theory' and state planning that ignores the values and wishes of the people it affects. This persuasive narrative identifies four conditions common to all planning disasters: the state's administrative ordering of nature and society; a 'high-modernist ideology' that overestimates the role of science in improving human life; the use of authoritarian power to implement broad interventions; and the inability of a weakened civil society to resist such plans.

Written with clarity, Seeing Like a State brings to light the intricate nature of the world we inhabit and serves as a cautionary tale about the limits of grand societal engineering.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .

Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

La casa de Bernarda Alba es la obra teatral más conocida de Federico Garcíaa Lorca. Escrita en 1936, no pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu. La obra expone la historia de Bernarda Alba, quien tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto.

Con Bernarda viven sus cinco hijas (Angustias, Magdalena, Amelia, Martirio y Adela), su madre y sus dos criadas. La obra, de gran belleza lírica y fuerza dramática, describe la España profunda de principios del siglo XX, caracterizada por una sociedad tradicional en la que el papel que la mujer jugaba era muy secundario. Lorca destaca por su capacidad de aunar la tradición y la vanguardia, presentando temas, personajes y géneros de la tradición teatral desde inusitadas perspectivas y filtrándolos por el tamiz de unas modernas técnicas expresivas.

Pertenece Echeverría al llamado grupo intelectual de 1837, que sentó las bases de la incipiente sociedad argentina. El éxito y la gran acogida de "La cautiva" se debe a que es una obra comprometida con el medio social en el que surge y cuya renovación formal intenta adecuarse a la realidad que describe. "El matadero" se anticipa en cierto modo a su época y desarrolla líneas que seguirá después la literatura argentina.