Anthony Swofford's Jarhead is the first Gulf War memoir by a frontline infantry marine, and it is a searing, unforgettable narrative. When the marines—or "jarheads," as they call themselves—were sent in 1990 to Saudi Arabia to fight the Iraqis, Swofford was there, with a hundred-pound pack on his shoulders and a sniper's rifle in his hands. It was one misery upon another. He lived in sand for six months, his girlfriend back home betrayed him for a scrawny hotel clerk, he was punished by boredom and fear, he considered suicide, he pulled a gun on one of his fellow marines, and he was shot at by both Iraqis and Americans.

At the end of the war, Swofford hiked for miles through a landscape of incinerated Iraqi soldiers and later was nearly killed in a booby-trapped Iraqi bunker. Swofford weaves this experience of war with vivid accounts of boot camp (which included physical abuse by his drill instructor), reflections on the mythos of the marines, and remembrances of battles with lovers and family. As engagement with the Iraqis draws closer, he is forced to consider what it is to be an American, a soldier, a son of a soldier, and a man.

Unlike the real-time print and television coverage of the Gulf War, which was highly scripted by the Pentagon, Swofford's account subverts the conventional wisdom that U.S. military interventions are now merely surgical insertions of superior forces that result in few American casualties. Jarhead insists we remember the Americans who are in fact wounded or killed, the fields of smoking enemy corpses left behind, and the continuing difficulty that American soldiers have reentering civilian life.

A harrowing yet inspiring portrait of a tormented consciousness struggling for inner peace, Jarhead will elbow for room on that short shelf of American war classics and be admired not only for the raw beauty of its prose but also for the depth of its pained heart.

Shake Hands with the Devil is a profound and harrowing account by Lt-Gen. Roméo Dallaire, who served as the force commander of the UN intervention in Rwanda in 1993. This book takes readers on a vivid journey into the heart of the Rwandan genocide, an event that saw the slaughter of 800,000 Rwandans in just 100 days.

Dallaire's mission, intended as a straightforward peacekeeping endeavor, quickly turned into a nightmare of betrayal, naiveté, and international political failure. Despite timely warnings, the international community failed to stop the genocide, leaving Dallaire and his men to witness unimaginable horrors.

Through his unsparing eyewitness account, Dallaire shares his personal journey from a confident Cold Warrior to a devastated UN commander, struggling to reconcile his experiences and find peace. His narrative challenges conventional ideas of military leadership and underscores the moral complexities faced by peacekeepers in conflict zones.

This book is not just a military account but a cri de coeur for the thousands slaughtered and a tribute to the souls lost to the violence. It highlights the critical importance of understanding the moral minefields peacekeepers must navigate when intervening in "dirty wars."

Hiroshima Mon Amour is a profound exploration of the influence of war on both Japanese and French culture. The screenplay, written by Marguerite Duras, accompanies the classic film directed by Alain Renais, which gained international acclaim upon its release in 1959.

This story revolves around a love affair between a Japanese architect and a French actress who visits Japan to make a film on peace. Hiroshima Mon Amour delves deeply into the themes of love and inhumanity, offering a stunning portrayal of personal and cultural conflict.

With its compelling narrative and artistic brilliance, this screenplay remains one of the most influential works in the history of cinema.